WEBVTT 00:00:00.000 --> 00:00:01.350 align:middle line:90% 00:00:01.350 --> 00:00:04.530 align:middle line:84% This is an app by a guy named [? Joerg Piringer ?].. 00:00:04.530 --> 00:00:05.475 align:middle line:90% He's Austrian. 00:00:05.475 --> 00:00:11.317 align:middle line:90% 00:00:11.317 --> 00:00:15.293 align:middle line:90% [MUSIC PLAYING] 00:00:15.293 --> 00:00:58.287 align:middle line:90% 00:00:58.287 --> 00:00:59.870 align:middle line:84% I think if I bought that, I'd probably 00:00:59.870 --> 00:01:02.110 align:middle line:84% be around the house for three days. 00:01:02.110 --> 00:01:02.860 align:middle line:90% It's so amazing. 00:01:02.860 --> 00:01:05.960 align:middle line:90% 00:01:05.960 --> 00:01:07.710 align:middle line:84% I don't know if you're familiar with this. 00:01:07.710 --> 00:01:09.170 align:middle line:90% It's called a Pentametron. 00:01:09.170 --> 00:01:10.950 align:middle line:84% Pentametron is a Twitter bot, which 00:01:10.950 --> 00:01:12.450 align:middle line:84% means it's not really a person, it's 00:01:12.450 --> 00:01:16.560 align:middle line:84% just a program that scrapes all of Twitter. 00:01:16.560 --> 00:01:18.540 align:middle line:84% And what it does is, by algorithm, 00:01:18.540 --> 00:01:22.890 align:middle line:84% it extracts lines of iambic pentameter and then posts 00:01:22.890 --> 00:01:25.320 align:middle line:84% them as it finds them in sort of an ongoing basis. 00:01:25.320 --> 00:01:27.090 align:middle line:84% Or if you were to follow Pentametron, 00:01:27.090 --> 00:01:30.270 align:middle line:84% you'd see a line, a line, a line, a line, as it finds them. 00:01:30.270 --> 00:01:32.820 align:middle line:84% But then what it also does, on a separate website, 00:01:32.820 --> 00:01:36.780 align:middle line:84% is it takes the further step of looking for rhymes, 00:01:36.780 --> 00:01:40.932 align:middle line:84% and then puts them together to form sonnets. 00:01:40.932 --> 00:01:42.860 align:middle line:84% Shakespearean sonnets in this case. 00:01:42.860 --> 00:01:46.610 align:middle line:90% 00:01:46.610 --> 00:01:49.340 align:middle line:84% JanusNode is pretty interesting, if you 00:01:49.340 --> 00:01:52.520 align:middle line:84% have any interest or knowledge of Oulipo 00:01:52.520 --> 00:01:55.700 align:middle line:84% and sort of transformative operations. 00:01:55.700 --> 00:01:59.030 align:middle line:84% Basically what it does is it takes any text as an input, 00:01:59.030 --> 00:02:01.850 align:middle line:84% and then allows you to set rules on how 00:02:01.850 --> 00:02:05.690 align:middle line:84% it is going to alter that text, and then 00:02:05.690 --> 00:02:07.610 align:middle line:84% it systematically alters that text for you. 00:02:07.610 --> 00:02:14.220 align:middle line:90% 00:02:14.220 --> 00:02:16.470 align:middle line:84% This is a Canadian curator, actually, 00:02:16.470 --> 00:02:23.340 align:middle line:84% by trade, who also has a series of sidewalk chalk pieces 00:02:23.340 --> 00:02:24.560 align:middle line:90% that are site specific. 00:02:24.560 --> 00:02:27.270 align:middle line:84% In this particular case, this one says a door, 00:02:27.270 --> 00:02:29.010 align:middle line:90% and it's in front of a door. 00:02:29.010 --> 00:02:33.120 align:middle line:84% This one says, actually, Azalea, but it's done in a way 00:02:33.120 --> 00:02:36.060 align:middle line:84% that it ends up looking as if flowers are growing where 00:02:36.060 --> 00:02:40.560 align:middle line:90% they are now, or ought to. 00:02:40.560 --> 00:02:43.470 align:middle line:84% Denise Duhamel has this beautiful piece. 00:02:43.470 --> 00:02:47.160 align:middle line:90% 00:02:47.160 --> 00:02:49.398 align:middle line:84% It reads one way with the blinds closed 00:02:49.398 --> 00:02:50.940 align:middle line:84% and another way with the blinds open, 00:02:50.940 --> 00:02:54.690 align:middle line:84% so you have this mechanism that allows you to change the slats. 00:02:54.690 --> 00:02:58.030 align:middle line:90% 00:02:58.030 --> 00:02:59.860 align:middle line:84% And I have to explain this a lot. 00:02:59.860 --> 00:03:02.290 align:middle line:84% Roy Arenella is a guy, he's probably 00:03:02.290 --> 00:03:05.200 align:middle line:84% one of the most genuine human beings 00:03:05.200 --> 00:03:09.400 align:middle line:84% I've ever had the privilege to know and to correspond with. 00:03:09.400 --> 00:03:12.430 align:middle line:84% He's a photographer by trade, but he's a mail artist. 00:03:12.430 --> 00:03:15.490 align:middle line:84% He opted out of the gallery system 00:03:15.490 --> 00:03:19.180 align:middle line:84% 25 years ago for various frustrated reasons, 00:03:19.180 --> 00:03:20.860 align:middle line:90% and he became a mail artist. 00:03:20.860 --> 00:03:24.940 align:middle line:84% And the kind of mail art that Roy practices is very unique, 00:03:24.940 --> 00:03:25.840 align:middle line:90% in my experience. 00:03:25.840 --> 00:03:28.750 align:middle line:84% Mail art is a huge, thriving international community, 00:03:28.750 --> 00:03:30.910 align:middle line:84% that if anybody is ever stumped for inspiration, 00:03:30.910 --> 00:03:33.003 align:middle line:84% I totally recommend you join for a while. 00:03:33.003 --> 00:03:34.420 align:middle line:84% The only rule of mail artists, you 00:03:34.420 --> 00:03:36.108 align:middle line:84% have to send mail art to get mail art. 00:03:36.108 --> 00:03:37.900 align:middle line:84% But if you do any kind of web search on it, 00:03:37.900 --> 00:03:42.310 align:middle line:84% you'll find access into an absolute volcano 00:03:42.310 --> 00:03:45.660 align:middle line:84% of creativity coming into your mailbox, all day, every day. 00:03:45.660 --> 00:03:47.590 align:middle line:90% It's an amazing community. 00:03:47.590 --> 00:03:52.390 align:middle line:84% But what [? Ray ?] does, there's a kind of mail art, 00:03:52.390 --> 00:03:55.390 align:middle line:84% it's actually a kind of stamp collecting, 00:03:55.390 --> 00:03:57.670 align:middle line:84% it's called maximalist philately. 00:03:57.670 --> 00:03:59.900 align:middle line:84% And what these people try to do is 00:03:59.900 --> 00:04:04.813 align:middle line:84% they try to match the postmark to the stamp, to the envelope, 00:04:04.813 --> 00:04:06.730 align:middle line:84% to the person, and they try to make everything 00:04:06.730 --> 00:04:08.650 align:middle line:84% as absolutely personal as possible. 00:04:08.650 --> 00:04:11.560 align:middle line:84% But Roy does that, he kind of takes it a step further, 00:04:11.560 --> 00:04:16.329 align:middle line:84% because he takes a photo that becomes the postcard, 00:04:16.329 --> 00:04:20.410 align:middle line:84% and then he will match the stamps 00:04:20.410 --> 00:04:22.510 align:middle line:84% with the content of the postcard, 00:04:22.510 --> 00:04:26.910 align:middle line:84% with the message that he's sending, 00:04:26.910 --> 00:04:30.480 align:middle line:84% to make a piece that is as maximally 00:04:30.480 --> 00:04:34.560 align:middle line:84% personal a connection to him and the person that he's 00:04:34.560 --> 00:04:39.053 align:middle line:84% sending them to as is possible on that piece. 00:04:39.053 --> 00:04:40.470 align:middle line:84% And if there's a better definition 00:04:40.470 --> 00:04:44.940 align:middle line:84% of poetry in the world, I do not know what it is. 00:04:44.940 --> 00:04:47.652 align:middle line:84% And that is all I have for this part. 00:04:47.652 --> 00:04:49.110 align:middle line:84% I'd like to take about five minutes 00:04:49.110 --> 00:04:51.610 align:middle line:84% where everybody can kind of stand up, wiggle their butt. 00:04:51.610 --> 00:04:52.110 align:middle line:90% [INAUDIBLE] 00:04:52.110 --> 00:04:55.860 align:middle line:90% [APPLAUSE] 00:04:55.860 --> 00:04:57.000 align:middle line:90%