WEBVTT 00:00:00.000 --> 00:00:03.540 align:middle line:84% Before you get rid of me, I'm actually 00:00:03.540 --> 00:00:05.760 align:middle line:84% going to call Keith here, and we want 00:00:05.760 --> 00:00:07.860 align:middle line:84% to read-- in between the two of us, 00:00:07.860 --> 00:00:11.010 align:middle line:90% we want to read a collaboration. 00:00:11.010 --> 00:00:14.880 align:middle line:84% The collaboration is called "Light Travels," 00:00:14.880 --> 00:00:19.530 align:middle line:84% and is a variant on the form of a renga, which 00:00:19.530 --> 00:00:22.440 align:middle line:84% is for many poets, but there were only two of us, 00:00:22.440 --> 00:00:26.460 align:middle line:84% and so we tinkered a little bit with the rules. 00:00:26.460 --> 00:00:31.690 align:middle line:90% But you'll notice what happens. 00:00:31.690 --> 00:00:35.860 align:middle line:84% So come closer to the microphone. 00:00:35.860 --> 00:00:36.570 align:middle line:90% OK. 00:00:36.570 --> 00:00:39.780 align:middle line:90% So "Light Travels." 00:00:39.780 --> 00:00:43.110 align:middle line:90% "Light Travels." 00:00:43.110 --> 00:00:50.260 align:middle line:84% Common time I follow you unkept secret on a basic undersound. 00:00:50.260 --> 00:00:52.770 align:middle line:90% 00:00:52.770 --> 00:01:00.310 align:middle line:84% Common time I follow you unkept secret on a basic undersound. 00:01:00.310 --> 00:01:03.950 align:middle line:84% This is the first part of the rhyme. 00:01:03.950 --> 00:01:08.200 align:middle line:84% Allow for sequences of overheard. 00:01:08.200 --> 00:01:11.080 align:middle line:84% This is the first part of the rhyme. 00:01:11.080 --> 00:01:14.870 align:middle line:84% Allow for sequences of overheard. 00:01:14.870 --> 00:01:18.410 align:middle line:84% Close the curtains, but playful elaborations 00:01:18.410 --> 00:01:25.820 align:middle line:84% of otherwise arrogant variations keeping the window open. 00:01:25.820 --> 00:01:29.870 align:middle line:84% Close the curtains, but playful elaborations 00:01:29.870 --> 00:01:36.110 align:middle line:84% of otherwise arrogant variations keeping the window open, 00:01:36.110 --> 00:01:39.630 align:middle line:84% as it's wrong to shut one's eyes to dream. 00:01:39.630 --> 00:01:44.210 align:middle line:84% It's raining while it is in fact raining. 00:01:44.210 --> 00:01:47.850 align:middle line:84% As it's wrong to shut one's eyes to dream. 00:01:47.850 --> 00:01:53.550 align:middle line:84% It's raining while it is in fact raining. 00:01:53.550 --> 00:01:59.010 align:middle line:84% Ears busied with hearing more than one voice. 00:01:59.010 --> 00:02:04.210 align:middle line:90% The stream our tears 00:02:04.210 --> 00:02:08.229 align:middle line:84% Ears busy with hearing more than one voice. 00:02:08.229 --> 00:02:13.360 align:middle line:84% The stream our tears unmirror, or mere error 00:02:13.360 --> 00:02:17.620 align:middle line:90% as if naturally hard of divided. 00:02:17.620 --> 00:02:21.440 align:middle line:90% Noise rings in our fears. 00:02:21.440 --> 00:02:27.920 align:middle line:84% Or mere error as if naturally hard of divided noise 00:02:27.920 --> 00:02:30.620 align:middle line:90% rings in our fears. 00:02:30.620 --> 00:02:37.430 align:middle line:84% Expands danger within our long thin hands contract 00:02:37.430 --> 00:02:40.980 align:middle line:90% across quiet gravel. 00:02:40.980 --> 00:02:46.020 align:middle line:84% Expands danger within our long thin hands contract 00:02:46.020 --> 00:02:49.110 align:middle line:90% across quiet gravel. 00:02:49.110 --> 00:02:56.180 align:middle line:84% Narrow fruit tin cans, loss of the white of other eyes. 00:02:56.180 --> 00:03:02.950 align:middle line:84% Narrow fruit tin cans, loss of the white of other eyes. 00:03:02.950 --> 00:03:07.030 align:middle line:90% Song out of mind. 00:03:07.030 --> 00:03:13.090 align:middle line:84% Song out of mind, or am I tethered? 00:03:13.090 --> 00:03:17.080 align:middle line:90% So blind a coloring of thought? 00:03:17.080 --> 00:03:23.400 align:middle line:84% Or am I tethered so blind a coloring of thought? 00:03:23.400 --> 00:03:30.920 align:middle line:84% Intrinsically fuzzy, the sound as pavement 00:03:30.920 --> 00:03:36.250 align:middle line:84% Intrinsically fuzzy, the sound as pavement? 00:03:36.250 --> 00:03:40.570 align:middle line:84% Whereas, tenses are a later development. 00:03:40.570 --> 00:03:47.150 align:middle line:84% Whereas, tenses are a later development. 00:03:47.150 --> 00:03:49.730 align:middle line:90% Limits of a body open sea-- 00:03:49.730 --> 00:03:53.320 align:middle line:90% the great sea journey. 00:03:53.320 --> 00:03:59.750 align:middle line:84% Limits of a body open sea, the great sea journey. 00:03:59.750 --> 00:04:05.870 align:middle line:84% How different the grammars of to think or swim. 00:04:05.870 --> 00:04:12.640 align:middle line:84% How different the grammars of to think or swim. 00:04:12.640 --> 00:04:17.500 align:middle line:90% Reminiscence and extinction. 00:04:17.500 --> 00:04:18.400 align:middle line:90% Thank you. 00:04:18.400 --> 00:04:21.750 align:middle line:90% [APPLAUSE] 00:04:21.750 --> 00:04:27.000 align:middle line:90%