WEBVTT 00:00:00.000 --> 00:00:01.530 align:middle line:90% 00:00:01.530 --> 00:00:09.220 align:middle line:84% TC Tolbert is a genderqueer poet, and feminist, 00:00:09.220 --> 00:00:12.520 align:middle line:84% and teacher, educator, and activist. 00:00:12.520 --> 00:00:15.450 align:middle line:90% 00:00:15.450 --> 00:00:17.490 align:middle line:90% His work asks us-- 00:00:17.490 --> 00:00:21.150 align:middle line:84% his poetry asks us the question of how 00:00:21.150 --> 00:00:23.790 align:middle line:84% we read, how we read bodies, how we 00:00:23.790 --> 00:00:26.730 align:middle line:84% read books, how we read the world, how we 00:00:26.730 --> 00:00:28.950 align:middle line:90% read each other and ourselves. 00:00:28.950 --> 00:00:32.280 align:middle line:90% 00:00:32.280 --> 00:00:35.340 align:middle line:84% And in a way, the compositional improv practice 00:00:35.340 --> 00:00:37.620 align:middle line:90% does the same thing. 00:00:37.620 --> 00:00:44.880 align:middle line:84% His work is arresting visually, orally, aurally, 00:00:44.880 --> 00:00:46.530 align:middle line:90% on the page, off the page. 00:00:46.530 --> 00:00:52.480 align:middle line:90% 00:00:52.480 --> 00:00:55.390 align:middle line:84% He creates in his work a space that's 00:00:55.390 --> 00:00:59.500 align:middle line:84% dynamic and uneasy, similarly as do we 00:00:59.500 --> 00:01:04.540 align:middle line:84% as movement artists, musicians, composers, improvisers, 00:01:04.540 --> 00:01:05.890 align:middle line:90% writers, readers. 00:01:05.890 --> 00:01:09.040 align:middle line:90% 00:01:09.040 --> 00:01:11.680 align:middle line:84% Katherine Ferrier, who is visiting with us 00:01:11.680 --> 00:01:14.600 align:middle line:90% from New Hampshire, is a poet. 00:01:14.600 --> 00:01:19.660 align:middle line:84% She's a mover, a dancer, an improviser. 00:01:19.660 --> 00:01:23.060 align:middle line:84% She's taught and performed all over the US and Europe, 00:01:23.060 --> 00:01:27.940 align:middle line:84% including Finland, Italy, and Russia, most recently Tucson. 00:01:27.940 --> 00:01:30.760 align:middle line:84% With us, she's our teacher and our friend. 00:01:30.760 --> 00:01:31.870 align:middle line:90% We're happy to have her. 00:01:31.870 --> 00:01:35.080 align:middle line:90% 00:01:35.080 --> 00:01:37.720 align:middle line:84% The other members of the Movement Salon ensemble 00:01:37.720 --> 00:01:43.030 align:middle line:84% are Katie Rutterer, Greg Colburn, Kimi Eisele, 00:01:43.030 --> 00:01:46.400 align:middle line:84% who's not actively performing with us today. 00:01:46.400 --> 00:01:48.880 align:middle line:84% But as we say, when you're out, you're still in. 00:01:48.880 --> 00:01:52.540 align:middle line:84% So in that regard, she's still in with us, 00:01:52.540 --> 00:01:55.000 align:middle line:84% Connor Gallagher, who is not here 00:01:55.000 --> 00:02:00.790 align:middle line:84% this evening, Jen Hoefle, TC Tolbert, and myself, 00:02:00.790 --> 00:02:01.615 align:middle line:90% and Vicki Brown. 00:02:01.615 --> 00:02:05.990 align:middle line:90% 00:02:05.990 --> 00:02:08.479 align:middle line:84% One thing about compositional improvisation 00:02:08.479 --> 00:02:12.470 align:middle line:84% is that speaking, sound, language, and the dancing 00:02:12.470 --> 00:02:15.080 align:middle line:84% body all smack up against each other, 00:02:15.080 --> 00:02:19.760 align:middle line:84% and through these vital forces creates a new space for us 00:02:19.760 --> 00:02:23.580 align:middle line:84% to experience together, and for us to consider 00:02:23.580 --> 00:02:28.140 align:middle line:90% in aesthetic and creative ways. 00:02:28.140 --> 00:02:29.240 align:middle line:90% Thank you. 00:02:29.240 --> 00:02:32.290 align:middle line:90% [APPLAUSE] 00:02:32.290 --> 00:02:33.000 align:middle line:90%