WEBVTT 00:00:00.000 --> 00:00:00.620 align:middle line:90% 00:00:00.620 --> 00:00:03.890 align:middle line:84% Some years ago, my young daughter had an operation. 00:00:03.890 --> 00:00:09.530 align:middle line:84% Quite a simple operation about which we tend to laugh. 00:00:09.530 --> 00:00:12.950 align:middle line:84% But, she was so young that the effect of it on her 00:00:12.950 --> 00:00:19.400 align:middle line:84% was most intense, certainly in my eyes. 00:00:19.400 --> 00:00:24.410 align:middle line:84% And I visited her shortly after the operation with her mother. 00:00:24.410 --> 00:00:26.870 align:middle line:84% She was still under the anesthetic. 00:00:26.870 --> 00:00:30.470 align:middle line:84% She was still obviously in pain although completely 00:00:30.470 --> 00:00:33.170 align:middle line:90% unconscious. 00:00:33.170 --> 00:00:37.040 align:middle line:84% And, in the same room there was an old lady 00:00:37.040 --> 00:00:41.120 align:middle line:90% dying near the window. 00:00:41.120 --> 00:00:42.950 align:middle line:84% And it suddenly seemed to me that here 00:00:42.950 --> 00:00:50.340 align:middle line:84% was a diagram, almost, of the stages of the process. 00:00:50.340 --> 00:00:53.060 align:middle line:84% Especially as it encounters the enemy, 00:00:53.060 --> 00:00:58.610 align:middle line:84% the idea of unjust punishment, innocent suffering, pain 00:00:58.610 --> 00:01:00.800 align:middle line:90% and so on. 00:01:00.800 --> 00:01:05.120 align:middle line:84% And I saw these three women, the daughter, the mother, 00:01:05.120 --> 00:01:10.640 align:middle line:84% and this old lady, as almost The Three Graces of human existence 00:01:10.640 --> 00:01:13.040 align:middle line:90% on a somewhat an ugly light. 00:01:13.040 --> 00:01:14.570 align:middle line:90% The poem is called Our Mother. 00:01:14.570 --> 00:01:17.430 align:middle line:90% 00:01:17.430 --> 00:01:22.440 align:middle line:84% Tall windows full of sea light, two women and a child in tears. 00:01:22.440 --> 00:01:26.460 align:middle line:84% Silent among screens and flowers, the ward 00:01:26.460 --> 00:01:29.760 align:middle line:90% a quiet zone of air. 00:01:29.760 --> 00:01:34.020 align:middle line:84% The girl whimpers in bed remote under the anesthetic still. 00:01:34.020 --> 00:01:38.430 align:middle line:84% She sleeps on her new knowledge, a bride with bowels burning 00:01:38.430 --> 00:01:40.650 align:middle line:90% and disarrayed. 00:01:40.650 --> 00:01:45.360 align:middle line:84% She dreams a red Gorgon mask, warped in the steel kidney 00:01:45.360 --> 00:01:46.320 align:middle line:90% dish. 00:01:46.320 --> 00:01:52.810 align:middle line:84% The tender offals of her core worming around the raw stare. 00:01:52.810 --> 00:01:55.810 align:middle line:90% Her mother watches, struck dumb. 00:01:55.810 --> 00:02:00.700 align:middle line:84% Tears of recognition run for the stranger, daughter, self, 00:02:00.700 --> 00:02:04.480 align:middle line:84% on whom in fascination her eyes feed. 00:02:04.480 --> 00:02:08.530 align:middle line:84% As mine on her, a revenant, a rain 00:02:08.530 --> 00:02:12.310 align:middle line:84% worn delicate stone shape that has looked long 00:02:12.310 --> 00:02:13.855 align:middle line:90% into that other face direct. 00:02:13.855 --> 00:02:16.360 align:middle line:90% 00:02:16.360 --> 00:02:20.980 align:middle line:84% In the next bed, dying of age, the carrier of all our harm 00:02:20.980 --> 00:02:27.280 align:middle line:84% turns on us an emptiness of open mouth and damp eyes. 00:02:27.280 --> 00:02:32.350 align:middle line:84% All three women, two in my care, the third beyond all care, 00:02:32.350 --> 00:02:34.390 align:middle line:90% in tears. 00:02:34.390 --> 00:02:35.980 align:middle line:90% Living, dying. 00:02:35.980 --> 00:02:41.680 align:middle line:84% I meet their stare everywhere and cannot move. 00:02:41.680 --> 00:02:44.730 align:middle line:90% [APPLAUSE] 00:02:44.730 --> 00:02:54.000 align:middle line:90%