WEBVTT 00:00:00.000 --> 00:00:03.472 align:middle line:90% [APPLAUSE] 00:00:03.472 --> 00:00:07.950 align:middle line:90% 00:00:07.950 --> 00:00:08.745 align:middle line:90% Thank you, Alice. 00:00:08.745 --> 00:00:13.287 align:middle line:90% 00:00:13.287 --> 00:00:15.620 align:middle line:84% The second poet who's going to be reading this afternoon 00:00:15.620 --> 00:00:19.200 align:middle line:90% is Mei-Mei Berssenbrugge. 00:00:19.200 --> 00:00:22.290 align:middle line:84% It's a great honor to introduce her and describe 00:00:22.290 --> 00:00:25.990 align:middle line:84% her work to you for a few moments and tell you about her. 00:00:25.990 --> 00:00:29.410 align:middle line:84% She was born in 1947 in Beijing, China, 00:00:29.410 --> 00:00:31.450 align:middle line:90% and grew up in Massachusetts. 00:00:31.450 --> 00:00:34.810 align:middle line:84% Her books include Summit's Move with the Tide; 00:00:34.810 --> 00:00:37.600 align:middle line:84% Random Possession; and The Heat Bird, 00:00:37.600 --> 00:00:41.290 align:middle line:84% both of which receive American Book Awards; Empathy, 00:00:41.290 --> 00:00:46.150 align:middle line:84% winner of the Pen West Award; Hiddenness, 00:00:46.150 --> 00:00:49.240 align:middle line:84% a collaboration with the artist Richard Tuttle published 00:00:49.240 --> 00:00:53.800 align:middle line:84% by the Whitney Museum Library; Sphericity; Endocrinology, 00:00:53.800 --> 00:00:57.940 align:middle line:84% a collaboration with the artist Kiki Smith; Four-Year-Old Girl; 00:00:57.940 --> 00:01:00.130 align:middle line:90% Nest; and I Love Artists-- 00:01:00.130 --> 00:01:03.790 align:middle line:84% New and Selected Poems published by New California Poetry 00:01:03.790 --> 00:01:05.860 align:middle line:90% in 2006. 00:01:05.860 --> 00:01:07.690 align:middle line:84% She has been a contributing editor 00:01:07.690 --> 00:01:12.220 align:middle line:84% of Conjunctions Magazine since 1978 and lives in New Mexico 00:01:12.220 --> 00:01:14.620 align:middle line:84% with her husband, the artist Richard Tuttle 00:01:14.620 --> 00:01:17.740 align:middle line:90% and their daughter Martha. 00:01:17.740 --> 00:01:19.720 align:middle line:84% I first encountered Mei-Mei's poetry 00:01:19.720 --> 00:01:21.310 align:middle line:90% when I was a graduate student. 00:01:21.310 --> 00:01:24.070 align:middle line:84% And like most of the students who were with me, 00:01:24.070 --> 00:01:25.540 align:middle line:90% it changed my poetry. 00:01:25.540 --> 00:01:28.870 align:middle line:84% And I don't know how else to say it. 00:01:28.870 --> 00:01:33.250 align:middle line:84% Reading the work of Mei-Mei is like entering another world. 00:01:33.250 --> 00:01:37.270 align:middle line:90% Some white blank space where-- 00:01:37.270 --> 00:01:37.820 align:middle line:90% I don't know. 00:01:37.820 --> 00:01:41.590 align:middle line:84% Somewhere between a museum and an actual natural landscape 00:01:41.590 --> 00:01:45.640 align:middle line:84% where colors, words, light, relationships between objects, 00:01:45.640 --> 00:01:49.840 align:middle line:84% the realizations of perceptions, acute spatial maps, 00:01:49.840 --> 00:01:53.800 align:middle line:84% and a warm human living force like that which brings life 00:01:53.800 --> 00:01:57.880 align:middle line:84% into this world coexist and are applied to the walls, 00:01:57.880 --> 00:02:01.510 align:middle line:84% extracted whole and entire from nature 00:02:01.510 --> 00:02:06.550 align:middle line:84% like a blossom with all its facets looked from all sides. 00:02:06.550 --> 00:02:09.300 align:middle line:84% I've always been struck by the kinship of her poetry 00:02:09.300 --> 00:02:12.000 align:middle line:84% to the writings and thoughts of phenomenology. 00:02:12.000 --> 00:02:15.420 align:middle line:84% And both share a great presence for the exploration yet 00:02:15.420 --> 00:02:19.830 align:middle line:84% simultaneity of existence within the field of perception, 00:02:19.830 --> 00:02:24.120 align:middle line:84% although Berssenbrugge's work pushes us, as readers, 00:02:24.120 --> 00:02:26.850 align:middle line:84% into this world into the living moments, 00:02:26.850 --> 00:02:30.330 align:middle line:84% photographs, instances of light in her books 00:02:30.330 --> 00:02:33.870 align:middle line:84% and creates a parallel of experiencing those perceptions 00:02:33.870 --> 00:02:36.090 align:middle line:84% as if we were living them ourself. 00:02:36.090 --> 00:02:38.040 align:middle line:90% Please help me welcome Mei-Mei. 00:02:38.040 --> 00:02:39.060 align:middle line:90% Thank you. 00:02:39.060 --> 00:02:40.910 align:middle line:90% [APPLAUSE] 00:02:40.910 --> 00:02:43.000 align:middle line:90%