WEBVTT 00:00:00.000 --> 00:00:01.296 align:middle line:90% 00:00:01.296 --> 00:00:04.190 align:middle line:90% [INTERPOSING VOICES] 00:00:04.190 --> 00:00:06.450 align:middle line:90% 00:00:06.450 --> 00:00:08.790 align:middle line:84% This is real close up television. 00:00:08.790 --> 00:00:11.370 align:middle line:90% OK. 00:00:11.370 --> 00:00:12.990 align:middle line:84% I want to make a few announcements 00:00:12.990 --> 00:00:14.280 align:middle line:90% before the reading. 00:00:14.280 --> 00:00:17.010 align:middle line:84% Next Wednesday night in this auditorium, 00:00:17.010 --> 00:00:18.690 align:middle line:84% poet named Robert Mezey will read, 00:00:18.690 --> 00:00:22.500 align:middle line:84% that's Wednesday, February 18 at 8:30. 00:00:22.500 --> 00:00:28.620 align:middle line:84% The following week, I guess, March 4th Wednesday, March 4th. 00:00:28.620 --> 00:00:31.410 align:middle line:84% A New York poet by the name of Charles Simic will read. 00:00:31.410 --> 00:00:34.050 align:middle line:90% 00:00:34.050 --> 00:00:38.580 align:middle line:84% And tonight, we have Mr. Jon Anderson. 00:00:38.580 --> 00:00:40.710 align:middle line:90% Anderson is on a-- 00:00:40.710 --> 00:00:45.540 align:middle line:84% is here under the auspices of the Southwest creative writing 00:00:45.540 --> 00:00:47.850 align:middle line:84% project, which is sponsored by the National 00:00:47.850 --> 00:00:49.440 align:middle line:90% Endowment for the Arts. 00:00:49.440 --> 00:00:52.830 align:middle line:84% Which means, he'll go on a tour for two weeks 00:00:52.830 --> 00:00:55.560 align:middle line:84% reading poetry to high school students 00:00:55.560 --> 00:00:57.000 align:middle line:90% all over the Southwest. 00:00:57.000 --> 00:01:00.600 align:middle line:84% And new Claremont asked me to give you 00:01:00.600 --> 00:01:02.790 align:middle line:84% some of the names of the people who'll 00:01:02.790 --> 00:01:05.730 align:middle line:84% be reading on that program because also read here 00:01:05.730 --> 00:01:06.670 align:middle line:90% or most of them. 00:01:06.670 --> 00:01:11.850 align:middle line:84% Charles Simic, Ruth Stone, J.D. Reid, Jim Harrison, 00:01:11.850 --> 00:01:17.970 align:middle line:84% William Meredith, W.S. Merwin, Galway Kinnell, Peter Wild, 00:01:17.970 --> 00:01:19.200 align:middle line:90% and Louise Glück. 00:01:19.200 --> 00:01:21.570 align:middle line:84% This is over a 12 month period, so you'll 00:01:21.570 --> 00:01:22.890 align:middle line:90% see announcements about it. 00:01:22.890 --> 00:01:26.340 align:middle line:90% 00:01:26.340 --> 00:01:27.090 align:middle line:90% OK. 00:01:27.090 --> 00:01:30.570 align:middle line:84% Jon Anderson grew up-- was born in 1940, 00:01:30.570 --> 00:01:33.270 align:middle line:84% grew up in Massachusetts, got a master's 00:01:33.270 --> 00:01:36.870 align:middle line:84% of Fine Arts degree in poetry from the writers workshop 00:01:36.870 --> 00:01:38.790 align:middle line:90% at the University of Iowa. 00:01:38.790 --> 00:01:40.830 align:middle line:84% Taught in the graduate program there for a year 00:01:40.830 --> 00:01:42.780 align:middle line:84% and has been teaching in the last two years 00:01:42.780 --> 00:01:46.260 align:middle line:84% at the University of Portland in Portland, Oregon. 00:01:46.260 --> 00:01:49.680 align:middle line:84% He has one out by the University of Pittsburgh press 00:01:49.680 --> 00:01:52.260 align:middle line:84% called Looking For Jonathan, which 00:01:52.260 --> 00:01:57.000 align:middle line:84% was the runner up in the United States of America contest 1967. 00:01:57.000 --> 00:02:01.200 align:middle line:84% He has another book coming out in, I guess next fall 00:02:01.200 --> 00:02:06.285 align:middle line:84% to be also by Pittsburgh to be called, Death and Friends. 00:02:06.285 --> 00:02:09.120 align:middle line:90% 00:02:09.120 --> 00:02:10.979 align:middle line:84% He's-- Jon's one of my best friends, 00:02:10.979 --> 00:02:13.396 align:middle line:84% so I don't really know what to say about him or I have too 00:02:13.396 --> 00:02:13.980 align:middle line:90% much to say. 00:02:13.980 --> 00:02:16.110 align:middle line:84% He-- the only thing I can think of 00:02:16.110 --> 00:02:19.770 align:middle line:84% is that this latest book from which he'll probably 00:02:19.770 --> 00:02:23.220 align:middle line:84% read most of his poems, the poems 00:02:23.220 --> 00:02:26.470 align:middle line:84% are depressing I guess, that most of them are about death. 00:02:26.470 --> 00:02:29.010 align:middle line:84% And he said to me once that he giving a reading I 00:02:29.010 --> 00:02:33.802 align:middle line:84% think in Eugene, Oregon that he apologized before the reading 00:02:33.802 --> 00:02:35.760 align:middle line:84% because he didn't want to depress the audience, 00:02:35.760 --> 00:02:38.860 align:middle line:84% he was very hesitant to read them. 00:02:38.860 --> 00:02:41.730 align:middle line:84% But there's also a great deal of compassion 00:02:41.730 --> 00:02:46.470 align:middle line:84% in the poems, a open honesty, and ultimately I 00:02:46.470 --> 00:02:50.370 align:middle line:90% think a joy in that. 00:02:50.370 --> 00:02:53.624 align:middle line:90% So I give you Jon Anderson. 00:02:53.624 --> 00:02:57.033 align:middle line:90% [APPLAUSE] 00:02:57.033 --> 00:03:03.380 align:middle line:90% 00:03:03.380 --> 00:03:05.840 align:middle line:84% I'm not used to such large audiences for poetry readings. 00:03:05.840 --> 00:03:12.772 align:middle line:90% 00:03:12.772 --> 00:03:14.480 align:middle line:84% Which gives me confidence because someone 00:03:14.480 --> 00:03:15.438 align:middle line:90% is bound to be pleased. 00:03:15.438 --> 00:03:18.170 align:middle line:90% 00:03:18.170 --> 00:03:19.880 align:middle line:84% I want to begin with a poem, which 00:03:19.880 --> 00:03:24.565 align:middle line:84% is completely different from anything else that I'll read. 00:03:24.565 --> 00:03:25.940 align:middle line:84% That I want to dedicate to Steve, 00:03:25.940 --> 00:03:27.357 align:middle line:84% because it's a poem that comes out 00:03:27.357 --> 00:03:31.160 align:middle line:84% of our common experience, our almost common experience. 00:03:31.160 --> 00:03:34.970 align:middle line:84% Steve worked one summer when he was a student in the writers' 00:03:34.970 --> 00:03:38.930 align:middle line:84% workshop up at the University of Iowa for Hallmark cards, 00:03:38.930 --> 00:03:40.145 align:middle line:90% writing greeting card verse-- 00:03:40.145 --> 00:03:42.707 align:middle line:90% [LAUGHTER] 00:03:42.707 --> 00:03:44.540 align:middle line:84% Which I guess nobody knows about here, right 00:03:44.540 --> 00:03:47.865 align:middle line:90% [LAUGHTER] 00:03:47.865 --> 00:03:49.290 align:middle line:90% 00:03:49.290 --> 00:03:51.930 align:middle line:84% But he was well paid and reasonably happy 00:03:51.930 --> 00:03:54.077 align:middle line:84% and he told me confidentially that he 00:03:54.077 --> 00:03:56.160 align:middle line:84% was pretty sure they had not used any of the verse 00:03:56.160 --> 00:03:56.820 align:middle line:90% that he wrote. 00:03:56.820 --> 00:03:58.620 align:middle line:90% [LAUGHTER] 00:03:58.620 --> 00:04:01.590 align:middle line:84% So I thought when the next summer came along 00:04:01.590 --> 00:04:04.350 align:middle line:84% that I would try to get a job there too, but both of us 00:04:04.350 --> 00:04:09.300 align:middle line:84% had-- had won prizes in their [? Palma ?] contest 00:04:09.300 --> 00:04:10.407 align:middle line:90% that they won every year. 00:04:10.407 --> 00:04:12.990 align:middle line:84% And I'd won it for two years in a row, so I was very confident 00:04:12.990 --> 00:04:14.610 align:middle line:84% and thought I was a shoo-in for it. 00:04:14.610 --> 00:04:19.620 align:middle line:84% But to my surprise, they sent me up a writing test 00:04:19.620 --> 00:04:22.980 align:middle line:84% to see how fit I was for writing greeting card verse. 00:04:22.980 --> 00:04:26.940 align:middle line:84% And the upshot of it was, I did not get the job. 00:04:26.940 --> 00:04:29.160 align:middle line:84% And discovered that writing greeting card verse 00:04:29.160 --> 00:04:32.380 align:middle line:84% has an aesthetic of its own, which I did not really 00:04:32.380 --> 00:04:32.880 align:middle line:90% understand. 00:04:32.880 --> 00:04:34.680 align:middle line:90% [LAUGHTER] 00:04:34.680 --> 00:04:38.220 align:middle line:84% For instance, I was directed as a part of the test 00:04:38.220 --> 00:04:42.360 align:middle line:84% to write a poem, a birthday poem for a child. 00:04:42.360 --> 00:04:44.370 align:middle line:84% And I wrote the poem and after I'd sent it off, 00:04:44.370 --> 00:04:47.340 align:middle line:84% I showed it to a friend and he pointed out to me 00:04:47.340 --> 00:04:48.810 align:middle line:84% that the theme of this poem seemed 00:04:48.810 --> 00:04:50.970 align:middle line:84% to be that it was unnatural to grow older. 00:04:50.970 --> 00:04:54.428 align:middle line:90% [LAUGHTER] 00:04:54.428 --> 00:04:55.910 align:middle line:90% 00:04:55.910 --> 00:04:59.060 align:middle line:84% I hadn't written any rhymed verse for a long time, 00:04:59.060 --> 00:05:00.800 align:middle line:84% the demands of it was such-- well, 00:05:00.800 --> 00:05:05.270 align:middle line:84% this same friend was very amused by another one of the poems 00:05:05.270 --> 00:05:09.560 align:middle line:84% that I wrote for this test and he copied it down, 00:05:09.560 --> 00:05:13.700 align:middle line:84% and we had a falling out recently, and he sent it to me. 00:05:13.700 --> 00:05:17.050 align:middle line:90% [LAUGHTER]