WEBVTT 00:00:00.000 --> 00:00:00.560 align:middle line:90% 00:00:00.560 --> 00:00:01.060 align:middle line:90% All right. 00:00:01.060 --> 00:00:04.110 align:middle line:84% So Afaa Michael Weaver invented this poetry form 00:00:04.110 --> 00:00:05.340 align:middle line:90% called The Bop. 00:00:05.340 --> 00:00:06.180 align:middle line:90% All right? 00:00:06.180 --> 00:00:10.290 align:middle line:84% Bop-- so I've tried writing a few Bops. 00:00:10.290 --> 00:00:14.190 align:middle line:84% This one, I think, might almost work. 00:00:14.190 --> 00:00:16.110 align:middle line:84% This Bop might almost always almost work. 00:00:16.110 --> 00:00:20.400 align:middle line:84% And I was both freaked out and pleased, 00:00:20.400 --> 00:00:23.370 align:middle line:84% because I read it once when he was in the audience. 00:00:23.370 --> 00:00:24.896 align:middle line:84% And he was like, that's all right. 00:00:24.896 --> 00:00:27.290 align:middle line:90% [LAUGHTER] 00:00:27.290 --> 00:00:31.220 align:middle line:90% So yeah, the song-- 00:00:31.220 --> 00:00:33.320 align:middle line:84% for those of y'all that don't know what a Bop is, 00:00:33.320 --> 00:00:33.970 align:middle line:90% shame on you. 00:00:33.970 --> 00:00:36.080 align:middle line:90% [LAUGHTER] 00:00:36.080 --> 00:00:41.090 align:middle line:84% So a Bop is a form that progresses both formally-- 00:00:41.090 --> 00:00:43.250 align:middle line:84% and to form, I always think about as, 00:00:43.250 --> 00:00:46.105 align:middle line:90% how much of what kind? 00:00:46.105 --> 00:00:47.480 align:middle line:84% But then there's structure, which 00:00:47.480 --> 00:00:50.450 align:middle line:84% is invisible-- the cognitive part, the way 00:00:50.450 --> 00:00:52.520 align:middle line:84% the thoughts move through the poem. 00:00:52.520 --> 00:00:55.640 align:middle line:84% And most poetic forms don't really include a structure. 00:00:55.640 --> 00:00:59.420 align:middle line:84% Sonnets include a structure-- argue, argue, argue, counter-- 00:00:59.420 --> 00:01:04.129 align:middle line:84% along with the rules, the architectural rules. 00:01:04.129 --> 00:01:07.430 align:middle line:84% One might make the argument that haiku, juxtaposition-- 00:01:07.430 --> 00:01:11.270 align:middle line:84% and then right before you get to the moment of epiphany, 00:01:11.270 --> 00:01:14.450 align:middle line:84% because recently in contemporary poets in the US 00:01:14.450 --> 00:01:16.370 align:middle line:84% we're kind of inside pornographers. 00:01:16.370 --> 00:01:18.290 align:middle line:84% So it's all about, let's have an epiphany. 00:01:18.290 --> 00:01:19.310 align:middle line:90% Oh my god. 00:01:19.310 --> 00:01:23.130 align:middle line:84% I was lying in my hammock, and I realized that the red-- 00:01:23.130 --> 00:01:23.630 align:middle line:90% right? 00:01:23.630 --> 00:01:25.430 align:middle line:90% [LAUGHTER] 00:01:25.430 --> 00:01:28.940 align:middle line:84% But the haiku, I always felt, set up 00:01:28.940 --> 00:01:32.990 align:middle line:84% the condition for the reader to have an epiphany as 00:01:32.990 --> 00:01:35.150 align:middle line:84% opposed to sort of voyeuristically 00:01:35.150 --> 00:01:36.380 align:middle line:90% watching the poet be deep. 00:01:36.380 --> 00:01:38.255 align:middle line:84% So one might make that argument in structure. 00:01:38.255 --> 00:01:42.800 align:middle line:84% But with the Bop, the form is sestet-- 00:01:42.800 --> 00:01:48.740 align:middle line:84% six-line stanza-- followed by a quote from a song, an octave, 00:01:48.740 --> 00:01:49.670 align:middle line:90% eight lines-- 00:01:49.670 --> 00:01:52.430 align:middle line:84% followed by the same quote as refrain, 00:01:52.430 --> 00:01:55.542 align:middle line:84% and then another sestet at the end, followed 00:01:55.542 --> 00:01:56.750 align:middle line:90% by the same quote as refrain. 00:01:56.750 --> 00:02:00.350 align:middle line:84% And the structure, the ideational structure, 00:02:00.350 --> 00:02:05.570 align:middle line:84% is presentation of a problem in the first. 00:02:05.570 --> 00:02:09.080 align:middle line:84% Working through the problem in the middle. 00:02:09.080 --> 00:02:11.420 align:middle line:84% And the final one is resolution of the problem. 00:02:11.420 --> 00:02:13.370 align:middle line:90% But Afaa Michael Weaver's-- 00:02:13.370 --> 00:02:15.492 align:middle line:84% That doesn't mean the problem's solved. 00:02:15.492 --> 00:02:17.450 align:middle line:84% It might just mean that you're ready to move on 00:02:17.450 --> 00:02:20.610 align:middle line:90% with the problem. 00:02:20.610 --> 00:02:25.640 align:middle line:84% And so this quotes "Da Mystery of Chessboxin'" from Wu-Tang 00:02:25.640 --> 00:02:26.780 align:middle line:90% Clan-- 00:02:26.780 --> 00:02:29.720 align:middle line:84% in particular, a line from Raekwon's verse. 00:02:29.720 --> 00:02:34.980 align:middle line:90% 00:02:34.980 --> 00:02:36.848 align:middle line:90% [BEATBOXING] 00:02:36.848 --> 00:02:40.270 align:middle line:90% [ELECTRONIC BEAT] 00:02:40.270 --> 00:03:02.920 align:middle line:90% 00:03:02.920 --> 00:03:07.000 align:middle line:90% "African Merkin Bop a.k.a. 00:03:07.000 --> 00:03:08.620 align:middle line:90% woke up this morning a.k.a. 00:03:08.620 --> 00:03:13.540 align:middle line:84% "Da Mystery--" these are to be good at the worst 00:03:13.540 --> 00:03:16.540 align:middle line:84% of the things were a good one of the worst of the things 00:03:16.540 --> 00:03:18.430 align:middle line:90% one could be. 00:03:18.430 --> 00:03:19.700 align:middle line:90% Add it. 00:03:19.700 --> 00:03:20.200 align:middle line:90% Right? 00:03:20.200 --> 00:03:21.940 align:middle line:90% Right? 00:03:21.940 --> 00:03:24.360 align:middle line:84% Either to be good at the worst of the things 00:03:24.360 --> 00:03:27.980 align:middle line:84% or a good one of the worst of the things one could be. 00:03:27.980 --> 00:03:28.480 align:middle line:90% Add it. 00:03:28.480 --> 00:03:28.980 align:middle line:90% Right? 00:03:28.980 --> 00:03:30.220 align:middle line:90% Right? 00:03:30.220 --> 00:03:34.040 align:middle line:84% So, to me, to be bad at the worst of the things could, 00:03:34.040 --> 00:03:36.700 align:middle line:90% in the worst way, which is bad-- 00:03:36.700 --> 00:03:38.890 align:middle line:84% since it's bad to be for the good. 00:03:38.890 --> 00:03:42.550 align:middle line:84% And thus good to the worst of things one could be. 00:03:42.550 --> 00:03:43.822 align:middle line:90% At it. 00:03:43.822 --> 00:03:45.280 align:middle line:90% [INAUDIBLE] 00:03:45.280 --> 00:03:47.440 align:middle line:84% Either to be good at the worst of the things 00:03:47.440 --> 00:03:50.450 align:middle line:84% or a good one of the worst of the things one could be. 00:03:50.450 --> 00:03:50.950 align:middle line:90% At it. 00:03:50.950 --> 00:03:51.450 align:middle line:90% Right? 00:03:51.450 --> 00:03:52.540 align:middle line:90% Right? 00:03:52.540 --> 00:03:55.180 align:middle line:84% So, to me, to be bad at the worst of the things, 00:03:55.180 --> 00:03:57.710 align:middle line:84% good in the worst way, which is bad-- 00:03:57.710 --> 00:03:59.350 align:middle line:84% since it's bad to the good and thus 00:03:59.350 --> 00:04:01.300 align:middle line:84% good to the worst of things one can be. 00:04:01.300 --> 00:04:01.810 align:middle line:90% At it. 00:04:01.810 --> 00:04:03.727 align:middle line:84% I only been a good nigga for a minute, though. 00:04:03.727 --> 00:04:06.070 align:middle line:84% I only been a good nigga for a minute, though. 00:04:06.070 --> 00:04:07.990 align:middle line:84% I only been a good nigga for a minute, though. 00:04:07.990 --> 00:04:09.940 align:middle line:84% I only been a good nigga for a minute, though. 00:04:09.940 --> 00:04:13.356 align:middle line:90% [BEATBOXING] 00:04:13.356 --> 00:04:17.339 align:middle line:90% 00:04:17.339 --> 00:04:19.089 align:middle line:84% Too bads a positive when times them times. 00:04:19.089 --> 00:04:21.570 align:middle line:90% 00:04:21.570 --> 00:04:24.260 align:middle line:84% But time comes to write the worst of the ways. 00:04:24.260 --> 00:04:24.760 align:middle line:90% It's good. 00:04:24.760 --> 00:04:25.260 align:middle line:90% That's good. 00:04:25.260 --> 00:04:25.970 align:middle line:90% It's good. 00:04:25.970 --> 00:04:29.320 align:middle line:84% It's as bad as the bad does to be of good things 00:04:29.320 --> 00:04:32.080 align:middle line:84% to see the bad things as the worst of things, 00:04:32.080 --> 00:04:35.050 align:middle line:90% which ain't no no good. 00:04:35.050 --> 00:04:38.560 align:middle line:84% Too bads a positive, with times, of them time. 00:04:38.560 --> 00:04:40.380 align:middle line:84% But time comes to right the worst 00:04:40.380 --> 00:04:41.690 align:middle line:90% of the ways which is good. 00:04:41.690 --> 00:04:42.400 align:middle line:90% And that's good. 00:04:42.400 --> 00:04:42.940 align:middle line:90% That's good. 00:04:42.940 --> 00:04:43.990 align:middle line:90% He's so bad. 00:04:43.990 --> 00:04:44.620 align:middle line:90% That's so bad. 00:04:44.620 --> 00:04:48.070 align:middle line:84% Plus, to be a good thing, to see the bad things as the worst 00:04:48.070 --> 00:04:51.550 align:middle line:90% of things, which ain't no good. 00:04:51.550 --> 00:04:53.620 align:middle line:84% I only been a good nigga for a minute though. 00:04:53.620 --> 00:04:55.630 align:middle line:84% I only been a good nigga for a minute though. 00:04:55.630 --> 00:04:57.730 align:middle line:84% I only been a good nigga for a minute though. 00:04:57.730 --> 00:05:00.290 align:middle line:84% I only been a good nigga for a minute though. 00:05:00.290 --> 00:05:08.070 align:middle line:90% 00:05:08.070 --> 00:05:09.270 align:middle line:90% You know how I feel. 00:05:09.270 --> 00:05:16.170 align:middle line:90% 00:05:16.170 --> 00:05:19.650 align:middle line:84% The light goes on, hey, for a darkness I jet. 00:05:19.650 --> 00:05:22.230 align:middle line:84% As though dawned-up to the illest sensation. 00:05:22.230 --> 00:05:24.570 align:middle line:90% I reach the shit and feel me. 00:05:24.570 --> 00:05:25.320 align:middle line:90% I'm at it. 00:05:25.320 --> 00:05:28.610 align:middle line:90% 00:05:28.610 --> 00:05:30.265 align:middle line:84% Only been a, only been a, only been 00:05:30.265 --> 00:05:31.640 align:middle line:84% a good nigga for a minute though. 00:05:31.640 --> 00:05:31.890 align:middle line:84% I only been a good nigga for a minute though. 00:05:31.890 --> 00:05:32.140 align:middle line:84% I only been a good nigga for a minute though. 00:05:32.140 --> 00:05:34.015 align:middle line:84% I only been a good nigga for a minute though. 00:05:34.140 --> 00:05:38.015 align:middle line:84% I only been a good nigga for a minute though. 00:05:38.140 --> 00:05:44.015 align:middle line:84% da dun doooooooooonnnnnnnnne 00:05:44.015 --> 00:06:11.049 align:middle line:90%