WEBVTT 00:00:00.000 --> 00:00:03.150 align:middle line:84% The last of these poems deals with our final encounter 00:00:03.150 --> 00:00:04.890 align:middle line:84% which is, of course, the extinction 00:00:04.890 --> 00:00:08.760 align:middle line:90% of the self, personal failure. 00:00:08.760 --> 00:00:13.470 align:middle line:84% And this poem is about a very close friend of mine 00:00:13.470 --> 00:00:20.820 align:middle line:84% who died in County Wexford in Ireland. 00:00:20.820 --> 00:00:27.540 align:middle line:84% And we've given the usual funeral observance 00:00:27.540 --> 00:00:30.900 align:middle line:84% that any family which thinks a great deal of itself 00:00:30.900 --> 00:00:32.759 align:middle line:90% gives to a representative. 00:00:32.759 --> 00:00:35.340 align:middle line:84% In other words, the office for the dead 00:00:35.340 --> 00:00:38.310 align:middle line:84% was amplified by the maximum number of curates 00:00:38.310 --> 00:00:39.960 align:middle line:84% that the family could actually pay for, 00:00:39.960 --> 00:00:43.740 align:middle line:84% which is quite an enormous number of souls. 00:00:43.740 --> 00:00:45.840 align:middle line:84% And these trooped out onto the altar. 00:00:45.840 --> 00:00:47.760 align:middle line:84% It's a normal custom and it puts something 00:00:47.760 --> 00:00:51.810 align:middle line:84% useful into the pockets of the underpaid curates. 00:00:51.810 --> 00:00:54.630 align:middle line:84% It also adds not a little to the horror of the occasion 00:00:54.630 --> 00:00:59.070 align:middle line:84% for those who are closely confirmed. 00:00:59.070 --> 00:01:02.190 align:middle line:90% "Office for the Dead. 00:01:02.190 --> 00:01:05.040 align:middle line:84% The grief chewers enter, their shoes 00:01:05.040 --> 00:01:08.760 align:middle line:84% hard on the marble in white lace and black skirts, 00:01:08.760 --> 00:01:11.890 align:middle line:90% books held to their loins. 00:01:11.890 --> 00:01:14.770 align:middle line:84% A silver pot tosses in its chains 00:01:14.770 --> 00:01:18.640 align:middle line:84% as they assemble about the coffin, heavy under its cloth, 00:01:18.640 --> 00:01:21.040 align:middle line:90% and begin. 00:01:21.040 --> 00:01:24.400 align:middle line:84% Back and forth, each side in nasal unison 00:01:24.400 --> 00:01:29.300 align:middle line:84% against the other, their voices grind across her body. 00:01:29.300 --> 00:01:33.200 align:middle line:84% We watch, kneeling like children and shrink 00:01:33.200 --> 00:01:38.960 align:middle line:84% as the church Latin chews our different losses into one. 00:01:38.960 --> 00:01:41.510 align:middle line:84% All but certain images of our pain 00:01:41.510 --> 00:01:43.940 align:middle line:84% that will not in the course process 00:01:43.940 --> 00:01:47.000 align:middle line:84% pass to the cloth and hidden boards 00:01:47.000 --> 00:01:49.430 align:middle line:90% to their peace in the shroud. 00:01:49.430 --> 00:01:52.070 align:middle line:90% But delay still real-- 00:01:52.070 --> 00:01:55.370 align:middle line:84% high, thin shoulders, eyes boring out 00:01:55.370 --> 00:01:59.180 align:middle line:84% of the dusk, wistful misshapenedness, a stripped, 00:01:59.180 --> 00:02:01.460 align:middle line:90% dazzling mouth. 00:02:01.460 --> 00:02:04.520 align:middle line:84% Her frown as she takes the candle pushed into her hands 00:02:04.520 --> 00:02:09.710 align:middle line:84% in the last crisis propped up, dying with worry. 00:02:09.710 --> 00:02:10.850 align:middle line:90% Sanctus. 00:02:10.850 --> 00:02:14.720 align:middle line:84% We listened with bowed heads to the thrash of chains, 00:02:14.720 --> 00:02:17.090 align:middle line:90% measuring the silence. 00:02:17.090 --> 00:02:21.230 align:middle line:84% The pot gasps in its smoke, an animal of metal 00:02:21.230 --> 00:02:24.500 align:middle line:90% dragging itself and breathing." 00:02:24.500 --> 00:02:25.000 align:middle line:90%