WEBVTT 00:00:00.000 --> 00:00:01.290 align:middle line:90% 00:00:01.290 --> 00:00:04.470 align:middle line:84% In the darkness of El Colón movie theater, 00:00:04.470 --> 00:00:08.370 align:middle line:84% larger than life and superimposed on a giant screen, 00:00:08.370 --> 00:00:11.120 align:middle line:84% Pedro Infante, the Mexican movie star, 00:00:11.120 --> 00:00:16.200 align:middle line:84% stares straight at me with his dark smoldering eyes. 00:00:16.200 --> 00:00:19.950 align:middle line:84% It is here, in the sensuous shadows, 00:00:19.950 --> 00:00:25.200 align:middle line:84% that I forget all about my life as Teresina "La Tere" Ávila, 00:00:25.200 --> 00:00:29.340 align:middle line:84% teacher's aide at Cabritoville Elementary School. 00:00:29.340 --> 00:00:33.750 align:middle line:84% Maybe that's why I like Pedro Infante's movies so much. 00:00:33.750 --> 00:00:39.420 align:middle line:84% They make me think to stop thinking. 00:00:39.420 --> 00:00:43.890 align:middle line:84% Or stop thinking to really think. 00:00:43.890 --> 00:00:46.380 align:middle line:84% It is here that I prefer to dream, 00:00:46.380 --> 00:00:49.680 align:middle line:84% seated in the middle of the people that I call familia. 00:00:49.680 --> 00:00:56.130 align:middle line:84% To my right is my comadre, Irma "La Wirma" Granados. 00:00:56.130 --> 00:01:00.330 align:middle line:84% And next to her is her mother, Nyvia Ester Granados. 00:01:00.330 --> 00:01:02.910 align:middle line:84% Ay, it's dinnertime on a hot July night, 00:01:02.910 --> 00:01:06.900 align:middle line:84% and I should be at home, and yet I find myself here, 00:01:06.900 --> 00:01:10.590 align:middle line:84% lost in the timeless transparency of El Colón, 00:01:10.590 --> 00:01:16.200 align:middle line:84% watching Pedro Infante in the movie, La vida no vale nada. 00:01:16.200 --> 00:01:18.450 align:middle line:84% Pedro plays a melancholic loner named 00:01:18.450 --> 00:01:22.350 align:middle line:84% Pablo who keeps leaving any number of possible lives behind 00:01:22.350 --> 00:01:25.540 align:middle line:84% and all sorts of women who might have loved him. 00:01:25.540 --> 00:01:27.960 align:middle line:84% He is a good-hearted vato who goes 00:01:27.960 --> 00:01:31.170 align:middle line:84% on these life-changing borracheras 00:01:31.170 --> 00:01:35.910 align:middle line:84% whenever he feels overwhelmed, which is pretty much 00:01:35.910 --> 00:01:39.450 align:middle line:90% most of the time. 00:01:39.450 --> 00:01:42.300 align:middle line:90% Ay, Dios mio. 00:01:42.300 --> 00:01:45.450 align:middle line:84% Pedro's lips part slightly with that naughty nene-- 00:01:45.450 --> 00:01:49.450 align:middle line:84% little boy-- grin of his as he breaks into song, Oh, ay, ay 00:01:49.450 --> 00:01:49.950 align:middle line:90% ay! 00:01:49.950 --> 00:01:51.165 align:middle line:90% He knows me. 00:01:51.165 --> 00:01:54.480 align:middle line:90% 00:01:54.480 --> 00:01:57.270 align:middle line:84% He knows that I crave his arms, his touch, 00:01:57.270 --> 00:02:00.840 align:middle line:84% his deep voice in my ear, his knowing hands 00:02:00.840 --> 00:02:03.150 align:middle line:90% on my trembling body. 00:02:03.150 --> 00:02:04.150 align:middle line:90% Aye! 00:02:04.150 --> 00:02:05.910 align:middle line:90% Hijole! 00:02:05.910 --> 00:02:08.639 align:middle line:84% The great flames of my dreams billow up 00:02:08.639 --> 00:02:12.660 align:middle line:84% to meet the flickering screen as a wave of intense light 00:02:12.660 --> 00:02:17.640 align:middle line:84% consumes the sweet, painful, and familiar song 00:02:17.640 --> 00:02:19.990 align:middle line:90% of my untold longing. 00:02:19.990 --> 00:02:22.260 align:middle line:90% Oh-hoo-hoy! 00:02:22.260 --> 00:02:25.440 align:middle line:90% The man has me going! 00:02:25.440 --> 00:02:29.640 align:middle line:84% Revved up like a swirling green, yellow, silver, and blue top, 00:02:29.640 --> 00:02:31.800 align:middle line:84% I can barely sit still in my seat. 00:02:31.800 --> 00:02:34.380 align:middle line:84% And I sit up straight, and then I shiver down 00:02:34.380 --> 00:02:39.150 align:middle line:84% and melt to hot plastic, trying to find a comfortable position. 00:02:39.150 --> 00:02:42.570 align:middle line:84% My legs are itchy, a sure sign of the troubled 00:02:42.570 --> 00:02:44.790 align:middle line:84% state of my mind and my restless body. 00:02:44.790 --> 00:02:46.350 align:middle line:90% There is no relief. 00:02:46.350 --> 00:02:52.140 align:middle line:84% I admit, years after he died tragically in a plane crash, 00:02:52.140 --> 00:02:56.310 align:middle line:84% that I am still in love with Pedro Infante. 00:02:56.310 --> 00:02:58.350 align:middle line:90% Who isn't? 00:02:58.350 --> 00:03:00.780 align:middle line:84% In the movie, Pedros-as-Pablo meets 00:03:00.780 --> 00:03:04.050 align:middle line:84% Cruz, the widowed owner of an antique shop in the market. 00:03:04.050 --> 00:03:07.320 align:middle line:84% And he carries her groceries home for her. 00:03:07.320 --> 00:03:12.870 align:middle line:84% But he can't help but notice how voluptuous Cruz 00:03:12.870 --> 00:03:15.015 align:middle line:90% is in her widow's garbs. 00:03:15.015 --> 00:03:17.520 align:middle line:90% 00:03:17.520 --> 00:03:20.160 align:middle line:84% After exchanging glances that would have worked 00:03:20.160 --> 00:03:23.580 align:middle line:84% on any other woman, Cruz can still not 00:03:23.580 --> 00:03:25.860 align:middle line:84% admit that she loves Pedro-as-Pablo. 00:03:25.860 --> 00:03:29.310 align:middle line:84% But she is thrilled to know that he wants her. 00:03:29.310 --> 00:03:32.910 align:middle line:90% His lust naked, unadorned. 00:03:32.910 --> 00:03:35.550 align:middle line:84% It is only when she's behind closed doors in her room 00:03:35.550 --> 00:03:39.690 align:middle line:84% that she can admit the terrible truth. 00:03:39.690 --> 00:03:42.420 align:middle line:84% Now, what can I tell you about Pedro Infante? 00:03:42.420 --> 00:03:44.460 align:middle line:84% If you are a Mexicana or Mexicano, 00:03:44.460 --> 00:03:47.080 align:middle line:84% and you do not know who Pedro Infante is, 00:03:47.080 --> 00:03:50.400 align:middle line:84% you should be tied to a hot stove with yucca rope 00:03:50.400 --> 00:03:52.950 align:middle line:84% and beaten with sharp, dry corn husks, 00:03:52.950 --> 00:03:58.350 align:middle line:84% as you stand in a vat of soggy fideos. 00:03:58.350 --> 00:04:01.890 align:middle line:84% Now if your racial and cultural ethnicity is Other, 00:04:01.890 --> 00:04:03.600 align:middle line:90% then listen up. 00:04:03.600 --> 00:04:06.660 align:middle line:84% It's about time you learned about the most famous 00:04:06.660 --> 00:04:09.240 align:middle line:90% of Mexican singers and actors. 00:04:09.240 --> 00:04:13.560 align:middle line:84% Pedro was born on November the 18th, 1917, in Mazatlán, 00:04:13.560 --> 00:04:14.220 align:middle line:90% Sinaloa. 00:04:14.220 --> 00:04:19.529 align:middle line:84% And he died in 1957 in a terrible plane crash in Mérida, 00:04:19.529 --> 00:04:23.400 align:middle line:84% Yucatán, when he was only 40 years old, 00:04:23.400 --> 00:04:25.800 align:middle line:90% at the height of his popularity. 00:04:25.800 --> 00:04:30.600 align:middle line:84% He was known as "El idolo del Pueblo." 00:04:30.600 --> 00:04:33.390 align:middle line:84% Some people even call him the Dean Martin of México, 00:04:33.390 --> 00:04:36.480 align:middle line:90% but he's much more than that. 00:04:36.480 --> 00:04:40.110 align:middle line:84% His real life was just as passionate 00:04:40.110 --> 00:04:42.180 align:middle line:84% as the one he played on the screen. 00:04:42.180 --> 00:04:44.940 align:middle line:84% There was his first girlfriend, Lupita Marques, 00:04:44.940 --> 00:04:46.170 align:middle line:90% who bore him a little girl. 00:04:46.170 --> 00:04:48.000 align:middle line:84% And then there was his long-suffering wife, 00:04:48.000 --> 00:04:51.660 align:middle line:84% ay pobrecita, Maria Luisa de Leon. 00:04:51.660 --> 00:04:54.090 align:middle line:84% Then there was Lupe Torrentera, the young dancer 00:04:54.090 --> 00:04:58.440 align:middle line:84% he met when she was 14 and had a child with him when she was 15. 00:04:58.440 --> 00:05:02.860 align:middle line:84% And then there was Ima Dorantes, the young actress 00:05:02.860 --> 00:05:04.840 align:middle line:84% who starred in many of his motion pictures 00:05:04.840 --> 00:05:07.060 align:middle line:84% and became the mother of his daughter, Irmita. 00:05:07.060 --> 00:05:10.450 align:middle line:90% And the list goes on and on. 00:05:10.450 --> 00:05:14.505 align:middle line:84% If I'd had a chance, and I had been born earlier 00:05:14.505 --> 00:05:15.880 align:middle line:84% in a different part of the world, 00:05:15.880 --> 00:05:19.900 align:middle line:84% I might have taken up with Pedro Infante too. 00:05:19.900 --> 00:05:22.885 align:middle line:84% But I was born in Cabritoville, USA, 00:05:22.885 --> 00:05:27.010 align:middle line:84% on the Tejas-México border near El Paso. 00:05:27.010 --> 00:05:33.220 align:middle line:84% The closest that I will ever come to Pedro Infante is in El 00:05:33.220 --> 00:05:35.950 align:middle line:90% Colón on a Thursday night. 00:05:35.950 --> 00:05:39.100 align:middle line:90% In here, time is suspended. 00:05:39.100 --> 00:05:42.190 align:middle line:84% In here, I want to imagine the impossible 00:05:42.190 --> 00:05:49.150 align:middle line:84% and to leave, for an hour or two, my life behind. 00:05:49.150 --> 00:05:52.960 align:middle line:84% Nyvia Ester, she's sitting behind a woman who 00:05:52.960 --> 00:05:54.970 align:middle line:84% keeps talking when Pedro-as-Pablo 00:05:54.970 --> 00:05:57.730 align:middle line:90% does something cute on screen. 00:05:57.730 --> 00:06:00.640 align:middle line:84% Or he makes ojitos with his beautiful eyes 00:06:00.640 --> 00:06:04.030 align:middle line:84% which makes us all sticky and hot like the popcorn 00:06:04.030 --> 00:06:06.850 align:middle line:84% with the butter that we're holding even though we 00:06:06.850 --> 00:06:08.545 align:middle line:90% know he's been dead for years. 00:06:08.545 --> 00:06:10.300 align:middle line:90% [LAUGHTER] 00:06:10.300 --> 00:06:15.370 align:middle line:84% All I need is a little quiet and a lot of darkness. 00:06:15.370 --> 00:06:16.720 align:middle line:90% [LAUGHTER] 00:06:16.720 --> 00:06:19.780 align:middle line:84% And for the man across the aisle from me 00:06:19.780 --> 00:06:24.220 align:middle line:84% to stop smacking his lips and murmuring under his hot breath. 00:06:24.220 --> 00:06:28.990 align:middle line:84% When Pedro-as-Pablo suddenly takes Cruz in his arms, 00:06:28.990 --> 00:06:33.850 align:middle line:84% there is a profound and sacred silence. 00:06:33.850 --> 00:06:35.221 align:middle line:90% Ay! 00:06:35.221 --> 00:06:38.790 align:middle line:84% I hear a sharp intake of breath from Nyvia Ester. 00:06:38.790 --> 00:06:46.750 align:middle line:84% [GASP] Irma sighs, oh, a barely perceptible sound 00:06:46.750 --> 00:06:48.250 align:middle line:90% of pure pleasure. 00:06:48.250 --> 00:06:51.880 align:middle line:84% And I slide down in my seat, my hands momentarily resting 00:06:51.880 --> 00:06:54.670 align:middle line:84% on the plastic chair back, then nervously rise 00:06:54.670 --> 00:06:58.580 align:middle line:84% with dreaded anticipation with what is to come. 00:06:58.580 --> 00:07:03.760 align:middle line:84% This is the scene where Cruz gives Pablo her father's gold 00:07:03.760 --> 00:07:06.130 align:middle line:90% watch. 00:07:06.130 --> 00:07:09.550 align:middle line:90% I know what's going to happen. 00:07:09.550 --> 00:07:12.640 align:middle line:84% Ay, it breaks my heart every time Pedro-as-Pablo leaves Cruz 00:07:12.640 --> 00:07:14.860 align:middle line:84% in the middle of the night after she's given him 00:07:14.860 --> 00:07:17.560 align:middle line:90% her father's gold watch. 00:07:17.560 --> 00:07:20.710 align:middle line:84% Later, she wakes to find him gone. 00:07:20.710 --> 00:07:26.680 align:middle line:84% And she runs down a set of dark stairs, calling his name. 00:07:26.680 --> 00:07:28.270 align:middle line:90% Pablo! 00:07:28.270 --> 00:07:29.680 align:middle line:90% Pablo! 00:07:29.680 --> 00:07:31.930 align:middle line:90% But he will never come back. 00:07:31.930 --> 00:07:34.090 align:middle line:84% Pedro-as-Pablo is the kind of man 00:07:34.090 --> 00:07:37.930 align:middle line:84% who will never be faithful to one woman. 00:07:37.930 --> 00:07:40.540 align:middle line:84% It's not that he doesn't want to, he just can't. 00:07:40.540 --> 00:07:42.790 align:middle line:90% He can't stay with Silvia. 00:07:42.790 --> 00:07:43.570 align:middle line:90% No, he can't. 00:07:43.570 --> 00:07:46.630 align:middle line:84% Can't stay with her, with Silvia, the prostitute that he 00:07:46.630 --> 00:07:49.990 align:middle line:84% befriends, and eventually he earns enough money 00:07:49.990 --> 00:07:53.500 align:middle line:84% as a baker to free her from the brothel 00:07:53.500 --> 00:07:56.530 align:middle line:84% where she has been working and where she's indebted to. 00:07:56.530 --> 00:07:59.980 align:middle line:84% But when she finally finds him to thank him 00:07:59.980 --> 00:08:02.720 align:middle line:84% and to hopefully spend the rest of her life with him, 00:08:02.720 --> 00:08:04.900 align:middle line:90% he doesn't want her. 00:08:04.900 --> 00:08:08.050 align:middle line:84% Ay, more adventures, more women, a life out of control. 00:08:08.050 --> 00:08:11.680 align:middle line:84% And now, raucous with laughter, the man across from me 00:08:11.680 --> 00:08:14.230 align:middle line:84% applauds as Pedro-as-Pablo awakes 00:08:14.230 --> 00:08:20.590 align:middle line:84% to find himself in bed, again, with Silvia. 00:08:20.590 --> 00:08:24.040 align:middle line:84% Not even Cruz could stop Pedro-as-Pablo, 00:08:24.040 --> 00:08:28.380 align:middle line:84% make him stand still, find a life of peace. 00:08:28.380 --> 00:08:29.000 align:middle line:90%