WEBVTT 00:00:00.000 --> 00:00:00.870 align:middle line:90% 00:00:00.870 --> 00:00:03.310 align:middle line:90% Good evening. 00:00:03.310 --> 00:00:05.370 align:middle line:84% Welcome to the Poetry Center, and thank 00:00:05.370 --> 00:00:07.540 align:middle line:90% you so much for being here. 00:00:07.540 --> 00:00:10.650 align:middle line:84% It's my very great pleasure and honor, really, 00:00:10.650 --> 00:00:13.950 align:middle line:90% to introduce Arthur Sze. 00:00:13.950 --> 00:00:16.110 align:middle line:90% A very brief introduction. 00:00:16.110 --> 00:00:19.120 align:middle line:84% Arthur Sze has published 10 books of poetry, 00:00:19.120 --> 00:00:21.600 align:middle line:84% including Sight Lines, a National Book Award 00:00:21.600 --> 00:00:26.310 align:middle line:84% finalist, Compass Rose, a Pulitzer Prize finalist, 00:00:26.310 --> 00:00:29.850 align:middle line:84% The Ginkgo Light, selected for the PEN Southwest Book 00:00:29.850 --> 00:00:35.970 align:middle line:84% Award, The Redshifting Web, Poems 1970 to 1998, 00:00:35.970 --> 00:00:40.680 align:middle line:84% selected for the Balcones Poetry Prize and the Asian American 00:00:40.680 --> 00:00:45.060 align:middle line:84% Literary Award, and Archipelago, selected for an American Book 00:00:45.060 --> 00:00:45.900 align:middle line:90% Award. 00:00:45.900 --> 00:00:48.630 align:middle line:84% He is also a celebrated translator 00:00:48.630 --> 00:00:52.440 align:middle line:84% and released The Silk Dragon, Translations from the Chinese, 00:00:52.440 --> 00:00:57.690 align:middle line:84% in 2001, selected for the Western States Book Award. 00:00:57.690 --> 00:01:00.430 align:middle line:84% Sze is the recipient of many honors, 00:01:00.430 --> 00:01:03.930 align:middle line:84% including the Jackson Poetry Prize from Poets & Writers, 00:01:03.930 --> 00:01:07.890 align:middle line:84% a Lannan Literary Award, a Guggenheim Fellowship, 00:01:07.890 --> 00:01:10.740 align:middle line:84% two National Endowment for the Arts Creative Writing 00:01:10.740 --> 00:01:14.430 align:middle line:84% Fellowships, and the Howard Foundation Fellowship. 00:01:14.430 --> 00:01:17.220 align:middle line:90% I could go on and on. 00:01:17.220 --> 00:01:20.490 align:middle line:84% Instead, I'll simply say that Sze's work 00:01:20.490 --> 00:01:24.630 align:middle line:84% is widely admired for its exquisite layering of tone 00:01:24.630 --> 00:01:25.890 align:middle line:90% and texture. 00:01:25.890 --> 00:01:29.590 align:middle line:84% Its attunement to a plurality of perspectives. 00:01:29.590 --> 00:01:35.250 align:middle line:84% Its engagement at the spectrum of sensory experience. 00:01:35.250 --> 00:01:38.550 align:middle line:84% And its surprising juxtapositions, oftentimes 00:01:38.550 --> 00:01:43.050 align:middle line:84% juxtapositions that bring the disparate into luminous focus. 00:01:43.050 --> 00:01:45.720 align:middle line:84% Please join me in welcoming Arthur Sze. 00:01:45.720 --> 00:01:47.500 align:middle line:90% [APPLAUSE] 00:01:47.500 --> 00:01:48.000 align:middle line:90%