WEBVTT

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Thank you all for
coming, that is.

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That works.

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Thank you all for coming.

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And I want to thank in
particular, Lisa Bowden, who

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just gave that
wonderful introduction.

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But she also designed this
amazing chap book of mine

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that was just put into
the world two weeks ago.

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And I want to thank
Rae Strozzo, who

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did the artwork for the cover.

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So thank you both so much.

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Thank you to Movement
Salon, all of you

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for being here with me
in creating this piece.

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"Territories of Folding."

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"Decorate almost queer
miscreant, bear some boy

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and sing.

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This cannot be another
year about unknowing.

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I was my mother's daughter.

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And then a series of days came.

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They were not unlike a rock
garden on the dinner table.

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I brushed the ground and made
a life jacket of fence posts.

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We committed suicide, and
she called me her son.

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Pushed in a closet and
bleeding, if this is 1989,

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your sister did
that to your nose.

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Sometimes I believe
I am a hallway.

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I take back the whole
part about transition.

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And this is what I keep trying
to tell you about desperation.

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If I could, I would suffer
more in that liminal.

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My wish, which is a faulty
maintaining, the tender

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of a slightly turned me and the
least brave person that I know.

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It's spelled S-H-E.
But the S is silent.

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Isn't that the way it is anyway?

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No two plurals in the world.

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And what of CPR in
the first place?

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Play dead, little sister.

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Be a good girl.

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I'll be the boy,
and I'll save you.

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This is air in your lungs.

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And you are now breathing.

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It is important to me that
you remember the difference.

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This is resuscitation,
not blood, nor a kiss.

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Decorate almost queer miscreant,
bear some boy and sing.

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To remove from the frame
of reference, the referent,

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to a singular and
plural and yet.

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The verb never agrees
with it's heresy,

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disbelieving in
absentia redress.

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The story of cleavage unwritten,
erased perhaps, but still

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missed.

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Decorate almost queer
miscreant, bear some boy

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and sing and sing
and sing and sing.

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I do not bring the
luxury of insistence

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if a cattle guard is
waning by himself.

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Six poles and not one
of them in training--

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although I am ungentle and
in between, dear Ramona,

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call me domicile.

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Tar string and say that
never will you garnish me,

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choke lovely, the open
trickle of my mouth.

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Decorate almost.

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No, the body is
deleterious enough.

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Boy, oh boy, and sing.

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Decorate almost queer miscreant.

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Bear some boy and sing.

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That there will be a future in
which my twinkle toes calibrate

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rescue, finger the witness
lightning, now lightning

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in the salty and
discontinuous air,

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as if that woman is still
asleep in her jeans.

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Boy oh boy and sing.

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Because I left
words out I did not

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want to repeat in the winter,
leaning as if on wind,

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what water holds.

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[MUSIC PLAYING]

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You move forward as
if through a jump rope

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that handles molesting your
hands, with the mouth covers

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and then covering introduces.

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You keep it tiny core and
more of yesterday's wind.

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It's spelled as S-H-E,
but the S is silent.

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Boy oh boy, and sing.

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[MUSIC PLAYING]

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We left the oven on much
more in that kitchen.

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Only the fact of what I was
thinking there can separate me.

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Your hair breaks
in, lying lovingly.

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Go little grass, burn back.

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Go little me, just kiss.

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[MUSIC PLAYING]

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Tonight, let's
practice [? erosion? ].

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It's finally my
turn, as the wind.

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[MUSIC PLAYING]

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Decorate almost, queer
miscreant, like the light

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switches I spend
hours attending to.

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This camera is digital.

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The sound of my
nevering is a pedigree,

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accustomed with all of my back.

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What we were promised was
cornstarch, which I am all no

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and other miracles--
elephants, elephants,

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elephants, out of days, who I
raised and then will accompany,

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who will shadow
signature resist.

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What is behind me has been
given sutures and rest and rest

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and sing.

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[MUSIC PLAYING]

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Will someone please pass me-

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Cornstarch.

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Will someone please
pass me the technicolor?

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[MUSIC PLAYING]

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Boy, boy, boy, the
technicolor, a boy.

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And sing and sing
and sing and sing

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and sing and sing
and sing and sing.

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[MUSIC PLAYING]

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I am not, asking, for
that nearness nor even

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the possibility of reach.

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Please, please this tempting
terrible little enemy,

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discreet in our
tissue and bless.

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I think I love you more
with your derivative.

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For the camera, you
insisted I swallow

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for the plain and crowded
quiet little years.

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I would only admit
this to you, to water,

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the body is still mostly land.

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The hypothalamus remembers,
the hypothalamus cares.

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And still the
technicolor, again,

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decorate almost queer miscreant.

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We lay there for months drawing
back tiny muscle and grafting

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and exegesis of skin.

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[MUSIC PLAYING]

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I believe too much
of repetition.

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She said, the thing I
want you to remember

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is the leave taking.

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Do not break me, and I promise
not to not let the scene down.

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Do not stand there, toes
stuck together and thrown.

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I believe too much
in technicolor.

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Boy, oh boy, and sing.

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[MUSIC PLAYING]

00:13:42.835 --> 00:14:17.520 align:middle line:90%


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Sing and sing and sing and sign
and sing and sing and sing.

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Did somebody pass me?

00:14:24.110 --> 00:14:27.080 align:middle line:90%


00:14:27.080 --> 00:14:28.160 align:middle line:90%
Will you pass me?

00:14:28.160 --> 00:14:34.040 align:middle line:90%
[MUSIC PLAYING]

00:14:34.040 --> 00:14:35.510 align:middle line:90%
Did you see me?

00:14:35.510 --> 00:14:39.430 align:middle line:90%
[MUSIC PLAYING]

00:14:39.430 --> 00:14:50.700 align:middle line:90%


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Do you see me passing?

00:14:52.040 --> 00:15:04.575 align:middle line:90%


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This is me passing.

00:15:05.630 --> 00:15:09.116 align:middle line:90%
[MUSIC PLAYING]

00:15:09.116 --> 00:15:34.514 align:middle line:90%


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So, there's passing around.

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There's passing.

00:15:45.968 --> 00:15:51.446 align:middle line:90%


00:15:51.446 --> 00:15:54.932 align:middle line:90%
And there's passing.

00:15:54.932 --> 00:15:58.916 align:middle line:90%
[MUSIC PLAYING]

00:15:58.916 --> 00:16:07.880 align:middle line:90%


00:16:07.880 --> 00:16:09.374 align:middle line:90%
And there's passing.

00:16:09.374 --> 00:16:12.362 align:middle line:90%


00:16:12.362 --> 00:16:31.840 align:middle line:90%
[INAUDIBLE]

00:16:31.840 --> 00:16:36.400 align:middle line:84%
It's spelled S-H-E,
but the S is silent.

00:16:36.400 --> 00:16:38.800 align:middle line:90%
Isn't that the way it is anyway?

00:16:38.800 --> 00:16:42.700 align:middle line:90%
No two plurals in the world.

00:16:42.700 --> 00:16:46.330 align:middle line:84%
You may sleep in the
corner, please sweetly.

00:16:46.330 --> 00:16:51.460 align:middle line:84%
You may carry paper, carry
autumn in your mouth.

00:16:51.460 --> 00:16:55.250 align:middle line:84%
Now that you are
dead, I can say this.

00:16:55.250 --> 00:16:59.360 align:middle line:84%
Somehow I ended up
with your hand towels.

00:16:59.360 --> 00:17:04.439 align:middle line:84%
And I keep meaning to tell
you, your team is in a cross,

00:17:04.439 --> 00:17:07.310 align:middle line:90%
as in fact, as in theory.

00:17:07.310 --> 00:17:09.829 align:middle line:90%


00:17:09.829 --> 00:17:21.639 align:middle line:84%
Needless to say, boy
oh boy, and sing.

00:17:21.639 --> 00:17:24.430 align:middle line:90%


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Kissy face, give
me your oxygen. She

00:17:27.310 --> 00:17:31.150 align:middle line:84%
is collared between
forgiveness and rest.

00:17:31.150 --> 00:17:33.580 align:middle line:84%
You may sleep in the
corner, please sweetly.

00:17:33.580 --> 00:17:36.490 align:middle line:84%
You may carry paper, carry
all of them in your mouth.

00:17:36.490 --> 00:17:39.480 align:middle line:90%


00:17:39.480 --> 00:17:42.090 align:middle line:84%
What we were promised
was cornstarch,

00:17:42.090 --> 00:17:45.180 align:middle line:84%
featuring I am all know
and other miracles.

00:17:45.180 --> 00:17:49.390 align:middle line:84%
Elephants, we will
promised out of days.

00:17:49.390 --> 00:17:52.200 align:middle line:84%
Who will I erase,
and in what company?

00:17:52.200 --> 00:17:55.320 align:middle line:84%
Who will shadow
signature resist?

00:17:55.320 --> 00:17:59.630 align:middle line:84%
Suddenly Seymour, and
here's a fish in your hand.

00:17:59.630 --> 00:18:02.585 align:middle line:84%
What is behind me has been
given sutures and rest.

00:18:02.585 --> 00:18:05.714 align:middle line:90%
[MUSIC PLAYING]

00:18:05.714 --> 00:18:08.060 align:middle line:90%


00:18:08.060 --> 00:18:13.130 align:middle line:84%
And still, I'm not asking
for that nearness, nor even

00:18:13.130 --> 00:18:15.950 align:middle line:90%
the possibility.

00:18:15.950 --> 00:18:20.000 align:middle line:84%
Please, please, this tempting
terrible little enemy,

00:18:20.000 --> 00:18:23.180 align:middle line:84%
discreet in our
tissue and bless.

00:18:23.180 --> 00:18:27.124 align:middle line:90%
[MUSIC PLAYING]

00:18:27.124 --> 00:18:36.020 align:middle line:90%


00:18:36.020 --> 00:18:39.590 align:middle line:90%
Decorate almost queer miscreant.

00:18:39.590 --> 00:18:42.178 align:middle line:90%
bear some boy and sing.

00:18:42.178 --> 00:18:45.657 align:middle line:90%
[MUSIC PLAYING]

00:18:45.657 --> 00:18:56.110 align:middle line:90%


00:18:56.110 --> 00:18:58.650 align:middle line:84%
This is what I keep trying to
tell you about desperation.

00:18:58.650 --> 00:19:02.430 align:middle line:84%
If I could, I would suffer
more in that liminal.

00:19:02.430 --> 00:19:08.730 align:middle line:84%
If I could, I was my
mother's daughter,

00:19:08.730 --> 00:19:12.480 align:middle line:90%
and then a series of days came.

00:19:12.480 --> 00:19:17.180 align:middle line:84%
We committed suicide when
she called me her son, pushed

00:19:17.180 --> 00:19:19.530 align:middle line:90%
in a closet and bleeding.

00:19:19.530 --> 00:19:22.260 align:middle line:84%
What water holds,
you move forward as

00:19:22.260 --> 00:19:24.040 align:middle line:90%
if through a jump rope.

00:19:24.040 --> 00:19:29.070 align:middle line:84%
You keep a tidy corridor
of yesterday's wind.

00:19:29.070 --> 00:19:32.310 align:middle line:84%
That there will be a future, in
which my twinkle toes calibrate

00:19:32.310 --> 00:19:38.892 align:middle line:84%
rescue, finger the witness
lightly, now lightly,

00:19:38.892 --> 00:19:43.040 align:middle line:84%
in the salty and
discontinuous air.

00:19:43.040 --> 00:19:44.660 align:middle line:84%
Because I left
words out, I did not

00:19:44.660 --> 00:19:46.325 align:middle line:90%
want to repeat in the winter.

00:19:46.325 --> 00:19:49.550 align:middle line:90%
[MUSIC PLAYING]

00:19:49.550 --> 00:19:56.000 align:middle line:90%


00:19:56.000 --> 00:20:00.640 align:middle line:84%
Would someone please
pass me the technicolor?

00:20:00.640 --> 00:20:03.430 align:middle line:84%
Topiary, digressing,
in the mouth.

00:20:03.430 --> 00:20:07.230 align:middle line:90%
[MUSIC PLAYING]

00:20:07.230 --> 00:20:12.460 align:middle line:90%


00:20:12.460 --> 00:20:16.620 align:middle line:84%
I always mistook my
face for less sinister.

00:20:16.620 --> 00:20:18.030 align:middle line:90%
I have only one secret.

00:20:18.030 --> 00:20:22.350 align:middle line:84%
And in 40 seconds, that number
will become less than three.

00:20:22.350 --> 00:20:25.920 align:middle line:84%
When I wash dishes, I fill up
the largest bowl with water,

00:20:25.920 --> 00:20:27.970 align:middle line:90%
soap, and silverware.

00:20:27.970 --> 00:20:31.860 align:middle line:84%
I place this large bowl
in the chest of the sink.

00:20:31.860 --> 00:20:34.620 align:middle line:84%
Notice the rule of
non-recollection.

00:20:34.620 --> 00:20:37.260 align:middle line:84%
It is paramount to
the myth of the sink.

00:20:37.260 --> 00:20:40.520 align:middle line:90%
[MUSIC PLAYING]

00:20:40.520 --> 00:20:43.970 align:middle line:84%
Only the fact of what I was
thinking there can separate me.

00:20:43.970 --> 00:20:49.550 align:middle line:84%
Less than a decade, but what
the singer said was years.

00:20:49.550 --> 00:20:51.620 align:middle line:84%
Can someone please pass
me the technicolor?

00:20:51.620 --> 00:20:55.170 align:middle line:90%


00:20:55.170 --> 00:20:59.400 align:middle line:84%
Having lived through
the funnel both ways,

00:20:59.400 --> 00:21:03.540 align:middle line:84%
little intuition
calls the scene.

00:21:03.540 --> 00:21:08.660 align:middle line:84%
I believe too much of
repetition, boy, oh boy,

00:21:08.660 --> 00:21:09.337 align:middle line:90%
and sing.

00:21:09.337 --> 00:21:12.019 align:middle line:90%


00:21:12.019 --> 00:21:16.882 align:middle line:84%
Sing and sing and sing and
sing and sing and sing.

00:21:16.882 --> 00:21:20.874 align:middle line:90%
[MUSIC PLAYING]

00:21:20.874 --> 00:22:20.870 align:middle line:90%


00:22:20.870 --> 00:22:25.070 align:middle line:84%
The story of cleavage unwritten,
erased perhaps, but still

00:22:25.070 --> 00:22:27.500 align:middle line:90%
missed.

00:22:27.500 --> 00:22:30.740 align:middle line:84%
She said the thing I want you
to remember is the leave taking.

00:22:30.740 --> 00:22:34.110 align:middle line:84%
I believe too much
in repetition,

00:22:34.110 --> 00:22:36.420 align:middle line:84%
having lived through
the funnel, both ways.

00:22:36.420 --> 00:22:39.640 align:middle line:90%


00:22:39.640 --> 00:22:42.565 align:middle line:84%
She's a good boy,
no matter what he's.

00:22:42.565 --> 00:22:45.874 align:middle line:90%
[MUSIC PLAYING]

00:22:45.874 --> 00:24:08.260 align:middle line:90%


00:24:08.260 --> 00:24:10.300 align:middle line:84%
Could someone please
pass me the technicolor?

00:24:10.300 --> 00:24:27.265 align:middle line:90%


00:24:27.265 --> 00:24:27.765 align:middle line:90%
Thank you.

00:24:27.765 --> 00:24:31.757 align:middle line:90%
[AUDIENCE APPLAUDS]

00:24:31.757 --> 00:24:48.230 align:middle line:90%


00:24:48.230 --> 00:24:52.530 align:middle line:84%
Thank you TC, Kore, Lisa,
Katherine, everyone.

00:24:52.530 --> 00:24:53.290 align:middle line:90%
Thank you so much.

00:24:53.290 --> 00:24:54.998 align:middle line:84%
Just give them another
round of applause.

00:24:54.998 --> 00:24:58.360 align:middle line:90%
[AUDIENCE APPLAUDS]

00:24:58.360 --> 00:25:12.000 align:middle line:90%