WEBVTT 00:00:00.000 --> 00:00:01.860 align:middle line:90% 00:00:01.860 --> 00:00:05.130 align:middle line:84% So maybe one more thing since it's late. 00:00:05.130 --> 00:00:14.460 align:middle line:90% 00:00:14.460 --> 00:00:17.830 align:middle line:84% So I was asked to do something for the Harvard Design 00:00:17.830 --> 00:00:18.330 align:middle line:90% Magazine. 00:00:18.330 --> 00:00:20.400 align:middle line:84% It was to talk about the relationships 00:00:20.400 --> 00:00:27.420 align:middle line:84% between reading and sort of generic architectural spaces. 00:00:27.420 --> 00:00:29.547 align:middle line:84% So I wrote seven or eight entries. 00:00:29.547 --> 00:00:30.630 align:middle line:90% And this is the first one. 00:00:30.630 --> 00:00:33.960 align:middle line:84% And I had really gotten into this category of literature 00:00:33.960 --> 00:00:36.870 align:middle line:90% known as grey literature. 00:00:36.870 --> 00:00:43.220 align:middle line:84% Grey literature are things that are published by corporations. 00:00:43.220 --> 00:00:48.240 align:middle line:84% You know, they often sort of mark scientific disciplines 00:00:48.240 --> 00:00:51.013 align:middle line:84% where you sort of collect data and the data eventually 00:00:51.013 --> 00:00:52.680 align:middle line:84% goes into the publication of an article, 00:00:52.680 --> 00:00:54.630 align:middle line:84% but this is all the pre-publication material. 00:00:54.630 --> 00:00:58.050 align:middle line:84% So it's memorandums, brochures, all that sort of stuff. 00:00:58.050 --> 00:01:03.190 align:middle line:84% And I was reading about grey literature because, I mean, 00:01:03.190 --> 00:01:05.610 align:middle line:84% there seems to be a sort of correlation now between sort 00:01:05.610 --> 00:01:08.520 align:middle line:84% of literary practice and information management. 00:01:08.520 --> 00:01:10.500 align:middle line:84% So I was really interested in, oh, 00:01:10.500 --> 00:01:12.450 align:middle line:84% well what kinds of information today 00:01:12.450 --> 00:01:16.830 align:middle line:84% could pass as a kind of literary product. 00:01:16.830 --> 00:01:21.570 align:middle line:84% And so I look up Wikipedia, and there's a subset under a grey 00:01:21.570 --> 00:01:24.270 align:middle line:84% literature, and it's called Malin - grey literature. 00:01:24.270 --> 00:01:28.170 align:middle line:84% And Malin - grey literature is material that's deliberately 00:01:28.170 --> 00:01:30.670 align:middle line:84% designed to destroy itself over time. 00:01:30.670 --> 00:01:32.640 align:middle line:84% It's printed on fugitive materials 00:01:32.640 --> 00:01:34.770 align:middle line:90% that thwarts citationality. 00:01:34.770 --> 00:01:35.830 align:middle line:90% You can't locate it. 00:01:35.830 --> 00:01:36.690 align:middle line:90% You can't order it. 00:01:36.690 --> 00:01:38.010 align:middle line:90% It's just hard to get track of. 00:01:38.010 --> 00:01:39.840 align:middle line:90% So it's a librarian's nightmare. 00:01:39.840 --> 00:01:42.510 align:middle line:84% So when I look up this Malin - grey, 00:01:42.510 --> 00:01:44.610 align:middle line:84% I do a Google search on Malin - grey, 00:01:44.610 --> 00:01:46.920 align:middle line:84% and there are only two other references to it. 00:01:46.920 --> 00:01:49.230 align:middle line:84% And both of them claim that Malin - grey is a fraud, 00:01:49.230 --> 00:01:51.930 align:middle line:84% that someone has gotten into the Wikipedia entry and actually 00:01:51.930 --> 00:01:54.780 align:middle line:84% created this fake category known as Malin - grey. 00:01:54.780 --> 00:01:58.770 align:middle line:84% Anyway, this is sort of on grey literature. 00:01:58.770 --> 00:02:01.860 align:middle line:84% This is called "Plus Minus Carrot Sign Themes." 00:02:01.860 --> 00:02:05.130 align:middle line:90% 00:02:05.130 --> 00:02:07.050 align:middle line:84% "In a time of surplus information, 00:02:07.050 --> 00:02:09.960 align:middle line:84% reading renders itself a pictorial subset, 00:02:09.960 --> 00:02:12.810 align:middle line:84% of data mining, of bibliographic control 00:02:12.810 --> 00:02:16.500 align:middle line:84% end of dynamic visualization technologies. 00:02:16.500 --> 00:02:19.110 align:middle line:84% Just as English novels by Difo and Richardson 00:02:19.110 --> 00:02:22.050 align:middle line:84% mind the diaristic and epistolary for new narrative 00:02:22.050 --> 00:02:24.900 align:middle line:84% circuits, the edges of the new literary field 00:02:24.900 --> 00:02:29.440 align:middle line:84% emulate information management or communications systems. 00:02:29.440 --> 00:02:30.630 align:middle line:90% What is a reading? 00:02:30.630 --> 00:02:33.810 align:middle line:84% An indolent time based operation on data, 00:02:33.810 --> 00:02:36.660 align:middle line:90% in short a medium, a corollary. 00:02:36.660 --> 00:02:38.940 align:middle line:90% The medium requires markup. 00:02:38.940 --> 00:02:41.220 align:middle line:84% What the Greeks rendered via polises, 00:02:41.220 --> 00:02:43.800 align:middle line:84% we do with information processing. 00:02:43.800 --> 00:02:47.400 align:middle line:84% Like love, the oldest medium of human communications, 00:02:47.400 --> 00:02:52.380 align:middle line:84% reading a book becomes visible via the delays it creates, 00:02:52.380 --> 00:02:56.070 align:middle line:84% hence the diverse and lovely deliriums of non reading, 00:02:56.070 --> 00:02:58.600 align:middle line:84% saving a book for later, saying one 00:02:58.600 --> 00:03:03.120 align:middle line:84% has read a book when one hasn't, carelessly fanning the pages, 00:03:03.120 --> 00:03:06.180 align:middle line:84% skimming and index lightly with a forefinger, 00:03:06.180 --> 00:03:09.180 align:middle line:84% perfuming some pages with the rose. 00:03:09.180 --> 00:03:11.610 align:middle line:84% As the librarian in Robert Musil's Man 00:03:11.610 --> 00:03:14.460 align:middle line:84% Without Qualities understands, all reading 00:03:14.460 --> 00:03:17.280 align:middle line:84% is really just a potential form of non reading, 00:03:17.280 --> 00:03:19.740 align:middle line:84% and the most beautiful histories of reading 00:03:19.740 --> 00:03:23.370 align:middle line:84% are those in which no books actually appear. 00:03:23.370 --> 00:03:27.270 align:middle line:84% What is the trajectory of the thing called attention? 00:03:27.270 --> 00:03:30.940 align:middle line:84% Something that reminds me of a few summers or autumns, 00:03:30.940 --> 00:03:33.900 align:middle line:84% or in this case, a few books that carried around 00:03:33.900 --> 00:03:36.780 align:middle line:84% when I went to Athens High School in the mid-seventies 00:03:36.780 --> 00:03:42.180 align:middle line:84% but never read until after my mother died in August 2013. 00:03:42.180 --> 00:03:45.030 align:middle line:84% Chief among these books was a blue and white covered book 00:03:45.030 --> 00:03:48.540 align:middle line:84% entitled Fortran IV and The IBM 360 00:03:48.540 --> 00:03:52.060 align:middle line:84% and Richard Brautigan's Trout Fishing in America. 00:03:52.060 --> 00:03:54.330 align:middle line:90% I still have both these books. 00:03:54.330 --> 00:03:57.060 align:middle line:84% On the fly page of my copy of trout fishing, 00:03:57.060 --> 00:04:00.630 align:middle line:84% there are no photos of trout fishing or America. 00:04:00.630 --> 00:04:03.030 align:middle line:84% Someone has written my name and the date 00:04:03.030 --> 00:04:09.180 align:middle line:84% with a fat black felt tip pen followed by the year, 1977. 00:04:09.180 --> 00:04:12.510 align:middle line:84% The hand that wrote that name was probably mine. 00:04:12.510 --> 00:04:15.870 align:middle line:84% Nearly every day, every school day, during high school, 00:04:15.870 --> 00:04:18.149 align:middle line:84% I carried that copy of trout fishing around 00:04:18.149 --> 00:04:20.730 align:middle line:90% in a yellow JanSport backpack. 00:04:20.730 --> 00:04:24.210 align:middle line:84% When I sat at study hall, or at lunch, it was there. 00:04:24.210 --> 00:04:26.820 align:middle line:84% The first thing I took out and laid on the tables 00:04:26.820 --> 00:04:30.660 align:middle line:84% next to the Fortran book, my backpack or my lunch. 00:04:30.660 --> 00:04:33.570 align:middle line:84% And so it was, as far as I remember, 00:04:33.570 --> 00:04:36.390 align:middle line:84% carrying a book that I had not read, 00:04:36.390 --> 00:04:41.040 align:middle line:84% that came closest in my mind to approximating a real life 00:04:41.040 --> 00:04:43.740 align:middle line:90% experience I had not yet had. 00:04:43.740 --> 00:04:47.190 align:middle line:84% I thought if I carried that book around, I would fall in love, 00:04:47.190 --> 00:04:49.050 align:middle line:84% or someone would fall in love with me 00:04:49.050 --> 00:04:51.120 align:middle line:90% within the next few min-- 00:04:51.120 --> 00:04:52.810 align:middle line:90% months-- sorry. 00:04:52.810 --> 00:04:55.260 align:middle line:84% And if you looked, you can see that my copy has 00:04:55.260 --> 00:04:58.140 align:middle line:84% had its salmon colored cover ripped off, 00:04:58.140 --> 00:05:01.770 align:middle line:84% making it what Hans Christian Andersen deemed a picture 00:05:01.770 --> 00:05:03.750 align:middle line:90% book without pictures. 00:05:03.750 --> 00:05:04.890 align:middle line:90% And it is true. 00:05:04.890 --> 00:05:06.990 align:middle line:84% This coverless copying now gives me 00:05:06.990 --> 00:05:09.570 align:middle line:84% a partial memory, like an image traced 00:05:09.570 --> 00:05:13.130 align:middle line:84% in recto of my mother sitting in her rocking chair 00:05:13.130 --> 00:05:16.130 align:middle line:84% reading Agatha Christie's The Affair at the Bungalow 00:05:16.130 --> 00:05:19.010 align:middle line:84% or her favorite version of The Tale of Genji, 00:05:19.010 --> 00:05:23.930 align:middle line:84% translated Edward G. Seidensticker, Knopf, 1978. 00:05:23.930 --> 00:05:27.560 align:middle line:84% And sometimes, when the weather is a little damp, 00:05:27.560 --> 00:05:29.930 align:middle line:84% the coverless version of trout fishing 00:05:29.930 --> 00:05:33.710 align:middle line:84% offers up an image of my sister and me with our twin bamboo 00:05:33.710 --> 00:05:36.350 align:middle line:84% fishing poles sitting by a lake in front 00:05:36.350 --> 00:05:39.290 align:middle line:84% of the Athens Lake Motel, the only motel 00:05:39.290 --> 00:05:42.860 align:middle line:84% that I remember existing, and probably the only motel that 00:05:42.860 --> 00:05:46.400 align:middle line:84% existed in Athens, Ohio, during the long years 00:05:46.400 --> 00:05:49.820 align:middle line:84% between high school and college, that time and place where 00:05:49.820 --> 00:05:53.810 align:middle line:84% most of the fairy tales of an adult's life come to rest 00:05:53.810 --> 00:05:56.180 align:middle line:84% and are prohibited from ever leaving." 00:05:56.180 --> 00:05:57.630 align:middle line:90% Thank you. 00:05:57.630 --> 00:05:59.480 align:middle line:90% [APPLAUSE] 00:05:59.480 --> 00:06:00.470 align:middle line:90%