WEBVTT 00:00:00.000 --> 00:00:01.650 align:middle line:84% But maybe we should move on to the next piece, 00:00:01.650 --> 00:00:03.233 align:middle line:84% or we're going to run out out of time. 00:00:03.233 --> 00:00:07.560 align:middle line:84% So the next piece I'm going to play is called "The PhD Sound." 00:00:07.560 --> 00:00:10.380 align:middle line:84% And as I mentioned, this is specifically-- 00:00:10.380 --> 00:00:12.360 align:middle line:84% this is when Gianna needs to come up here. 00:00:12.360 --> 00:00:15.580 align:middle line:90% 00:00:15.580 --> 00:00:18.570 align:middle line:84% This is research notes for an article that I didn't write, 00:00:18.570 --> 00:00:21.810 align:middle line:90% so Richard Burkett and Amy-- 00:00:21.810 --> 00:00:23.700 align:middle line:84% Amy at Artists Space were just sending me 00:00:23.700 --> 00:00:26.130 align:middle line:84% vast and voluminous amounts of reference material 00:00:26.130 --> 00:00:29.310 align:middle line:84% that had to do with doo-wops, And most of this touchstone 00:00:29.310 --> 00:00:33.660 align:middle line:84% stuff that I perceived as having to do with ritualized consumer 00:00:33.660 --> 00:00:37.020 align:middle line:84% consumption, or customized mass customization. 00:00:37.020 --> 00:00:39.330 align:middle line:84% Things having to do with customization of products. 00:00:39.330 --> 00:00:41.455 align:middle line:84% So I thought that was what their project was about, 00:00:41.455 --> 00:00:44.130 align:middle line:84% so I instructed them to send me as much material of that 00:00:44.130 --> 00:00:45.430 align:middle line:90% as was relevant. 00:00:45.430 --> 00:00:47.250 align:middle line:84% So they sent me all this material, 00:00:47.250 --> 00:00:48.780 align:middle line:90% and I was reading that material. 00:00:48.780 --> 00:00:51.750 align:middle line:84% And reading, when you're doing sort of prescholarly work 00:00:51.750 --> 00:00:53.880 align:middle line:84% is a very, very rapid kind of reading. 00:00:53.880 --> 00:00:55.540 align:middle line:84% And it's also reading that I can do-- 00:00:55.540 --> 00:00:57.040 align:middle line:84% it's one of the few kinds of reading 00:00:57.040 --> 00:00:59.850 align:middle line:84% I can do with loud music happening in the background. 00:00:59.850 --> 00:01:02.190 align:middle line:84% So-- and of course, it's extremely pleasurable 00:01:02.190 --> 00:01:03.810 align:middle line:84% to read with music in the background. 00:01:03.810 --> 00:01:06.190 align:middle line:90% So this is a twitchy video. 00:01:06.190 --> 00:01:09.240 align:middle line:90% It's called "The PhD Sound." 00:01:09.240 --> 00:01:11.310 align:middle line:84% Those of you who are in PhD programs 00:01:11.310 --> 00:01:14.310 align:middle line:84% know that, after about 10 years, bibliographies 00:01:14.310 --> 00:01:17.000 align:middle line:90% start to look extremely sexy. 00:01:17.000 --> 00:01:19.307 align:middle line:84% And this is a bibliography in heart. 00:01:19.307 --> 00:01:20.640 align:middle line:90% So we're going to play that now. 00:01:20.640 --> 00:01:23.640 align:middle line:84% And the music should be turned up very loud. 00:01:23.640 --> 00:01:27.610 align:middle line:90% Feel free to dance, if you want. 00:01:27.610 --> 00:01:30.510 align:middle line:90% Gianna? 00:01:30.510 --> 00:01:31.290 align:middle line:90% OK, here we go. 00:01:31.290 --> 00:01:35.010 align:middle line:90% 00:01:35.010 --> 00:01:37.350 align:middle line:84% And this is for 11 minutes, so we're 00:01:37.350 --> 00:01:40.290 align:middle line:84% going to just let this run for its entirety. 00:01:40.290 --> 00:01:43.350 align:middle line:84% It ends with a little bit of New Order, 00:01:43.350 --> 00:01:45.270 align:middle line:84% and there's some Lucky Dragons and stuff. 00:01:45.270 --> 00:01:54.751 align:middle line:90% 00:01:54.751 --> 00:01:57.745 align:middle line:90% [MUSIC - "THE PHD SOUND"] 00:01:57.745 --> 00:05:27.130 align:middle line:90% 00:05:27.130 --> 00:05:29.595 align:middle line:84% [MUSIC - SANTIGOLD, "YOU'LL FIND A WAY"] 00:05:29.595 --> 00:05:32.553 align:middle line:84% (SINGING) Tell them that they'll get what they wanted. 00:05:32.553 --> 00:05:34.850 align:middle line:90% Tell them. 00:05:34.850 --> 00:05:37.720 align:middle line:84% Tell them that they'll get what they wanted. 00:05:37.720 --> 00:05:40.086 align:middle line:90% Tell them. 00:05:40.086 --> 00:05:42.760 align:middle line:84% Tell them that they'll get what they wanted. 00:05:42.760 --> 00:05:45.085 align:middle line:90% Tell them. 00:05:45.085 --> 00:05:48.055 align:middle line:84% Tell them that they get what they'll wanted. 00:05:48.055 --> 00:05:49.045 align:middle line:90% Tell them. 00:05:49.045 --> 00:15:22.712 align:middle line:90% 00:15:22.712 --> 00:16:16.885 align:middle line:84% [MUSIC - NEW ORDER, "TEMPTATION"] 00:16:16.885 --> 00:16:21.090 align:middle line:84% (SINGING) A heaven, a gateway, a hope. 00:16:21.090 --> 00:16:24.520 align:middle line:90% 00:16:24.520 --> 00:16:32.430 align:middle line:84% Just like a feeling inside it's no joke. 00:16:32.430 --> 00:16:41.560 align:middle line:84% And though it hurts me to treat you this way, betrayed by words 00:16:41.560 --> 00:16:45.790 align:middle line:84% I've never heard, too hard to say. 00:16:45.790 --> 00:16:48.370 align:middle line:90% 00:16:48.370 --> 00:16:50.274 align:middle line:90% Up, down, turn around. 00:16:50.274 --> 00:16:52.178 align:middle line:84% Please don't let me hit the ground. 00:16:52.178 --> 00:16:54.082 align:middle line:84% Tonight, I think I'll walk alone. 00:16:54.082 --> 00:16:56.000 align:middle line:90% I'll find my soul as I go home. 00:16:56.000 --> 00:16:57.800 align:middle line:90% Up, down, turn around. 00:16:57.800 --> 00:16:59.600 align:middle line:84% Please don't let me hit the ground. 00:16:59.600 --> 00:17:01.400 align:middle line:90% Tonight I think I'll walk alone. 00:17:01.400 --> 00:17:04.500 align:middle line:90% I'll find my soul as I go home. 00:17:04.500 --> 00:17:05.000 align:middle line:90%