WEBVTT 00:00:00.000 --> 00:00:03.050 align:middle line:90% 00:00:03.050 --> 00:00:07.010 align:middle line:84% This question is for I guess Cecilia. 00:00:07.010 --> 00:00:10.580 align:middle line:84% But also, I'm interested in how it connects with the Trayvon 00:00:10.580 --> 00:00:13.495 align:middle line:90% Martin videos that we saw. 00:00:13.495 --> 00:00:14.870 align:middle line:84% I was wondering if we could think 00:00:14.870 --> 00:00:19.700 align:middle line:84% about how the medium and what effect that 00:00:19.700 --> 00:00:22.550 align:middle line:84% might have on how you're treating the subject, like you 00:00:22.550 --> 00:00:26.000 align:middle line:84% said that pulling things that have already happened, 00:00:26.000 --> 00:00:28.910 align:middle line:84% pulling that forward, bringing that back and making it 00:00:28.910 --> 00:00:31.070 align:middle line:84% sort of present and contemporary. 00:00:31.070 --> 00:00:32.659 align:middle line:84% And at the same time, you know, I 00:00:32.659 --> 00:00:37.860 align:middle line:84% was wondering how does that work with making a film versus, 00:00:37.860 --> 00:00:41.330 align:middle line:84% Cecilia, your piece is improvisation, 00:00:41.330 --> 00:00:43.470 align:middle line:84% you know, You're working from a script 00:00:43.470 --> 00:00:45.403 align:middle line:84% but at the same time you're talking, 00:00:45.403 --> 00:00:46.820 align:middle line:84% you're commenting on the audience, 00:00:46.820 --> 00:00:47.670 align:middle line:90% you're interacting with us. 00:00:47.670 --> 00:00:49.378 align:middle line:84% So, I was wondering about the differences 00:00:49.378 --> 00:00:52.640 align:middle line:84% between film and improvisation and that idea. 00:00:52.640 --> 00:00:54.890 align:middle line:84% But both of you seem to be really interested in making 00:00:54.890 --> 00:00:57.290 align:middle line:84% history present and palpable, something 00:00:57.290 --> 00:00:59.060 align:middle line:90% that can be manipulated. 00:00:59.060 --> 00:01:02.270 align:middle line:90% 00:01:02.270 --> 00:01:04.370 align:middle line:90% OK. 00:01:04.370 --> 00:01:07.380 align:middle line:84% Yeah, I will not speak about film 00:01:07.380 --> 00:01:10.190 align:middle line:84% even though I also do film because I 00:01:10.190 --> 00:01:13.160 align:middle line:84% would like for Claudia to take care of that part. 00:01:13.160 --> 00:01:18.920 align:middle line:84% But about the improvisation, isn't it a beautiful word. 00:01:18.920 --> 00:01:24.500 align:middle line:84% Visation is visualize and im is the improbable, you know. 00:01:24.500 --> 00:01:27.500 align:middle line:84% So, it's like seeing the improbable. 00:01:27.500 --> 00:01:28.790 align:middle line:90% And where is it? 00:01:28.790 --> 00:01:33.020 align:middle line:84% It's nowhere to be seen until it happens. 00:01:33.020 --> 00:01:37.770 align:middle line:84% So, it's actually happening for you to be a part of. 00:01:37.770 --> 00:01:42.530 align:middle line:84% So, it's like where is our act taking place. 00:01:42.530 --> 00:01:44.180 align:middle line:90% Is it in the past? 00:01:44.180 --> 00:01:45.410 align:middle line:90% In the present? 00:01:45.410 --> 00:01:47.090 align:middle line:90% Or the future? 00:01:47.090 --> 00:01:51.590 align:middle line:84% Just before coming here, I was watching this really bad 00:01:51.590 --> 00:01:54.590 align:middle line:90% discovery scientific film. 00:01:54.590 --> 00:01:58.130 align:middle line:84% And there was a discovery that has 00:01:58.130 --> 00:02:02.690 align:middle line:84% been made in quantum physics that confirms a discovery that 00:02:02.690 --> 00:02:06.530 align:middle line:84% has been made first in neuroscience, which 00:02:06.530 --> 00:02:12.950 align:middle line:84% is that all living organisms, starting from unicellular 00:02:12.950 --> 00:02:19.580 align:middle line:84% beings, have this anticipatory capacity because information 00:02:19.580 --> 00:02:22.500 align:middle line:90% is coming from the future. 00:02:22.500 --> 00:02:25.910 align:middle line:84% And so, improvisation is really coming 00:02:25.910 --> 00:02:31.020 align:middle line:84% from the future for what can be if you let it be. 00:02:31.020 --> 00:02:33.960 align:middle line:90% So where is it, you know? 00:02:33.960 --> 00:02:37.740 align:middle line:84% And that is the feeling I seek when 00:02:37.740 --> 00:02:44.310 align:middle line:84% I come into a room, where there is this precious presence 00:02:44.310 --> 00:02:46.560 align:middle line:90% of everybody, you know. 00:02:46.560 --> 00:02:48.030 align:middle line:90% This togetherness. 00:02:48.030 --> 00:02:53.850 align:middle line:84% And I arrived here, there was a little homage to Stacy Doris. 00:02:53.850 --> 00:02:58.980 align:middle line:84% So, I included some of the lines by Stacy, I hope you noticed. 00:02:58.980 --> 00:03:01.770 align:middle line:84% And she has this profound meditation 00:03:01.770 --> 00:03:04.560 align:middle line:90% on the "I" that is a problem. 00:03:04.560 --> 00:03:07.200 align:middle line:90% And on the we's, she says. 00:03:07.200 --> 00:03:09.000 align:middle line:90% And I thought, so beautiful. 00:03:09.000 --> 00:03:11.910 align:middle line:84% And so I wanted to bring that in. 00:03:11.910 --> 00:03:18.084 align:middle line:90% 00:03:18.084 --> 00:03:24.180 align:middle line:84% The medium film is by nature collaborative. 00:03:24.180 --> 00:03:25.860 align:middle line:84% And because it's collaborative, it 00:03:25.860 --> 00:03:28.690 align:middle line:84% means that you are always improvising with the people 00:03:28.690 --> 00:03:30.030 align:middle line:90% that you're working with. 00:03:30.030 --> 00:03:32.610 align:middle line:84% There's no sort of straight arrow in terms 00:03:32.610 --> 00:03:34.710 align:middle line:90% of intention and execution. 00:03:34.710 --> 00:03:37.800 align:middle line:90% 00:03:37.800 --> 00:03:39.900 align:middle line:84% So in, for instance, in this film, 00:03:39.900 --> 00:03:47.160 align:middle line:84% I was really interested in using President Obama's statement 00:03:47.160 --> 00:03:49.970 align:middle line:84% that this could be a son of mine. 00:03:49.970 --> 00:03:54.160 align:middle line:90% And also the actual target. 00:03:54.160 --> 00:03:57.650 align:middle line:90% And my husband said, no. 00:03:57.650 --> 00:04:04.610 align:middle line:84% He was not interested in replicating that moment. 00:04:04.610 --> 00:04:08.120 align:middle line:84% And I said, well, I bet you a lot of people 00:04:08.120 --> 00:04:11.170 align:middle line:90% haven't seen that moment. 00:04:11.170 --> 00:04:13.230 align:middle line:90% And he said, I don't care. 00:04:13.230 --> 00:04:15.620 align:middle line:84% I don't want to replicate that moment. 00:04:15.620 --> 00:04:18.259 align:middle line:84% And I said, well, maybe you could just put it in and see. 00:04:18.259 --> 00:04:22.029 align:middle line:90% [LAUGHTER] 00:04:22.029 --> 00:04:23.600 align:middle line:90% If it's not working. 00:04:23.600 --> 00:04:26.660 align:middle line:84% But he is in control of what goes in 00:04:26.660 --> 00:04:30.252 align:middle line:84% because he does the technical stuff so it never got in. 00:04:30.252 --> 00:04:34.060 align:middle line:90% [LAUGHTER] 00:04:34.060 --> 00:04:37.490 align:middle line:84% So the men that are in, those are all actually 00:04:37.490 --> 00:04:40.250 align:middle line:84% students, Pomona students, of Pitzer students. 00:04:40.250 --> 00:04:44.120 align:middle line:84% And it was interesting when we were at the sneaker 00:04:44.120 --> 00:04:48.320 align:middle line:84% store, which had a lot of hoodies in that store, 00:04:48.320 --> 00:04:51.410 align:middle line:84% we had asked these guys if they would show up. 00:04:51.410 --> 00:04:53.660 align:middle line:84% And they were supposed to show up at 7 o'clock 00:04:53.660 --> 00:04:55.702 align:middle line:84% because the guy who owned the store said we could 00:04:55.702 --> 00:04:57.050 align:middle line:90% film in the store at 7 o'clock. 00:04:57.050 --> 00:05:01.010 align:middle line:84% And at 7:05 I thought, what if none of them come? 00:05:01.010 --> 00:05:04.400 align:middle line:84% And then we began to see them on the street coming 00:05:04.400 --> 00:05:07.832 align:middle line:90% from different directions. 00:05:07.832 --> 00:05:09.290 align:middle line:84% And then once they got in the store 00:05:09.290 --> 00:05:11.090 align:middle line:84% we didn't tell them to do anything. 00:05:11.090 --> 00:05:13.880 align:middle line:84% We just said, here's some hoodies. 00:05:13.880 --> 00:05:15.260 align:middle line:90% Here's some sneakers. 00:05:15.260 --> 00:05:16.370 align:middle line:90% Here's a store. 00:05:16.370 --> 00:05:19.010 align:middle line:90% Go in there. 00:05:19.010 --> 00:05:20.660 align:middle line:90% And we're going to film it. 00:05:20.660 --> 00:05:25.640 align:middle line:84% And so, you know, two of them are friends and two more 00:05:25.640 --> 00:05:28.040 align:middle line:84% were friends and one of them knew some-- 00:05:28.040 --> 00:05:33.020 align:middle line:84% and it was just interesting to see how they would interact. 00:05:33.020 --> 00:05:37.580 align:middle line:84% So, I think partly you say we need you to go in there 00:05:37.580 --> 00:05:39.350 align:middle line:90% and try on some hoodies. 00:05:39.350 --> 00:05:41.000 align:middle line:90% But then that's it. 00:05:41.000 --> 00:05:43.820 align:middle line:90% Then they do what they want. 00:05:43.820 --> 00:05:50.270 align:middle line:84% Yeah, so the medium is full of chance. 00:05:50.270 --> 00:05:51.970 align:middle line:90% And such. 00:05:51.970 --> 00:05:55.000 align:middle line:90%