WEBVTT 00:00:00.000 --> 00:00:00.610 align:middle line:90% 00:00:00.610 --> 00:00:03.990 align:middle line:84% The last poem I'll read is called "Waking to My Name," 00:00:03.990 --> 00:00:10.140 align:middle line:84% and there is a refrain in this poem as well. 00:00:10.140 --> 00:00:14.880 align:middle line:84% It's a refrain in which I use the phrase "behind me," 00:00:14.880 --> 00:00:20.280 align:middle line:84% and variants of that phrase, to suggest different meanings. 00:00:20.280 --> 00:00:24.180 align:middle line:84% Something can be behind you in a physical sense, 00:00:24.180 --> 00:00:28.620 align:middle line:84% something can be behind you in the sense that it's your past, 00:00:28.620 --> 00:00:32.790 align:middle line:84% and you speak of a friend being behind you 00:00:32.790 --> 00:00:37.090 align:middle line:84% in the sense of supporting you, standing by you. 00:00:37.090 --> 00:00:40.200 align:middle line:84% So there are a range of senses that I'm 00:00:40.200 --> 00:00:44.820 align:middle line:84% trying to gather up in this refrain that is, in my mind, 00:00:44.820 --> 00:00:46.365 align:middle line:90% crucial for this poem. 00:00:46.365 --> 00:00:49.740 align:middle line:90% 00:00:49.740 --> 00:00:51.000 align:middle line:90% "Waking to My Name." 00:00:51.000 --> 00:00:54.450 align:middle line:90% 00:00:54.450 --> 00:00:59.010 align:middle line:84% "Behind me the woods fill with the clashing 00:00:59.010 --> 00:01:01.230 align:middle line:90% of fresh bird calls-- 00:01:01.230 --> 00:01:06.480 align:middle line:90% phoebe, chickadee, robin, wren-- 00:01:06.480 --> 00:01:11.940 align:middle line:84% as the June sun angles in as if to render visible 00:01:11.940 --> 00:01:15.840 align:middle line:84% the faint tart scent of the red pine 00:01:15.840 --> 00:01:22.200 align:middle line:84% and the white pine, the cedar, the hemlock, and the fir. 00:01:22.200 --> 00:01:26.110 align:middle line:84% And behind me, as I wake hungry for 00:01:26.110 --> 00:01:33.180 align:middle line:84% my own flowing, slow arising, the names keep pouring in. 00:01:33.180 --> 00:01:35.430 align:middle line:90% My grandmother, Ida. 00:01:35.430 --> 00:01:37.740 align:middle line:90% My mother, Henrietta. 00:01:37.740 --> 00:01:40.260 align:middle line:90% My sister, Marian. 00:01:40.260 --> 00:01:42.510 align:middle line:90% Patty, my wife. 00:01:42.510 --> 00:01:45.270 align:middle line:90% Pamela, my daughter. 00:01:45.270 --> 00:01:49.830 align:middle line:84% Their faces mingle and separate, age and grow 00:01:49.830 --> 00:01:54.810 align:middle line:84% young, as their vowels on my lips, their consonants 00:01:54.810 --> 00:02:00.000 align:middle line:84% blunt on my teeth, pluck them back into themselves, 00:02:00.000 --> 00:02:06.720 align:middle line:84% into the certain image chosen by my heart again to remind me 00:02:06.720 --> 00:02:12.150 align:middle line:84% something of each one has not been left behind 00:02:12.150 --> 00:02:14.910 align:middle line:90% and will not change. 00:02:14.910 --> 00:02:20.850 align:middle line:84% And behind me the mist releases edge by edge each rock, 00:02:20.850 --> 00:02:24.150 align:middle line:90% and twig by twig each shrub. 00:02:24.150 --> 00:02:29.280 align:middle line:84% And the mud glistens as the mud glistened when my grandfather 00:02:29.280 --> 00:02:31.590 align:middle line:90% woke beside the stream. 00:02:31.590 --> 00:02:37.260 align:middle line:84% And leaf by leaf the mist released the oak and its name, 00:02:37.260 --> 00:02:39.030 align:middle line:90% and the maple. 00:02:39.030 --> 00:02:45.210 align:middle line:84% And Thomas, his only son, and my father's name, Karl. 00:02:45.210 --> 00:02:51.150 align:middle line:84% As the birch grove caught the slant light, with a starved fox 00:02:51.150 --> 00:02:57.210 align:middle line:84% stood transfixed beside a boulder heaved into its place 00:02:57.210 --> 00:03:00.570 align:middle line:90% how many mists ago. 00:03:00.570 --> 00:03:06.180 align:middle line:84% And my heart fills with him, and Joseph, his name, quivers 00:03:06.180 --> 00:03:10.410 align:middle line:84% in the cold air, silver with the aspens 00:03:10.410 --> 00:03:14.910 align:middle line:84% as their glazed leaves lift in the hook of the wind 00:03:14.910 --> 00:03:17.280 align:middle line:90% as he wakes by Ida. 00:03:17.280 --> 00:03:24.840 align:middle line:84% And behind him the mist releases eye by eye the covey of quails 00:03:24.840 --> 00:03:29.220 align:middle line:84% and the white arc tail bar of the grouse startled 00:03:29.220 --> 00:03:31.680 align:middle line:90% into flight. 00:03:31.680 --> 00:03:35.490 align:middle line:84% And waking by Henrietta, Karl's mind 00:03:35.490 --> 00:03:41.790 align:middle line:84% flies off after his grandfather whose name I have lost, 00:03:41.790 --> 00:03:45.300 align:middle line:84% and he follows him long into the mist where, 00:03:45.300 --> 00:03:47.580 align:middle line:90% for the living sake of love-- 00:03:47.580 --> 00:03:52.140 align:middle line:84% Patty and Eric, Pamela and Kevin-- 00:03:52.140 --> 00:03:55.410 align:middle line:90% I must not yet explore. 00:03:55.410 --> 00:04:00.270 align:middle line:84% Where stones shudder in repose and each tree 00:04:00.270 --> 00:04:07.740 align:middle line:84% breathes its fulfilled life in the forever of its single time. 00:04:07.740 --> 00:04:11.490 align:middle line:84% And the June sun dawns upon my hand-- 00:04:11.490 --> 00:04:16.959 align:middle line:84% nails and knuckles, fingers, veins, and thumb-- 00:04:16.959 --> 00:04:20.279 align:middle line:84% which reaches out to the scented woods. 00:04:20.279 --> 00:04:24.360 align:middle line:84% And the visible names that merge in the lifting 00:04:24.360 --> 00:04:29.850 align:middle line:84% mist of my wakening age as I fly forth 00:04:29.850 --> 00:04:34.980 align:middle line:84% to the radiant green field with phoebe and chickadee 00:04:34.980 --> 00:04:41.400 align:middle line:84% clashing, and robin, and wren, and my name pulsing, 00:04:41.400 --> 00:04:47.160 align:middle line:84% repeating with my blood that most of the full of my life 00:04:47.160 --> 00:04:49.350 align:middle line:90% is behind me." 00:04:49.350 --> 00:04:50.380 align:middle line:90% Thank you. 00:04:50.380 --> 00:04:59.210 align:middle line:90% [APPLAUSE] 00:04:59.210 --> 00:05:01.000 align:middle line:90% Thank you. 00:05:01.000 --> 00:05:10.000 align:middle line:90%