WEBVTT

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[INTERPOSING VOICES]

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[MUSIC PLAYING]

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(SINGING) Dicen que por las noches 
no más se le iba en puro llorar

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dicen que no comía, 
no más se le iba en puro tomar.

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Juran que el mismo cielo 
se estremecía al oír su llanto, 

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cómo sufrió por ella, 
y hasta en su muerte la fue llamando:

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Ay, ay, ay, ay, ay...

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What are the
conditions of duress?

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(SINGING) cantaba, ay, ay, ay, ay, ay gemía,

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No way in and no way out.

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(SINGING) Ay, ay, ay, ay, ay cantaba, 
de pasión mortal moría

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That is still waiting.

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[MUSIC PLAYING]

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The language spoken is
a measure of which--

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(SINGING) Que una paloma triste 
muy de mañana le va a cantar 

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a la casita sola 
con sus puertitas de par en par;  

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juran que esa paloma 
no es otra cosa más que su alma, 

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que todavía la espera 
a que regrese la desdichada.

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Cucurrucucú paloma,

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The language spoken is a
measure of which variation--

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(SINGING) cucurrucucú no llores.

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When the event happens,
where does the event end?

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(SINGING) Las piedras jamás, paloma, 
¿qué van a saber de amores? Cucurrucucú...

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When the event happens,
when does the event end?

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We are hirsute in our desires.

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[CHEERING]

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[MUSIC PLAYING]

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The distance between the thing
and the thing that follows.

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We know that the replica
is not a vase itself.

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We know too that a
photo is not the thing.

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But sometimes we assume that
the photo is a transparent

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lens to the thing, a window.

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What do I know when I look into
the face of your Black face?

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What kind of system is
at work under your skin

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that you're a replica
of, or are you real?

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Which is the replica, and
which is the actual thing?

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Replica of what, or whom?

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What are we to do with
the thing imagined.

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There's always a
nigger in the woodpile.

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[CHEERING]

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I like to imagine that
the photograph was

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[INAUDIBLE] and his son.

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Not as a person, but
to have the contact

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with the person, a contract that
says I will try very ardently

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not to kill you.

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What is the body a
representation of?

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Each one in relation
to maybe a framework

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for cultural similarity.

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What other bodies
are like this body?

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Who has this performance
of language in the body?

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Who has it, it's speech and
gestures, tongue of Blackness,

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a way of speech or bodily
gesture behind speech,

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a set of references and
understandings around tastes

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and tastes, a category of
discrimination, of struggle,

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a believed or imagined
home place, a container?

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When one has closely
cropped the hair,

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does the body, male and
female, over the phone

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get Black or White,
Latino or Asian?

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I feel like throwing a brick
through the window suddenly.

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I feel like vomiting all
over the hood of your car.

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I got your nigger
realness, right here.

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The critique here is not
of individual or even

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collective experience,
but of the ways

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in which the encircling of
particular sets of identity

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constructions name them
as authentic and true.

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We are not, in the first
place, singular cells,

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as the boys more than
hinted at 100 years ago.

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Our dynamic of the gaze of
the other prohibits that.

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What about our culture
needs these constructions

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to be singular and legible?

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And conversely, why
does resisting tropes

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of recognizability belie
a certain authenticity,

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negate a certain realness?

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This limitation of
imagination that,

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although
well-intentioned, ends up

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enacting the very regimes of
power, that identity we're

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sought to undo in
the first place.

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We are well-intentioned.

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We are now in the marketplace.

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There are certain demands
for recognizability.

00:08:05.160 --> 00:08:08.760 align:middle line:84%
It hungers for the replication
of the source material,

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regardless of whether
or not that source

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reflects the complications
of stockbroking.

00:08:14.010 --> 00:08:17.760 align:middle line:84%
The marketplace demands that
the product for consumption

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be not so unseeable to us
that it is illegitimate.

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(SINGING) How much is
that nigger in the window?

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The power of the fragment
is that it resists totality.

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When I look into the
sun, I see nothing.

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Instead, I am visually accosted.

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I cannot open my eyes.

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I cannot look at the
thing I want to see.

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I turn away.

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I pull my hat down
in front of my eyes.

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I obscure my vision in order
to better see the object.

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Divide and critical assessment.

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Relative closeness,
unfortunate box,

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rigid, and no pliable
formula in the divide.

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To avoid the catatonic state,
glaze in whole of what's

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not left-over.

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They say there are traces, that
there will always be traces.

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It's a fiction
anyway, a construction

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of the mind's needs that they
hold on to filament gestures

00:09:26.120 --> 00:09:27.230 align:middle line:90%
as material.

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In the hole, we find a digging,
fingernails deep and refuse.

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Here is the trash heap, nothing
there except a muted wailing.

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The order is on the horn.

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The order is telling
his life story.

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We walked the long, hot
sidewalk toward water.

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Touch here is
imperative to hold up

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contact, contact of suspense and
wanting, to prop up or sustain,

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to call into being
from elsewhere,

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or a reminder of access.

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Late, interminable.

00:10:03.710 --> 00:10:05.900 align:middle line:90%
I do not know where my house is.

00:10:05.900 --> 00:10:08.780 align:middle line:90%
Where is my house?

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Summer steams by, every
border is cocked and ready,

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flattened body
against cool Earth.

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Live without sound.

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Be a cool corpse
under wire teeth.

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The police are so young,
they do not hear the wailing.

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Wailing, I'm told, is a
figment of your imagination.

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What to know of the
body's refusal to open,

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of the body's hidden cave.

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Put the cave inside another
cave so no one can reach it.

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Perspiration aches.

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Strain against your arms.

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I have come to you
from a metal house.

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We had steel barriers to
protect us from the sun.

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The lake drifts into forever.

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Windows here are small, and
I cannot see myself in them.

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What it is to be
captured by spoons.

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[INTERPOSING VOICES]

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When the head is shoved,
it naturally resists.

00:11:19.380 --> 00:11:24.510 align:middle line:84%
Cover her dark face in
black cloth [INAUDIBLE]..

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We are infinitely disgraced,
wishes, well-wishes, eel.

00:11:31.590 --> 00:11:35.070 align:middle line:84%
I am 11, and I am
let into a dim room

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where my brother and his friends
are watching a 32 millimeter

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film in which a
woman is gangbanged.

00:11:41.160 --> 00:11:44.430 align:middle line:90%
Upon entering, the eye distends.

00:11:44.430 --> 00:11:48.120 align:middle line:90%
To claim is to maneuver.

00:11:48.120 --> 00:11:54.540 align:middle line:84%
Punishment referent--
belt, whip, glory.

00:11:54.540 --> 00:11:59.370 align:middle line:84%
We speak to each other
through mountains.

00:11:59.370 --> 00:12:02.640 align:middle line:90%
You excrete God-likeness.

00:12:02.640 --> 00:12:05.610 align:middle line:90%
Whose presence entered my world?

00:12:05.610 --> 00:12:08.760 align:middle line:84%
Who decided upon
and then let go?

00:12:08.760 --> 00:12:11.850 align:middle line:84%
I present you with
a phantasmagoric me.

00:12:11.850 --> 00:12:14.520 align:middle line:84%
I wear a sheath in
jewels, my tits hang out.

00:12:14.520 --> 00:12:19.440 align:middle line:84%
I'm unworthy, mouth
unfastened, draw in.

00:12:19.440 --> 00:12:24.360 align:middle line:84%
I fast, I work, I design, I
craft, and then I pour out,

00:12:24.360 --> 00:12:26.670 align:middle line:90%
I stiffen upon command.

00:12:26.670 --> 00:12:31.082 align:middle line:90%
[MUSIC PLAYING]

00:12:31.082 --> 00:12:38.068 align:middle line:90%


00:12:38.068 --> 00:12:43.058 align:middle line:90%
[NATURE SOUNDS]

00:12:43.058 --> 00:12:56.280 align:middle line:90%


00:12:56.280 --> 00:13:02.390 align:middle line:84%
The black, the white sort of
racist discourse is not a--

00:13:02.390 --> 00:13:04.640 align:middle line:84%
You can learn from it, but
it's Brown and white, here.

00:13:04.640 --> 00:13:08.969 align:middle line:90%
[NATURE SOUNDS]

00:13:08.969 --> 00:13:15.222 align:middle line:90%


00:13:15.222 --> 00:13:17.150 align:middle line:90%
[LAUGHTER]

00:13:17.150 --> 00:13:18.150 align:middle line:90%
So--

00:13:18.150 --> 00:13:22.613 align:middle line:90%
[ECHOING LAUGHTER]

00:13:22.613 --> 00:13:25.354 align:middle line:90%


00:13:25.354 --> 00:13:25.854 align:middle line:90%
So--

00:13:25.854 --> 00:13:32.437 align:middle line:90%


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All living organisms starting
from unicellular beings

00:13:38.805 --> 00:13:44.940 align:middle line:84%
have this anticipatory
capacity because information

00:13:44.940 --> 00:13:47.205 align:middle line:90%
is coming from the future.

00:13:47.205 --> 00:14:00.190 align:middle line:90%


00:14:00.190 --> 00:14:03.926 align:middle line:84%
I actually-- you are
my intended audience.

00:14:03.926 --> 00:14:04.426 align:middle line:90%
[LAUGHTER]

00:14:04.426 --> 00:14:06.378 align:middle line:90%
Here we go.

00:14:06.378 --> 00:14:08.330 align:middle line:90%
[LAUGHTER]

00:14:08.330 --> 00:14:11.746 align:middle line:90%
[NATURE SOUNDS]

00:14:11.746 --> 00:14:13.700 align:middle line:90%


00:14:13.700 --> 00:14:20.550 align:middle line:84%
Poetry is a filmic medium in
the way it creates insight.

00:14:20.550 --> 00:14:23.882 align:middle line:90%
[NATURE SOUNDS]

00:14:23.882 --> 00:14:30.080 align:middle line:90%


00:14:30.080 --> 00:14:33.600 align:middle line:90%
[SINGING]

00:14:33.600 --> 00:14:34.540 align:middle line:90%


00:14:34.540 --> 00:14:36.900 align:middle line:90%
Don't even try it.

00:14:36.900 --> 00:14:38.910 align:middle line:90%
It's impossible to vacillate.

00:14:38.910 --> 00:14:40.200 align:middle line:90%
Don't even try it.

00:14:40.200 --> 00:14:41.490 align:middle line:90%
OK, [INAUDIBLE].

00:14:41.490 --> 00:14:42.240 align:middle line:90%
Don't even try it.

00:14:42.240 --> 00:14:44.365 align:middle line:84%
If you think you can approach
it, step back softly.

00:14:44.365 --> 00:14:45.160 align:middle line:90%
Don't even try it.

00:14:45.160 --> 00:14:45.840 align:middle line:90%
This is off the dome.

00:14:45.840 --> 00:14:46.673 align:middle line:90%
I'm not even trying.

00:14:46.673 --> 00:14:47.730 align:middle line:90%
It's easy for me.

00:14:47.730 --> 00:14:49.020 align:middle line:90%
[INAUDIBLE]

00:14:49.020 --> 00:14:51.030 align:middle line:84%
Off the dome, without
writing anything down.

00:14:51.030 --> 00:14:53.490 align:middle line:84%
Off the dome, imaginary,
freestyling, like this.

00:14:53.490 --> 00:14:56.190 align:middle line:84%
Who's hilarious, hagiography
and spittle, creeping up,

00:14:56.190 --> 00:14:58.440 align:middle line:84%
the corner supernatural
rhyme scene New York.

00:14:58.440 --> 00:15:01.065 align:middle line:84%
And I'm not your dork,
I'm more than this.

00:15:01.065 --> 00:15:01.790 align:middle line:90%
[INAUDIBLE]

00:15:01.790 --> 00:15:02.730 align:middle line:90%
This isn't cadence.

00:15:02.730 --> 00:15:03.820 align:middle line:90%
This isn't slam poetry.

00:15:03.820 --> 00:15:05.400 align:middle line:90%
This is your ma'am poetry, mom.

00:15:05.400 --> 00:15:09.360 align:middle line:90%


00:15:09.360 --> 00:15:10.950 align:middle line:90%
Don't even try it.

00:15:10.950 --> 00:15:13.080 align:middle line:84%
Don't even think you
can approach BTC,

00:15:13.080 --> 00:15:16.980 align:middle line:90%
but we love thee, delicately.

00:15:16.980 --> 00:15:18.430 align:middle line:90%
Don't even try to [INAUDIBLE].

00:15:18.430 --> 00:15:21.620 align:middle line:90%
(SINGING) We love thee.

00:15:21.620 --> 00:15:23.640 align:middle line:84%
We started talking about
it a long time ago,

00:15:23.640 --> 00:15:27.104 align:middle line:84%
but there were a lot
of ideas there were--

00:15:27.104 --> 00:15:28.062 align:middle line:90%
(SINGING) We love thee.

00:15:28.062 --> 00:15:28.562 align:middle line:90%
Mm-hmm.

00:15:28.562 --> 00:15:30.680 align:middle line:90%
Growing in our conversation.

00:15:30.680 --> 00:15:31.900 align:middle line:90%
Mm-hmm.

00:15:31.900 --> 00:15:34.358 align:middle line:90%
And then, we--

00:15:34.358 --> 00:15:35.234 align:middle line:90%
Mm.

00:15:35.234 --> 00:15:36.110 align:middle line:90%
Mm-hmm.

00:15:36.110 --> 00:15:40.200 align:middle line:84%
Kind of accidentally stumbled
into this common territory.

00:15:40.200 --> 00:15:41.112 align:middle line:90%
Mm-hmm.

00:15:41.112 --> 00:15:42.950 align:middle line:90%
And decided to work with it.

00:15:42.950 --> 00:15:45.390 align:middle line:90%
And I hadn't seen her since--

00:15:45.390 --> 00:15:46.380 align:middle line:90%
Mm!

00:15:46.380 --> 00:15:48.360 align:middle line:90%
Mm-mm-mm.

00:15:48.360 --> 00:15:49.350 align:middle line:90%
Today.

00:15:49.350 --> 00:15:51.330 align:middle line:90%
[LAUGHTER]

00:15:51.330 --> 00:15:52.320 align:middle line:90%
Mm-hmm.

00:15:52.320 --> 00:15:54.303 align:middle line:90%
[LAUGHTER]

00:15:54.303 --> 00:15:58.007 align:middle line:90%
Mm-mm-mm-mm-mm-mm.

00:15:58.007 --> 00:15:58.940 align:middle line:90%
[MUSIC PLAYING]

00:15:58.940 --> 00:16:00.095 align:middle line:90%
So the radical fracture.

00:16:00.095 --> 00:16:01.760 align:middle line:90%
(SINGING) The radical fracture.

00:16:01.760 --> 00:16:05.360 align:middle line:84%
A clear contagion
upsets the static line.

00:16:05.360 --> 00:16:07.430 align:middle line:84%
It's as though you've
already been ordained

00:16:07.430 --> 00:16:08.850 align:middle line:90%
to be stuck in the static.

00:16:08.850 --> 00:16:09.740 align:middle line:90%
Do you like it?

00:16:09.740 --> 00:16:11.180 align:middle line:90%
Probably.

00:16:11.180 --> 00:16:12.854 align:middle line:90%
Do you like it?

00:16:12.854 --> 00:16:14.180 align:middle line:90%
Do I like what?

00:16:14.180 --> 00:16:15.650 align:middle line:90%
Static.

00:16:15.650 --> 00:16:16.770 align:middle line:90%
I fucking love static.

00:16:16.770 --> 00:16:17.270 align:middle line:90%
Me too.

00:16:17.270 --> 00:16:18.762 align:middle line:90%
Mm-hmm.

00:16:18.762 --> 00:16:19.262 align:middle line:90%
Mm-hmm.

00:16:19.262 --> 00:16:21.830 align:middle line:90%
I want some static over here.

00:16:21.830 --> 00:16:25.170 align:middle line:90%
People love that shit.

00:16:25.170 --> 00:16:31.760 align:middle line:84%
Toe the line, do your job,
be my friend, write my book.

00:16:31.760 --> 00:16:34.061 align:middle line:90%
Write my book.

00:16:34.061 --> 00:16:36.010 align:middle line:90%
Write my book.

00:16:36.010 --> 00:16:39.611 align:middle line:90%
I got this.

00:16:39.611 --> 00:16:40.236 align:middle line:90%
[MUSIC PLAYING]

00:16:40.236 --> 00:16:43.466 align:middle line:84%
When you hover around the
subject, a subject that's

00:16:43.466 --> 00:16:46.200 align:middle line:84%
sudden, it's something
we call it transposition

00:16:46.200 --> 00:16:48.032 align:middle line:90%
between time and space.

00:16:48.032 --> 00:16:50.840 align:middle line:84%
And that space contains
a gaggle of niggers,

00:16:50.840 --> 00:16:55.663 align:middle line:84%
screaming out of vestibules,
"I'll get you bitch."

00:16:55.663 --> 00:16:56.330 align:middle line:90%
When you hover--

00:16:56.330 --> 00:16:59.705 align:middle line:84%
When you hover around a subject,
a subject that is sudden,

00:16:59.705 --> 00:17:02.560 align:middle line:84%
it's something we call a
transposition between time

00:17:02.560 --> 00:17:03.110 align:middle line:90%
and space.

00:17:03.110 --> 00:17:07.637 align:middle line:84%
And that space
contains a gaggle of--

00:17:07.637 --> 00:17:10.230 align:middle line:90%
(SINGING)

00:17:10.230 --> 00:17:11.706 align:middle line:90%


00:17:11.706 --> 00:17:14.658 align:middle line:90%
Yeah, I want those.

00:17:14.658 --> 00:17:16.630 align:middle line:90%
(SINGING)

00:17:16.630 --> 00:17:19.390 align:middle line:84%
When you hover around a subject,
a subject that is sudden,

00:17:19.390 --> 00:17:21.400 align:middle line:84%
it's something we call
a transposition of time

00:17:21.400 --> 00:17:21.910 align:middle line:90%
and space.

00:17:21.910 --> 00:17:24.880 align:middle line:84%
And that space contains a
gaggle of niggers screaming out

00:17:24.880 --> 00:17:26.758 align:middle line:84%
of vestibules, "I'll
get you, bitch.

00:17:26.758 --> 00:17:27.550 align:middle line:90%
You want to battle?

00:17:27.550 --> 00:17:28.569 align:middle line:90%
Don't try to tattle tell.

00:17:28.569 --> 00:17:29.230 align:middle line:90%
I got to lead you.

00:17:29.230 --> 00:17:30.063 align:middle line:90%
Daddy's in the pool.

00:17:30.063 --> 00:17:33.130 align:middle line:84%
Play the wife, grab the curb
out of the old cock, flop it."

00:17:33.130 --> 00:17:36.550 align:middle line:84%
She said, "Can I meditate
myself into oblivion?

00:17:36.550 --> 00:17:38.290 align:middle line:84%
Can I meditate
myself into a mind?

00:17:38.290 --> 00:17:41.215 align:middle line:84%
Can I meditate myself into a
flow, something like this?"

00:17:41.215 --> 00:17:42.730 align:middle line:90%
(SINGING)

00:17:42.730 --> 00:17:43.910 align:middle line:90%
"Can you do that?"

00:17:43.910 --> 00:17:44.710 align:middle line:90%
(SINGING) No.

00:17:44.710 --> 00:17:47.830 align:middle line:84%
Someone should say,
"Stop the beat, homo."

00:17:47.830 --> 00:17:49.667 align:middle line:90%
(SINGING) Stop the beat?

00:17:49.667 --> 00:17:50.542 align:middle line:90%
You know what I mean.

00:17:50.542 --> 00:17:51.394 align:middle line:90%
(SINGING)

00:17:51.394 --> 00:17:54.275 align:middle line:90%
It's all so familiar.

00:17:54.275 --> 00:17:55.150 align:middle line:90%
It's all so familiar.

00:17:55.150 --> 00:17:57.220 align:middle line:90%
Drop the beat, kink the beat.

00:17:57.220 --> 00:17:58.660 align:middle line:90%
Uh, listen.

00:17:58.660 --> 00:18:01.060 align:middle line:90%
Listen, ya ya, I'm telling you.

00:18:01.060 --> 00:18:01.600 align:middle line:90%
Listen.

00:18:01.600 --> 00:18:03.210 align:middle line:90%
[PERCUSSION MUSIC]

00:18:03.210 --> 00:18:03.810 align:middle line:90%
Uh.

00:18:03.810 --> 00:18:04.710 align:middle line:90%
Uh.

00:18:04.710 --> 00:18:05.534 align:middle line:90%
Uh.

00:18:05.534 --> 00:18:06.233 align:middle line:90%
Uh.

00:18:06.233 --> 00:18:08.400 align:middle line:84%
When you hover around the
subject, a subject that is

00:18:08.400 --> 00:18:09.692 align:middle line:90%
sudden, I'm sudden, I'm sudden.

00:18:09.692 --> 00:18:10.240 align:middle line:90%
It's sudden.

00:18:10.240 --> 00:18:12.505 align:middle line:84%
When you hover around a
sudden, recall the sudden.

00:18:12.505 --> 00:18:15.130 align:middle line:84%
When a transposition is finding
space, it's the greatest space,

00:18:15.130 --> 00:18:16.590 align:middle line:90%
and my space is my space.

00:18:16.590 --> 00:18:18.030 align:middle line:90%
If I meditate, and meditate.

00:18:18.030 --> 00:18:19.230 align:middle line:90%
Yoga, bikram hot.

00:18:19.230 --> 00:18:20.610 align:middle line:90%
Hot body on the yoga floor.

00:18:20.610 --> 00:18:21.750 align:middle line:90%
They're looking at me.

00:18:21.750 --> 00:18:23.113 align:middle line:90%
"Giovanni says," she says to me.

00:18:23.113 --> 00:18:25.530 align:middle line:84%
She says, "Giovanni says to
me you like to be a spectacle.

00:18:25.530 --> 00:18:28.500 align:middle line:84%
That's why you're going
to be [INAUDIBLE] putting

00:18:28.500 --> 00:18:29.667 align:middle line:90%
your body in his jizz hand."

00:18:29.667 --> 00:18:30.958 align:middle line:90%
That's why she says that to me.

00:18:30.958 --> 00:18:32.520 align:middle line:84%
And I say, "You
to battle with me?

00:18:32.520 --> 00:18:33.470 align:middle line:90%
That's preposterous.

00:18:33.470 --> 00:18:34.280 align:middle line:90%
You want to try it?

00:18:34.280 --> 00:18:38.468 align:middle line:84%
You will get smashed
monstrously, monstrously.

00:18:38.468 --> 00:18:39.260 align:middle line:90%
Don't even try it."

00:18:39.260 --> 00:18:41.300 align:middle line:84%
Sometimes I battle for
practice, take on people,

00:18:41.300 --> 00:18:43.370 align:middle line:84%
like Vanessa Place,
who I love, and love.

00:18:43.370 --> 00:18:45.320 align:middle line:84%
If I want to battle
her, I battle her.

00:18:45.320 --> 00:18:46.820 align:middle line:84%
I called her out
at a conference.

00:18:46.820 --> 00:18:47.862 align:middle line:90%
(SINGING) He's a monster.

00:18:47.862 --> 00:18:51.230 align:middle line:84%
[INAUDIBLE] like a
monster, I'm monstrous.

00:18:51.230 --> 00:18:56.915 align:middle line:84%
All bravado and braggadocio,
but I'm Filipino, Pinoy, Pinoy,

00:18:56.915 --> 00:18:58.985 align:middle line:90%
Pinoy, Pinoy-born.

00:18:58.985 --> 00:18:59.985 align:middle line:90%
Isn't it so complicated?

00:18:59.985 --> 00:19:01.160 align:middle line:90%
(SINGING)

00:19:01.160 --> 00:19:03.860 align:middle line:90%
Don't hire the mixed Black.

00:19:03.860 --> 00:19:05.270 align:middle line:90%
Don't hire the mixed one.

00:19:05.270 --> 00:19:07.300 align:middle line:84%
You can't stand
the complications.

00:19:07.300 --> 00:19:08.240 align:middle line:90%
Hire the Black.

00:19:08.240 --> 00:19:09.440 align:middle line:90%
Hire the mixed Black.

00:19:09.440 --> 00:19:11.498 align:middle line:90%
Hire the mix.

00:19:11.498 --> 00:19:13.454 align:middle line:90%
[LAUGHTER]

00:19:13.454 --> 00:19:30.210 align:middle line:90%


00:19:30.210 --> 00:19:32.130 align:middle line:84%
Squeezed his legs
together rhythmically,

00:19:32.130 --> 00:19:34.830 align:middle line:84%
hopes no one notices this is
better than love, because it's

00:19:34.830 --> 00:19:36.090 align:middle line:90%
not on my pleasure.

00:19:36.090 --> 00:19:37.620 align:middle line:84%
Like pleasure,
it's no way to film

00:19:37.620 --> 00:19:40.260 align:middle line:84%
the persuasion, the effort,
of filling relentless hours.

00:19:40.260 --> 00:19:49.026 align:middle line:90%


00:19:49.026 --> 00:19:51.170 align:middle line:90%
(SINGING) What you want, babe?

00:19:51.170 --> 00:19:52.580 align:middle line:90%
I got what you want, babe.

00:19:52.580 --> 00:19:53.520 align:middle line:90%
Just relax.

00:19:53.520 --> 00:19:55.430 align:middle line:90%
I'm feeling tense.

00:19:55.430 --> 00:19:59.100 align:middle line:90%
To stretch, I need a massage.

00:19:59.100 --> 00:20:01.162 align:middle line:90%
I need a massage.

00:20:01.162 --> 00:20:02.620 align:middle line:84%
That's what my
Scottish daddy says.

00:20:02.620 --> 00:20:05.450 align:middle line:84%
He says, "You should
get a massage."

00:20:05.450 --> 00:20:10.520 align:middle line:84%
He drives a Range Rover, and
a Jag, and both are black.

00:20:10.520 --> 00:20:15.500 align:middle line:84%
And his house got flooded in
the faux Katrina in Vermont.

00:20:15.500 --> 00:20:18.290 align:middle line:84%
And he reinvested,
put $20,000 in it.

00:20:18.290 --> 00:20:20.660 align:middle line:84%
In his tax returns, he
just claimed it all back,

00:20:20.660 --> 00:20:21.590 align:middle line:90%
and he had claimed 50.

00:20:21.590 --> 00:20:23.600 align:middle line:84%
And I said, how could
you do such a thing?

00:20:23.600 --> 00:20:25.642 align:middle line:84%
But I thought, I'd do the
same fucking thing too.

00:20:25.642 --> 00:20:33.423 align:middle line:90%


00:20:33.423 --> 00:20:35.430 align:middle line:84%
When you hover
around the subject--

00:20:35.430 --> 00:20:38.850 align:middle line:84%
When you hover around a subject,
a subject that is sudden,

00:20:38.850 --> 00:20:43.560 align:middle line:84%
something we call a
translation of time and space,

00:20:43.560 --> 00:20:47.220 align:middle line:84%
and that space
contains a gaggle of--

00:20:47.220 --> 00:20:52.210 align:middle line:90%
false imagination

00:20:52.210 --> 00:20:56.010 align:middle line:84%
I don't want to do battle,
I want to choose my rattle.

00:20:56.010 --> 00:20:57.060 align:middle line:90%
I don't want to battle.

00:20:57.060 --> 00:20:59.030 align:middle line:90%
I want to change my--

00:20:59.030 --> 00:21:02.430 align:middle line:90%
choose my-- choose my path.

00:21:02.430 --> 00:21:04.323 align:middle line:90%
[INTERPOSING VOICES]

00:21:04.323 --> 00:21:05.170 align:middle line:90%


00:21:05.170 --> 00:21:09.750 align:middle line:84%
Incidentally, the
subject under discussion

00:21:09.750 --> 00:21:11.370 align:middle line:90%
is not in the building.

00:21:11.370 --> 00:21:14.190 align:middle line:84%
There might be a one,
the one in three, true.

00:21:14.190 --> 00:21:17.240 align:middle line:90%
Multiply, were absent, vacating.

00:21:17.240 --> 00:21:18.740 align:middle line:90%
We're on vacation.

00:21:18.740 --> 00:21:19.240 align:middle line:90%
I am.

00:21:19.240 --> 00:21:21.830 align:middle line:90%


00:21:21.830 --> 00:21:24.530 align:middle line:90%
[LAUGHTER]

00:21:24.530 --> 00:21:28.290 align:middle line:90%


00:21:28.290 --> 00:21:30.180 align:middle line:84%
As they get back
to you, it's heavy.

00:21:30.180 --> 00:21:32.910 align:middle line:90%
But spiraling?

00:21:32.910 --> 00:21:34.840 align:middle line:84%
I'm the one they say
is an imposition.

00:21:34.840 --> 00:21:39.510 align:middle line:84%
These are the comings together
of potential, rent boy on 18th.

00:21:39.510 --> 00:21:41.130 align:middle line:90%
I wanted that identity.

00:21:41.130 --> 00:21:42.010 align:middle line:90%
How much do you want?

00:21:42.010 --> 00:21:44.280 align:middle line:90%
I say, $1,000.

00:21:44.280 --> 00:21:45.832 align:middle line:90%
But that was enough.

00:21:45.832 --> 00:21:47.040 align:middle line:90%
I don't work well in poverty.

00:21:47.040 --> 00:22:03.030 align:middle line:90%


00:22:03.030 --> 00:22:06.494 align:middle line:84%
When you lick your lips
like this, [INAUDIBLE]

00:22:06.494 --> 00:22:07.922 align:middle line:90%
you say I'm sure.

00:22:07.922 --> 00:22:09.630 align:middle line:84%
It's like you're
opening up a [INAUDIBLE]

00:22:09.630 --> 00:22:11.180 align:middle line:84%
and you want to
explode in the Middle

00:22:11.180 --> 00:22:15.182 align:middle line:84%
East [INAUDIBLE]
protocol [INAUDIBLE]

00:22:15.182 --> 00:22:16.432 align:middle line:90%
and you still got [INAUDIBLE].

00:22:16.432 --> 00:22:19.736 align:middle line:90%
[LAUGHTER]

00:22:19.736 --> 00:22:23.520 align:middle line:90%


00:22:23.520 --> 00:22:26.226 align:middle line:84%
When you hover around a subject,
a subject that is sudden,

00:22:26.226 --> 00:22:27.934 align:middle line:84%
it's what we call a
translation between--

00:22:27.934 --> 00:22:31.800 align:middle line:90%
[MUSIC PLAYING]

00:22:31.800 --> 00:22:35.630 align:middle line:90%
[LAUGHTER]

00:22:35.630 --> 00:22:39.056 align:middle line:90%
[INAUDIBLE]

00:22:39.056 --> 00:22:41.870 align:middle line:90%


00:22:41.870 --> 00:22:45.854 align:middle line:84%
Hegemony doing things, hegemonic
principles, [INAUDIBLE]..

00:22:45.854 --> 00:22:47.348 align:middle line:90%
[LAUGHTER]

00:22:47.348 --> 00:22:50.834 align:middle line:84%
[INAUDIBLE] It's all about
systematic information.

00:22:50.834 --> 00:22:52.745 align:middle line:90%
The machine is a machine.

00:22:52.745 --> 00:22:59.947 align:middle line:84%
The cars are now [INAUDIBLE]
because [INAUDIBLE]..

00:22:59.947 --> 00:23:01.880 align:middle line:84%
I'm a gangbanger
when I want to be.

00:23:01.880 --> 00:23:06.840 align:middle line:90%
I'm an OG, [INAUDIBLE].

00:23:06.840 --> 00:23:09.180 align:middle line:84%
If you hover around a
subject, the stomach

00:23:09.180 --> 00:23:11.750 align:middle line:84%
opens up to the sudden
feeling of something

00:23:11.750 --> 00:23:14.620 align:middle line:84%
they call a transposition,
positionalities

00:23:14.620 --> 00:23:17.425 align:middle line:84%
between time and space,
the greatest of space.

00:23:17.425 --> 00:23:21.100 align:middle line:84%
The space is all about an
arrangement, [INAUDIBLE]

00:23:21.100 --> 00:23:23.470 align:middle line:84%
when she put on
those [INAUDIBLE]..

00:23:23.470 --> 00:23:26.800 align:middle line:84%
Put the fist [INAUDIBLE]
standing, watching,

00:23:26.800 --> 00:23:29.210 align:middle line:90%
and looking at you too.

00:23:29.210 --> 00:23:33.860 align:middle line:84%
They should have
exchanged dirty jobs.

00:23:33.860 --> 00:23:39.570 align:middle line:84%
When you hover around a subject,
[SCRAPING NOISE] so deadly

00:23:39.570 --> 00:23:42.270 align:middle line:84%
[INAUDIBLE] sitting in the
bed, you can do it running,

00:23:42.270 --> 00:23:45.670 align:middle line:84%
you can do it anywhere,
no [INAUDIBLE],, fracture,

00:23:45.670 --> 00:23:46.960 align:middle line:90%
fragment.

00:23:46.960 --> 00:23:50.720 align:middle line:84%
Let it fly, fly above
all, over the left field,

00:23:50.720 --> 00:23:51.830 align:middle line:90%
wing, wing, trance.

00:23:51.830 --> 00:23:57.080 align:middle line:84%
Parnassus, Parnissus,
Parnassus, Parnissus, Parnassus.

00:23:57.080 --> 00:23:58.574 align:middle line:90%
[PIANO PLAYING]

00:23:58.574 --> 00:24:23.265 align:middle line:90%


00:24:23.265 --> 00:24:27.241 align:middle line:90%
[MUSIC PLAYING]

00:24:27.241 --> 00:24:39.666 align:middle line:90%


00:24:39.666 --> 00:24:43.160 align:middle line:90%
[LAUGHTER]

00:24:43.160 --> 00:24:47.636 align:middle line:84%
And so we began to see
them on the street coming

00:24:47.636 --> 00:24:50.516 align:middle line:90%
from different directions.

00:24:50.516 --> 00:24:51.974 align:middle line:84%
And then once they
got in the store

00:24:51.974 --> 00:24:53.432 align:middle line:84%
we didn't tell them
to do anything.

00:24:53.432 --> 00:24:55.008 align:middle line:90%


00:24:55.008 --> 00:24:57.448 align:middle line:84%
We just said, here's some
hoodies, here's some sneakers.

00:24:57.448 --> 00:24:58.681 align:middle line:90%
Here's the store.

00:24:58.681 --> 00:24:59.181 align:middle line:90%
Go in there.

00:24:59.181 --> 00:25:00.306 align:middle line:90%
And we're going to film it.

00:25:00.306 --> 00:25:03.070 align:middle line:90%
[LAUGHTER]

00:25:03.070 --> 00:25:06.172 align:middle line:84%
And so, and then you just--
two of them are friends and two

00:25:06.172 --> 00:25:08.047 align:middle line:84%
more were friends and
one of them knew some--

00:25:08.047 --> 00:25:10.880 align:middle line:90%


00:25:10.880 --> 00:25:13.750 align:middle line:84%
And it was just
interesting to kind of see

00:25:13.750 --> 00:25:15.280 align:middle line:90%
how they would interact.

00:25:15.280 --> 00:25:20.180 align:middle line:84%
So I think partly you say,
we need you to go in there

00:25:20.180 --> 00:25:21.860 align:middle line:90%
and try on some hoodies.

00:25:21.860 --> 00:25:23.320 align:middle line:90%
But then that's it.

00:25:23.320 --> 00:25:25.810 align:middle line:84%
Power is exercised where
it can be exercised.

00:25:25.810 --> 00:25:29.114 align:middle line:90%


00:25:29.114 --> 00:25:31.380 align:middle line:84%
So the reverberation
of the relationship

00:25:31.380 --> 00:25:38.105 align:middle line:84%
between the words and the
sound make you imagine or see.

00:25:38.105 --> 00:25:40.995 align:middle line:84%
So, I don't know, the
way film and poetry come

00:25:40.995 --> 00:25:42.652 align:middle line:90%
together is full of risk.

00:25:42.652 --> 00:25:49.540 align:middle line:90%


00:25:49.540 --> 00:25:52.000 align:middle line:84%
Exacting precision,
spectacular momentum.

00:25:52.000 --> 00:26:00.130 align:middle line:90%


00:26:00.130 --> 00:26:02.038 align:middle line:84%
99% of the time, it's
the ones in power

00:26:02.038 --> 00:26:04.330 align:middle line:84%
who act like victims, who
will say, we're not in power,

00:26:04.330 --> 00:26:06.310 align:middle line:84%
we're trying to save ourselves
for the sake of order.

00:26:06.310 --> 00:26:06.535 align:middle line:90%
So Trayvon Martin is fine.

00:26:06.535 --> 00:26:06.625 align:middle line:90%
We learned.

00:26:06.625 --> 00:26:06.715 align:middle line:90%
We understand.

00:26:06.715 --> 00:26:09.257 align:middle line:84%
But there's acts that are going
on today that are very toxic.

00:26:09.257 --> 00:26:13.052 align:middle line:90%


00:26:13.052 --> 00:26:15.458 align:middle line:90%
(SINGING) Oh, beautiful.

00:26:15.458 --> 00:26:19.670 align:middle line:90%
[NATURE SOUNDS]

00:26:19.670 --> 00:26:21.550 align:middle line:90%


00:26:21.550 --> 00:26:24.715 align:middle line:84%
The current conditions
are unforeseen.

00:26:24.715 --> 00:26:26.037 align:middle line:90%
(SINGING) Oh, beautiful.

00:26:26.037 --> 00:26:27.454 align:middle line:84%
And so, how can I
respond to that?

00:26:27.454 --> 00:26:29.704 align:middle line:84%
And it's by crying, crying
in a tone nobody cares for.

00:26:29.704 --> 00:26:35.966 align:middle line:90%


00:26:35.966 --> 00:26:39.438 align:middle line:90%
[LAUGHTER]

00:26:39.438 --> 00:26:57.656 align:middle line:84%
(SINGING) purple
mountainside, I'll be there.

00:26:57.656 --> 00:27:01.214 align:middle line:90%


00:27:01.214 --> 00:27:04.112 align:middle line:84%
So this, preponderance
of the visual

00:27:04.112 --> 00:27:08.140 align:middle line:84%
is something that is not
experienced by the majority

00:27:08.140 --> 00:27:09.590 align:middle line:90%
of people on this planet.

00:27:09.590 --> 00:27:12.290 align:middle line:90%


00:27:12.290 --> 00:27:14.900 align:middle line:84%
However, this wants
to be imposed.

00:27:14.900 --> 00:27:15.800 align:middle line:90%
[LAUGHTER]

00:27:15.800 --> 00:27:20.686 align:middle line:84%
When you have the colonizing
effect of the dominant culture

00:27:20.686 --> 00:27:25.148 align:middle line:84%
people can adopt the images
of the dominant culture.

00:27:25.148 --> 00:27:29.250 align:middle line:84%
But they very rarely give
up their sounds, you know?

00:27:29.250 --> 00:27:32.490 align:middle line:90%
and I think that is an example.

00:27:32.490 --> 00:27:34.226 align:middle line:84%
This is like a resistance
of connectivity

00:27:34.226 --> 00:27:34.906 align:middle line:84%
with the ancient spirit that is
transmitted through the ability

00:27:34.906 --> 00:27:36.239 align:middle line:90%
to hear, which is dimensionless.

00:27:36.239 --> 00:27:45.020 align:middle line:90%


00:27:45.020 --> 00:27:47.420 align:middle line:84%
People saying it's not our
fault. We didn't notice.

00:27:47.420 --> 00:27:49.950 align:middle line:84%
How can we notice when
the buildings are burning?

00:27:49.950 --> 00:27:53.510 align:middle line:84%
"We're doing everything
we can," they'll say.

00:27:53.510 --> 00:27:56.840 align:middle line:90%


00:27:56.840 --> 00:28:01.630 align:middle line:84%
I think the Black and white
is any form of discrimination.

00:28:01.630 --> 00:28:04.864 align:middle line:90%


00:28:04.864 --> 00:28:06.920 align:middle line:84%
(SINGING) Have you
heard, America?

00:28:06.920 --> 00:28:09.740 align:middle line:84%
--which is that all
living organisms,

00:28:09.740 --> 00:28:13.130 align:middle line:84%
starting from
unicelluar beings, have

00:28:13.130 --> 00:28:17.200 align:middle line:90%
this anticipatory capacity.

00:28:17.200 --> 00:28:21.400 align:middle line:84%
Because information is
coming from the future.

00:28:21.400 --> 00:28:23.680 align:middle line:90%
(SINGING) Sing.

00:28:23.680 --> 00:28:25.820 align:middle line:90%
Sing.

00:28:25.820 --> 00:28:27.990 align:middle line:90%
Sing.

00:28:27.990 --> 00:28:30.080 align:middle line:90%
Sing.

00:28:30.080 --> 00:28:32.885 align:middle line:90%
Have you heard America singing?

00:28:32.885 --> 00:28:34.634 align:middle line:90%


00:28:34.634 --> 00:28:36.128 align:middle line:90%
[LAUGHTER]

00:28:36.128 --> 00:28:39.620 align:middle line:84%
(SINGING) You
[? you grow up where ?]..

00:28:39.620 --> 00:28:41.890 align:middle line:90%
Rivers of Exodus.

00:28:41.890 --> 00:28:43.662 align:middle line:90%
[INAUDIBLE] mountain.

00:28:43.662 --> 00:28:48.108 align:middle line:90%
[MUSIC PLAYING]

00:28:48.108 --> 00:29:23.260 align:middle line:90%


00:29:23.260 --> 00:29:26.275 align:middle line:84%
A man [INAUDIBLE]
pounds his wife's skull

00:29:26.275 --> 00:29:27.400 align:middle line:90%
into the shape of his boot.

00:29:27.400 --> 00:29:28.885 align:middle line:90%
One time, one time, one time.

00:29:28.885 --> 00:29:30.920 align:middle line:84%
The slit in her throat
pulses blood into a halo.

00:29:30.920 --> 00:29:32.920 align:middle line:84%
Their 6-year-old son
watches his mother congeal.

00:29:32.920 --> 00:29:34.087 align:middle line:90%
Just wave them into the air.

00:29:34.087 --> 00:29:36.595 align:middle line:84%
A man [INAUDIBLE]
pounds his wife skull

00:29:36.595 --> 00:29:37.720 align:middle line:90%
into the shape of his boot.

00:29:37.720 --> 00:29:38.750 align:middle line:84%
[INAUDIBLE] all bitches
to the right, time

00:29:38.750 --> 00:29:39.460 align:middle line:90%
to put your hands in the air.

00:29:39.460 --> 00:29:40.810 align:middle line:84%
The slit in her throat,
blood into a halo.

00:29:40.810 --> 00:29:42.250 align:middle line:90%
I want all y'all bitches.

00:29:42.250 --> 00:29:43.173 align:middle line:90%
I want all you riches.

00:29:43.173 --> 00:29:44.090 align:middle line:90%
I want all you Whites.

00:29:44.090 --> 00:29:44.960 align:middle line:90%
I want all you--

00:29:44.960 --> 00:29:46.740 align:middle line:84%
I want all you people to
put your hands in the air.

00:29:46.740 --> 00:29:48.865 align:middle line:84%
Pounds his wife's skull
into the shape of his boot.

00:29:48.865 --> 00:29:51.190 align:middle line:84%
The slit in her throat
pulses blood into a halo.

00:29:51.190 --> 00:29:57.370 align:middle line:90%
[INTERPOSING VOICES]

00:29:57.370 --> 00:29:59.780 align:middle line:84%
Mom said he wish he was in
a bottom of a lake, which

00:29:59.780 --> 00:30:02.180 align:middle line:90%
she may have wanted him to see.

00:30:02.180 --> 00:30:03.990 align:middle line:90%
Yeah.

00:30:03.990 --> 00:30:07.190 align:middle line:90%
I saw that.

00:30:07.190 --> 00:30:09.430 align:middle line:84%
Pounds his wife skull into
the shape of his boot.

00:30:09.430 --> 00:30:12.220 align:middle line:84%
The slit in her throat
pulses blood into a halo.

00:30:12.220 --> 00:30:14.590 align:middle line:84%
Their 6-year-old son
watches his mom congeal.

00:30:14.590 --> 00:30:16.540 align:middle line:90%
[INTERPOSING VOICES]

00:30:16.540 --> 00:30:17.070 align:middle line:90%


00:30:17.070 --> 00:30:20.290 align:middle line:84%
Pounds his wife's skull
into the shape of his boot.

00:30:20.290 --> 00:30:22.270 align:middle line:90%
What color is it?

00:30:22.270 --> 00:30:25.330 align:middle line:90%
Are the walls stone or wood?

00:30:25.330 --> 00:30:26.470 align:middle line:90%
I don't know.

00:30:26.470 --> 00:30:30.060 align:middle line:84%
They are cold, mossy,
in-between bricks.

00:30:30.060 --> 00:30:32.840 align:middle line:90%


00:30:32.840 --> 00:30:34.910 align:middle line:90%
I don't know.

00:30:34.910 --> 00:30:35.410 align:middle line:90%
They're--

00:30:35.410 --> 00:30:42.720 align:middle line:90%


00:30:42.720 --> 00:30:43.440 align:middle line:90%
Testing.

00:30:43.440 --> 00:30:46.860 align:middle line:90%
Depending on chance.

00:30:46.860 --> 00:30:53.490 align:middle line:84%
Depending on chance, she
wades, belaboring, absence.

00:30:53.490 --> 00:30:58.235 align:middle line:84%
The word is spoken,
written, beckoned, relevant.

00:30:58.235 --> 00:31:00.360 align:middle line:84%
Pounds his wife's skull
into the shape of his boot.

00:31:00.360 --> 00:31:02.360 align:middle line:84%
The slit in her throat
pulses blood into a halo.

00:31:02.360 --> 00:31:04.560 align:middle line:84%
The word [INAUDIBLE]
written, beckoned, relevant.

00:31:04.560 --> 00:31:06.225 align:middle line:90%
[INTERPOSING VOICES]

00:31:06.225 --> 00:31:17.970 align:middle line:90%


00:31:17.970 --> 00:31:19.560 align:middle line:90%
Tight screen separating.

00:31:19.560 --> 00:31:22.720 align:middle line:90%


00:31:22.720 --> 00:31:26.650 align:middle line:90%
Principled act.

00:31:26.650 --> 00:31:31.960 align:middle line:84%
A man, jaw tightly, and
only stomps his wife's skull

00:31:31.960 --> 00:31:34.630 align:middle line:90%
into the shape of his boot.

00:31:34.630 --> 00:31:37.720 align:middle line:84%
The slit in her throat
pulses blood into a halo.

00:31:37.720 --> 00:31:41.200 align:middle line:84%
Their six-year-old son
watches his mother congeal.

00:31:41.200 --> 00:31:44.690 align:middle line:90%


00:31:44.690 --> 00:31:48.530 align:middle line:84%
Imagines his father
stuffed into an air duct.

00:31:48.530 --> 00:31:52.490 align:middle line:84%
Lodged under the
jail, he crawled out.

00:31:52.490 --> 00:31:57.620 align:middle line:84%
His dreams, a lumpy
duffel bag of oily rags

00:31:57.620 --> 00:32:01.580 align:middle line:90%
and blue-black coveralls.

00:32:01.580 --> 00:32:08.210 align:middle line:84%
His dreams, fistful of his
father's glistening black hair.

00:32:08.210 --> 00:32:11.060 align:middle line:90%


00:32:11.060 --> 00:32:14.000 align:middle line:84%
Wife's skull into the
shape of his boot.

00:32:14.000 --> 00:32:16.100 align:middle line:90%
Pulses blood into a halo.

00:32:16.100 --> 00:32:18.642 align:middle line:90%
Their six-year-old son watches.

00:32:18.642 --> 00:32:26.420 align:middle line:84%
(SINGING) His dreams, lumpy
duffel bags of oil rags and--

00:32:26.420 --> 00:32:28.201 align:middle line:90%
Their six-year-old son--

00:32:28.201 --> 00:32:32.030 align:middle line:90%
(SINGING) Blue-black coveralls.

00:32:32.030 --> 00:32:34.430 align:middle line:90%
His dreams--

00:32:34.430 --> 00:32:36.050 align:middle line:84%
We didn't even
consult about this.

00:32:36.050 --> 00:32:40.805 align:middle line:84%
(SINGING) Are lumpy duffel
bags of oily rags and blue--

00:32:40.805 --> 00:32:43.180 align:middle line:84%
[INAUDIBLE] writing
[INAUDIBLE] this question,

00:32:43.180 --> 00:32:44.722 align:middle line:84%
because we didn't
even consult that--

00:32:44.722 --> 00:32:45.640 align:middle line:90%
(SINGING) Coveralls.

00:32:45.640 --> 00:32:47.640 align:middle line:84%
[INAUDIBLE] that you were
writing this question,

00:32:47.640 --> 00:32:49.223 align:middle line:90%
we're [INAUDIBLE].

00:32:49.223 --> 00:32:50.640 align:middle line:84%
We didn't even
consult about this.

00:32:50.640 --> 00:32:52.110 align:middle line:84%
I didn't know you were,
that you were writing

00:32:52.110 --> 00:32:53.277 align:middle line:90%
these questions continually.

00:32:53.277 --> 00:32:56.455 align:middle line:90%
[LAUGHTER]

00:32:56.455 --> 00:33:03.912 align:middle line:90%


00:33:03.912 --> 00:33:06.870 align:middle line:90%
(SINGING) Dreams.

00:33:06.870 --> 00:33:08.380 align:middle line:84%
We didn't even
consult about this.

00:33:08.380 --> 00:33:09.713 align:middle line:90%
[INAUDIBLE] discussion continue.

00:33:09.713 --> 00:33:14.400 align:middle line:84%
(SINGING) Black is a
prize that sires dreams.

00:33:14.400 --> 00:33:18.560 align:middle line:90%
Black is the prize that sighs.

00:33:18.560 --> 00:33:21.350 align:middle line:84%
Scurrying black blood
stool, black as gas,

00:33:21.350 --> 00:33:25.290 align:middle line:84%
as soup, as [INAUDIBLE],,
as [INAUDIBLE]..

00:33:25.290 --> 00:33:29.130 align:middle line:90%


00:33:29.130 --> 00:33:32.580 align:middle line:84%
As [INAUDIBLE],, furnace
black, crouching [INAUDIBLE],,

00:33:32.580 --> 00:33:36.258 align:middle line:84%
and hissing, hissing, hissing,
hissing, hissing, hissing,

00:33:36.258 --> 00:33:39.500 align:middle line:84%
hissing, hissing,
hissing, hissing, hissing.

00:33:39.500 --> 00:33:42.832 align:middle line:90%
[WAILING]

00:33:42.832 --> 00:33:51.136 align:middle line:90%


00:33:51.136 --> 00:33:53.386 align:middle line:84%
(SINGING) [INAUDIBLE]
is a good [INAUDIBLE]..

00:33:53.386 --> 00:33:57.720 align:middle line:90%


00:33:57.720 --> 00:34:02.434 align:middle line:84%
As the made up thing
I wear to meet you.

00:34:02.434 --> 00:34:05.080 align:middle line:90%
[INTERPOSING VOICES]

00:34:05.080 --> 00:34:14.500 align:middle line:90%


00:34:14.500 --> 00:34:22.675 align:middle line:84%
This time, this time, this
time, I will seal you in.

00:34:22.675 --> 00:34:26.635 align:middle line:90%
[MUSIC PLAYING]

00:34:26.635 --> 00:34:27.625 align:middle line:90%


00:34:27.625 --> 00:34:31.341 align:middle line:84%
(SINGING) This time
I will seal you in.

00:34:31.341 --> 00:34:32.874 align:middle line:90%
The river has no chin.

00:34:32.874 --> 00:34:35.960 align:middle line:90%


00:34:35.960 --> 00:34:38.679 align:middle line:84%
The river has no
chin, nor soulful eyes

00:34:38.679 --> 00:34:41.650 align:middle line:84%
after dreams, nor mouth,
nor tinder dribbles down

00:34:41.650 --> 00:34:44.739 align:middle line:84%
its pebbled darknesses
to measure its seepage,

00:34:44.739 --> 00:34:47.340 align:middle line:84%
nor means to name
the devil it sees.

00:34:47.340 --> 00:34:51.840 align:middle line:90%
[MUSIC PLAYING]

00:34:51.840 --> 00:34:53.840 align:middle line:90%
[INAUDIBLE] of the [INAUDIBLE].

00:34:53.840 --> 00:34:56.380 align:middle line:84%
Saw a portrait of
the [INAUDIBLE]..

00:34:56.380 --> 00:35:01.610 align:middle line:84%
I rust, suffused with
color and his touching,

00:35:01.610 --> 00:35:08.680 align:middle line:84%
I blister and twist my joints
and slip beneath the weeds,

00:35:08.680 --> 00:35:10.620 align:middle line:84%
dragging, uncoupled,
my healed self

00:35:10.620 --> 00:35:13.240 align:middle line:84%
from the cave into the lived
water to break the hand,

00:35:13.240 --> 00:35:16.540 align:middle line:84%
fall into there, the
hand untried by reaching.

00:35:16.540 --> 00:35:21.160 align:middle line:84%
And woe now, a stain,
taking, grabbing my body,

00:35:21.160 --> 00:35:24.880 align:middle line:84%
a memory of water
sewn into blue grass.

00:35:24.880 --> 00:35:28.480 align:middle line:84%
I have seen the bodies like
candles coming into darkness,

00:35:28.480 --> 00:35:33.230 align:middle line:84%
going murky against the cradling
pavement's slight incline,

00:35:33.230 --> 00:35:36.250 align:middle line:90%
discolored through spilt bone.

00:35:36.250 --> 00:35:40.270 align:middle line:84%
Who held me, seized in death,
pressed against a cradling,

00:35:40.270 --> 00:35:43.810 align:middle line:84%
absorbing the light
like a black hole.

00:35:43.810 --> 00:35:46.750 align:middle line:90%
Her face, a staggering axe.

00:35:46.750 --> 00:35:49.980 align:middle line:90%


00:35:49.980 --> 00:35:57.860 align:middle line:84%
There is a restless luminescence
we take in and move through.

00:35:57.860 --> 00:36:02.160 align:middle line:90%


00:36:02.160 --> 00:36:07.536 align:middle line:84%
This time, this time
I will seal you in.

00:36:07.536 --> 00:36:11.964 align:middle line:90%
[MUSIC PLAYING]

00:36:11.964 --> 00:36:18.852 align:middle line:90%


00:36:18.852 --> 00:36:22.788 align:middle line:90%
[LAUGHTER]

00:36:22.788 --> 00:36:37.090 align:middle line:90%


00:36:37.090 --> 00:36:39.538 align:middle line:90%
This time, I will seal--

00:36:39.538 --> 00:36:42.642 align:middle line:90%
[INAUDIBLE]

00:36:42.642 --> 00:36:45.898 align:middle line:90%


00:36:45.898 --> 00:36:46.690 align:middle line:90%
I don't have faith.

00:36:46.690 --> 00:36:53.885 align:middle line:90%


00:36:53.885 --> 00:36:54.385 align:middle line:90%
[MOANING]

00:36:54.385 --> 00:36:56.830 align:middle line:90%
Mm, baby.

00:36:56.830 --> 00:36:58.720 align:middle line:90%
Turning into an orgasm.

00:36:58.720 --> 00:37:01.590 align:middle line:90%


00:37:01.590 --> 00:37:06.054 align:middle line:90%
[MUSIC - LL COOL J, "DOIN' IT]

00:37:06.054 --> 00:37:08.038 align:middle line:84%
(SINGING) Doing it, and
doing it, and doing it,

00:37:08.038 --> 00:37:10.022 align:middle line:84%
and doing it, and doing it,
and doing it, and doing it,

00:37:10.022 --> 00:37:11.600 align:middle line:84%
and doing it, and doing it,
and doing it, and doing it,

00:37:11.600 --> 00:37:13.560 align:middle line:84%
and doing it, and doing it,
and doing it, and doing it,

00:37:13.560 --> 00:37:15.852 align:middle line:84%
and doing it, and doing it,
and doing it, and doing it,

00:37:15.852 --> 00:37:17.480 align:middle line:90%
and doing it, and doing it well.

00:37:17.480 --> 00:37:21.400 align:middle line:90%


00:37:21.400 --> 00:37:23.025 align:middle line:84%
(SINGING) It's our
first time together,

00:37:23.025 --> 00:37:24.420 align:middle line:90%
and I'm feeling kinda horny.

00:37:24.420 --> 00:37:27.046 align:middle line:84%
Conventional methods of
making love kinda bore me.

00:37:27.046 --> 00:37:27.546 align:middle line:90%
Yeah.

00:37:27.546 --> 00:37:29.171 align:middle line:84%
(SINGING) I wanna
knock your block off,

00:37:29.171 --> 00:37:31.110 align:middle line:84%
get my rocks off,
blow your socks off,

00:37:31.110 --> 00:37:32.277 align:middle line:90%
make sure your G-spots soft.

00:37:32.277 --> 00:37:34.610 align:middle line:84%
(SINGING) I'mma call you big
daddy and scream your name.

00:37:34.610 --> 00:37:36.760 align:middle line:84%
Matter fact, I can't
wait for your candy rain.

00:37:36.760 --> 00:37:37.968 align:middle line:90%
(SINGING) So what you saying?

00:37:37.968 --> 00:37:40.300 align:middle line:84%
I get my serve on, bring it
live, make it last forever.

00:37:40.300 --> 00:37:41.500 align:middle line:90%
Damn the kitty cat's tight.

00:37:41.500 --> 00:37:42.000 align:middle line:90%
[MOANING]

00:37:42.000 --> 00:37:44.520 align:middle line:84%
(SINGING) Mm, daddy,
slow down your flow.

00:37:44.520 --> 00:37:46.980 align:middle line:84%
Put it on me like a G,
baby, nice and slow.

00:37:46.980 --> 00:37:49.810 align:middle line:84%
I need a rough neck nigga,
Mandingo in the sack,

00:37:49.810 --> 00:37:52.473 align:middle line:84%
who ain't afraid to pull my
hair and spank me from the back.

00:37:52.473 --> 00:37:53.890 align:middle line:84%
(SINGING) No doubt,
I'm the player

00:37:53.890 --> 00:37:55.030 align:middle line:90%
that you're talking about.

00:37:55.030 --> 00:37:55.530 align:middle line:90%
[MOANING]

00:37:55.530 --> 00:37:58.210 align:middle line:84%
(SINGING) But do you really
think that you can work it out?

00:37:58.210 --> 00:38:00.085 align:middle line:84%
(SINGING) I guarantee
you, shorty, it's real.

00:38:00.085 --> 00:38:02.860 align:middle line:84%
Baby stick it out, here
comes the man of steel.

00:38:02.860 --> 00:38:05.110 align:middle line:84%
(SINGING) Doing it, and
doing it, and doing it well.

00:38:05.110 --> 00:38:07.630 align:middle line:84%
Doing it, and doing
it, and doing it well.

00:38:07.630 --> 00:38:09.730 align:middle line:84%
Doing it, and doing
it, and doing it well.

00:38:09.730 --> 00:38:12.760 align:middle line:84%
(SINGING) I represent Queens,
she was raised out of Brooklyn.

00:38:12.760 --> 00:38:15.580 align:middle line:84%
(SINGING) Doing it, and
doing it, and doing it well.

00:38:15.580 --> 00:38:17.760 align:middle line:84%
Doing it, and doing
it, and doing it well.

00:38:17.760 --> 00:38:19.612 align:middle line:84%
Doing it, and doing
it, and doing it well.

00:38:19.612 --> 00:38:20.570 align:middle line:90%
(SINGING) I represent--

00:38:20.570 --> 00:38:22.274 align:middle line:84%
(SINGING) Queens, she was
raised out of Brooklyn.

00:38:22.274 --> 00:38:22.774 align:middle line:90%
[LAUGHTER]

00:38:22.774 --> 00:38:25.569 align:middle line:84%
(SINGING) I'm in the mix now,
searching for the right spot

00:38:25.569 --> 00:38:26.314 align:middle line:90%
to hit now.

00:38:26.314 --> 00:38:26.814 align:middle line:90%
Get down.

00:38:26.814 --> 00:38:28.308 align:middle line:84%
(SINGING) Damn, I
love a dick down.

00:38:28.308 --> 00:38:29.295 align:middle line:90%
You use a rubber?

00:38:29.295 --> 00:38:30.170 align:middle line:90%
(SINGING) Damn right.

00:38:30.170 --> 00:38:30.760 align:middle line:90%
(SINGING) You are my lover?

00:38:30.760 --> 00:38:31.580 align:middle line:90%
(SINGING) Mm-hmm.

00:38:31.580 --> 00:38:33.020 align:middle line:84%
(SINGING) The putty good
to you, word to mother?

00:38:33.020 --> 00:38:33.955 align:middle line:90%
(SINGING) Mad tight.

00:38:33.955 --> 00:38:35.330 align:middle line:84%
The only thing
left to is climax.

00:38:35.330 --> 00:38:36.122 align:middle line:90%
Let's make it last.

00:38:36.122 --> 00:38:38.142 align:middle line:84%
(SINGING) Word, we ain't
going out like that.

00:38:38.142 --> 00:38:40.200 align:middle line:84%
All this time you've been
telling me that you was a Don.

00:38:40.200 --> 00:38:41.600 align:middle line:84%
(SINGING) I tried to warn you,
girl, you wouldn't listen,

00:38:41.600 --> 00:38:42.450 align:middle line:90%
now let's get it on.

00:38:42.450 --> 00:38:44.456 align:middle line:90%
(SINGING) Mm, you make me wild.

00:38:44.456 --> 00:38:45.690 align:middle line:90%
Don't do that.

00:38:45.690 --> 00:38:48.106 align:middle line:84%
Chill and wait a minute,
baby, let me please you back.

00:38:48.106 --> 00:38:49.125 align:middle line:84%
(SINGING) You talk
a good one, shorty.

00:38:49.125 --> 00:38:50.490 align:middle line:90%
Now you're making me sweat.

00:38:50.490 --> 00:38:52.327 align:middle line:90%
How a live nigga like it, girl?

00:38:52.327 --> 00:38:53.285 align:middle line:90%
(SINGING) Nice and wet.

00:38:53.285 --> 00:38:54.785 align:middle line:84%
We get it on till
the break of down.

00:38:54.785 --> 00:38:55.625 align:middle line:90%
Damn, you're large.

00:38:55.625 --> 00:38:57.170 align:middle line:90%
How a big girl like it, daddy?

00:38:57.170 --> 00:38:58.170 align:middle line:90%
(SINGING) Nice and hard.

00:38:58.170 --> 00:39:00.590 align:middle line:84%
Safe sexing it, flexing it,
getting that affectionate,

00:39:00.590 --> 00:39:03.734 align:middle line:84%
chewing it, viewing it,
all while we're doing it.

00:39:03.734 --> 00:39:05.901 align:middle line:84%
(SINGING) Doing it, and
doing it, and doing it well.

00:39:05.901 --> 00:39:07.857 align:middle line:84%
Doing it, and doing
it, and doing it well.

00:39:07.857 --> 00:39:10.568 align:middle line:84%
Doing it, and doing
it, and doing it well.

00:39:10.568 --> 00:39:13.240 align:middle line:84%
(SINGING) I represent Queens,
she was raised out of Brooklyn.

00:39:13.240 --> 00:39:18.270 align:middle line:84%
[INAUDIBLE] because that's
how we always like that.

00:39:18.270 --> 00:39:20.778 align:middle line:84%
(SINGING) Doing it, and
doing it, and doing it well.

00:39:20.778 --> 00:39:23.320 align:middle line:84%
(SINGING) Doing it, and doing
it, and doing it, you're swell.

00:39:23.320 --> 00:39:24.220 align:middle line:90%
[INAUDIBLE]

00:39:24.220 --> 00:39:25.855 align:middle line:90%
(SINGING) You're swell.

00:39:25.855 --> 00:39:28.180 align:middle line:90%
[DOING IT ECHOING]

00:39:28.180 --> 00:39:30.510 align:middle line:90%
I have nice gates.

00:39:30.510 --> 00:39:31.247 align:middle line:90%
Oblivion singing.

00:39:31.247 --> 00:39:32.580 align:middle line:90%
(SINGING) Make it bounce, sugar.

00:39:32.580 --> 00:39:33.820 align:middle line:84%
(SINGING) Long as you
can bounce me back.

00:39:33.820 --> 00:39:34.090 align:middle line:90%
Skin.

00:39:34.090 --> 00:39:35.382 align:middle line:90%
(SINGING) More flesh than the--

00:39:35.382 --> 00:39:36.160 align:middle line:90%
Greek skin.

00:39:36.160 --> 00:39:40.700 align:middle line:84%
I'm not singing yet,
but if I stop singing--

00:39:40.700 --> 00:39:45.590 align:middle line:90%
[ECHO]

00:39:45.590 --> 00:39:46.810 align:middle line:90%
Still working, guys.

00:39:46.810 --> 00:39:49.176 align:middle line:90%
Still working on that.

00:39:49.176 --> 00:39:50.176 align:middle line:90%
I don't want an opinion.

00:39:50.176 --> 00:39:51.620 align:middle line:84%
(SINGING) One of a kind
when it's time to mine.

00:39:51.620 --> 00:39:52.960 align:middle line:90%
Camcorder and the whole shit.

00:39:52.960 --> 00:39:53.835 align:middle line:90%
(SINGING) Press wing.

00:39:53.835 --> 00:39:57.190 align:middle line:84%
Let it flow on screen while
we puffs the L. Laying back--

00:39:57.190 --> 00:39:59.495 align:middle line:90%
[ECHO]

00:39:59.495 --> 00:40:01.662 align:middle line:84%
(SINGING) Word life, I like
the way you F with them.

00:40:01.662 --> 00:40:03.745 align:middle line:84%
Go to sleep, tomorrow I'll
take you back downtown.

00:40:03.745 --> 00:40:04.310 align:middle line:90%
We'll be--

00:40:04.310 --> 00:40:06.610 align:middle line:84%
(SINGING) Doing it, and
doing it, and doing it well.

00:40:06.610 --> 00:40:07.610 align:middle line:90%
Doing it, and doing it--

00:40:07.610 --> 00:40:08.510 align:middle line:90%
[LAUGHTER]

00:40:08.510 --> 00:40:10.910 align:middle line:90%
[APPLAUSE]

00:40:10.910 --> 00:40:16.610 align:middle line:90%


00:40:16.610 --> 00:40:19.310 align:middle line:90%
[CHEERING]

00:40:19.310 --> 00:40:23.260 align:middle line:90%
[APPLAUSE]

00:40:23.260 --> 00:40:29.440 align:middle line:90%