WEBVTT 00:00:00.000 --> 00:00:00.630 align:middle line:90% OK. 00:00:00.630 --> 00:00:02.430 align:middle line:84% So we're still staying in the '60s. 00:00:02.430 --> 00:00:05.250 align:middle line:90% This is 1967. 00:00:05.250 --> 00:00:07.770 align:middle line:84% Cecilia Vicuna formed part of a group. 00:00:07.770 --> 00:00:10.830 align:middle line:84% It was a group of friends and also artists. 00:00:10.830 --> 00:00:19.050 align:middle line:84% And they formed this group, and they called themselves 00:00:19.050 --> 00:00:20.970 align:middle line:90% Tribu No, the No Tribe. 00:00:20.970 --> 00:00:25.140 align:middle line:84% So this is their manifesto, which Cecilia Vicuna wrote. 00:00:25.140 --> 00:00:28.740 align:middle line:84% It's called "The No Manifesto of The No Tribe." 00:00:28.740 --> 00:00:31.710 align:middle line:84% She tells a great story about showing someone-- 00:00:31.710 --> 00:00:34.230 align:middle line:90% showing some guy the manifesto. 00:00:34.230 --> 00:00:37.887 align:middle line:84% And the guy said, "This is a really good manifesto." 00:00:37.887 --> 00:00:39.720 align:middle line:84% And then she's like, "Oh, yeah, I wrote it," 00:00:39.720 --> 00:00:42.510 align:middle line:84% and he's like, "I don't know if it's that good." 00:00:42.510 --> 00:00:45.570 align:middle line:84% He thought that a guy in the group had written it. 00:00:45.570 --> 00:00:46.680 align:middle line:90% So she was facing-- 00:00:46.680 --> 00:00:49.380 align:middle line:84% a lot of her work is also sort of pushing up 00:00:49.380 --> 00:00:54.120 align:middle line:84% against a society in which women's work was not 00:00:54.120 --> 00:00:56.130 align:middle line:90% recognized or appreciated. 00:00:56.130 --> 00:00:59.925 align:middle line:84% This is "The No Manifesto of The No Tribe." 00:00:59.925 --> 00:01:02.910 align:middle line:90% 00:01:02.910 --> 00:01:05.880 align:middle line:84% "Charlie Parker's no-movement, this 00:01:05.880 --> 00:01:09.420 align:middle line:84% is what we are in the temperate and unsettled night 00:01:09.420 --> 00:01:10.800 align:middle line:90% of the South. 00:01:10.800 --> 00:01:14.160 align:middle line:84% As long as life's magnificence persists 00:01:14.160 --> 00:01:17.850 align:middle line:84% in our solitary yet connected experiences, 00:01:17.850 --> 00:01:20.160 align:middle line:90% nothing worries us. 00:01:20.160 --> 00:01:25.680 align:middle line:84% We manifest no desire and no characteristic. 00:01:25.680 --> 00:01:30.420 align:middle line:84% To avoid being pigeonholed, we put forth no manifesto, 00:01:30.420 --> 00:01:33.520 align:middle line:84% and we are not worried we'll pigeonhole ourselves. 00:01:33.520 --> 00:01:37.620 align:middle line:84% That would be as likely as suddenly being Polynesia's most 00:01:37.620 --> 00:01:40.440 align:middle line:90% daring parachutists. 00:01:40.440 --> 00:01:44.580 align:middle line:84% We upset order with our exacerbated immobility. 00:01:44.580 --> 00:01:49.620 align:middle line:84% Moreover, the no-movement is the movement of Charlie Parker, 00:01:49.620 --> 00:01:55.920 align:middle line:84% John Coltrane, Nicolás de Cusa, Martínez de Pasqualiz, Rimbaud, 00:01:55.920 --> 00:02:01.380 align:middle line:84% Philoxenus, and above all, André Breton and Holderlin. 00:02:01.380 --> 00:02:04.140 align:middle line:84% In reality, we are not interested 00:02:04.140 --> 00:02:07.920 align:middle line:84% in public manifestations that make our experiences 00:02:07.920 --> 00:02:10.710 align:middle line:90% predominantly external. 00:02:10.710 --> 00:02:13.860 align:middle line:84% We undermine society from within. 00:02:13.860 --> 00:02:17.280 align:middle line:84% That is why we are subversive and loving. 00:02:17.280 --> 00:02:20.310 align:middle line:84% And being so minor and unknown means 00:02:20.310 --> 00:02:24.300 align:middle line:84% we can take pleasure in our freedom, both imaginatively 00:02:24.300 --> 00:02:25.980 align:middle line:90% and literally. 00:02:25.980 --> 00:02:30.150 align:middle line:84% The No Tribe's campaigns are not highly clandestine, 00:02:30.150 --> 00:02:33.810 align:middle line:84% and the only results visible to those humans who 00:02:33.810 --> 00:02:38.100 align:middle line:84% live-not the no-movement are our stupid works, 00:02:38.100 --> 00:02:42.480 align:middle line:84% dumb and incoherent, although not necessarily. 00:02:42.480 --> 00:02:47.290 align:middle line:84% We hope to turn solitude into the world's new idol. 00:02:47.290 --> 00:02:49.470 align:middle line:90% Ha, ha. 00:02:49.470 --> 00:02:51.300 align:middle line:90% We say no-thing. 00:02:51.300 --> 00:02:56.820 align:middle line:84% After speaking centuries of IT, IT remains a secret. 00:02:56.820 --> 00:03:00.930 align:middle line:84% Our macabre intent is to leave humans naked, 00:03:00.930 --> 00:03:06.360 align:middle line:84% without preconceived notions, without conventional 00:03:06.360 --> 00:03:08.640 align:middle line:90% attachment's attire. 00:03:08.640 --> 00:03:10.410 align:middle line:90% Have no fear. 00:03:10.410 --> 00:03:13.590 align:middle line:84% Our works will take years to manifest. 00:03:13.590 --> 00:03:16.140 align:middle line:90% We are not playing around. 00:03:16.140 --> 00:03:19.560 align:middle line:84% The interior of the seed is soft. 00:03:19.560 --> 00:03:22.320 align:middle line:90% IT is known only by living IT. 00:03:22.320 --> 00:03:28.280 align:middle line:84% Whatever IT is, IT is yet to be discovered. 00:03:28.280 --> 00:03:31.000 align:middle line:90%