WEBVTT 00:00:00.000 --> 00:00:06.530 align:middle line:90% 00:00:06.530 --> 00:00:13.160 align:middle line:84% This poem is "Choir of Memory," and first inspiration of it 00:00:13.160 --> 00:00:17.330 align:middle line:84% was on a train at night, and you'll 00:00:17.330 --> 00:00:22.430 align:middle line:84% recall that when you're traveling through a station, 00:00:22.430 --> 00:00:24.650 align:middle line:90% you can see out. 00:00:24.650 --> 00:00:27.470 align:middle line:84% But when you move into the dark, you only 00:00:27.470 --> 00:00:30.500 align:middle line:84% see your face, so going through multiple stations that 00:00:30.500 --> 00:00:31.880 align:middle line:90% appear and disappear. 00:00:31.880 --> 00:00:35.810 align:middle line:90% 00:00:35.810 --> 00:00:40.950 align:middle line:84% And it's the train from Antwerp to Amsterdam. 00:00:40.950 --> 00:00:52.595 align:middle line:84% And I was moved by old, very old man who I thought was Jewish. 00:00:52.595 --> 00:00:55.580 align:middle line:90% 00:00:55.580 --> 00:01:01.600 align:middle line:84% Tailored suit with the burden of memories. 00:01:01.600 --> 00:01:04.239 align:middle line:90% 00:01:04.239 --> 00:01:07.760 align:middle line:84% And it was on this same route, maybe 00:01:07.760 --> 00:01:11.346 align:middle line:84% when I wrote this poem, maybe 35 years earlier, 00:01:11.346 --> 00:01:16.760 align:middle line:84% that Jews were transported on this same railroad 00:01:16.760 --> 00:01:18.545 align:middle line:84% that I'm now taking as a tourist. 00:01:18.545 --> 00:01:21.230 align:middle line:90% 00:01:21.230 --> 00:01:27.170 align:middle line:84% Grave faces of the late window gods appease my shadow 00:01:27.170 --> 00:01:30.440 align:middle line:84% and break the fierce silence overnight 00:01:30.440 --> 00:01:34.940 align:middle line:90% by memory of cruel cities. 00:01:34.940 --> 00:01:40.100 align:middle line:84% Perfect names, Aryan chauffeurs at the right mile 00:01:40.100 --> 00:01:44.300 align:middle line:90% posts in the dark firestorms. 00:01:44.300 --> 00:01:50.960 align:middle line:84% He raced entire families outrun on the rails. 00:01:50.960 --> 00:01:56.840 align:middle line:84% Old storiers cloaked the shame, creation turns and rage 00:01:56.840 --> 00:01:59.060 align:middle line:90% against misery. 00:01:59.060 --> 00:02:05.450 align:middle line:84% Black mercy, foot men in the lounge, mockery by chance 00:02:05.450 --> 00:02:13.850 align:middle line:84% or godsend on the night train, Antwerp to Amsterdam. 00:02:13.850 --> 00:02:23.320 align:middle line:84% Ceremony and memory tormented by the station's brake of light. 00:02:23.320 --> 00:02:29.770 align:middle line:84% My shouts, slight tributes, sentiments of resistance 00:02:29.770 --> 00:02:37.120 align:middle line:84% almost lost on the cloudy cold coasts of the Second World War. 00:02:37.120 --> 00:02:39.730 align:middle line:90% 00:02:39.730 --> 00:02:44.320 align:middle line:84% Blue portraits, dark eyes, weary children 00:02:44.320 --> 00:02:50.260 align:middle line:84% forsaken by the seasons in their winter coats, 00:02:50.260 --> 00:02:58.030 align:middle line:84% silent nations rushed past the meadows, festivals, Mitzvah, 00:02:58.030 --> 00:03:00.790 align:middle line:90% secular unions. 00:03:00.790 --> 00:03:05.530 align:middle line:84% Sole relatives reflected night after night on the dirty train 00:03:05.530 --> 00:03:11.830 align:middle line:84% windows, vanishing in the light at the stations. 00:03:11.830 --> 00:03:16.960 align:middle line:84% Family traces beholden and imagined on the glass 00:03:16.960 --> 00:03:23.080 align:middle line:84% by a jeweler in a mighty choir of memory, 00:03:23.080 --> 00:03:29.190 align:middle line:84% forever in motion on the train to Amsterdam. 00:03:29.190 --> 00:03:35.000 align:middle line:90%