WEBVTT

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[? Literalizing ?]
his dozen tongues,

00:00:02.360 --> 00:00:06.840 align:middle line:84%
[INAUDIBLE] puts his words into
the mouths of 12 reverends,

00:00:06.840 --> 00:00:08.280 align:middle line:90%
fathers, and Rabbis.

00:00:08.280 --> 00:00:14.790 align:middle line:90%
[INAUDIBLE OVERLAPPING VOICES]

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They test the script.

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Body test it is it.

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In oration, like music, every
listener is a participant.

00:00:25.230 --> 00:00:30.180 align:middle line:84%
Voice is primal magic,
a sonic possession.

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Do these holy men
wonder what would

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happen if they took
Giuliani's icky religiosity

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into their mouths.

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Do they try to make
it make meaning

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instead of manipulation?

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We are all walking this
walk and out of breath,

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leaking 30 seconds of
dead language in a loop.

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Just walking around, and
looking about in the rain.

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What are my words
good at not knowing?

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Across the street, listen.

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Articulation does not mean
that they need to talk for you.

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It means being
affected by others.

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The moment when a feeling
enters the body is political.

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The body learns to register and
become sensitive to the world.

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Do you feel your
heart racing yet?

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The body is like a voice.

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Once, it initiates the work
of memory, it cannot stop.

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What I hear you saying is--

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[INAUDIBLE OVERLAPPING VOICES]

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--we can't shut off the
voices in our heads.

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Walk yourself out
of that fiction

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staged as political discourse.

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[INAUDIBLE OVERLAPPING VOICES]

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To speak is to assert, and
to ensure its existence.

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But the opposite of embodied
is dead, not a mission.

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Everything you refuse
to acknowledge you

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know pools, reproduces,
tutors our ears.

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Grammatical convolutions
of forced reciprocity

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shove the despots and
demigods down our ear-holes.

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I

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This exit leads us each
time back to the entrance

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from the current climate.

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You can hear a gutter, drunk
you first each time emptying

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empty promises further.

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How do we get out of here?

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Over here, history
has prediction,

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has a cage trapping the future.

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Let's not go back there.

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Follow my footsteps.

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Organize your cognition
around rhythm for once.

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Follow that rhythm until my
world and your world mix.

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If you adopt this new
rhythm, it will take you

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into another way of hearing.

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[BELL RINGING IN DISTANCE]

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Turn around let's
go back to 1964.

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I'll fill you in on the
story when we get there.

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[FOOTSTEPS]

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15-year-old James
Powell from Harlem

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is on the Upper East Side when
a cop shoots and kills him

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the cop is cleared of charges.

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But before that, before the long
hot summer and the five days

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of revolt in Harlem,
earlier that spring,

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some kids knock
over a fruit stand.

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Police chase and beat them.

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Take out their guns.

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Seeing this, several
bystanders tried to intervene,

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keeping the police
from shooting.

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The NYPD hauls the young Black
man on the street that day

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back to the station,
arrest them for murder,

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and severely beat them.

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These Harlem six are
sentenced to life.

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The sentence goes on
trial and retrial.

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Takes a walk, it takes time.

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Steve Reich culled
this clip from 10 reel

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to reel tapes of
interviews with police.

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We are still walking it out.

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I had to-- if I open
the bruise up, and let

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some of the bruise blood
come out to show them.

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I had to, like, open
the bruise up and let

00:04:14.780 --> 00:04:19.010 align:middle line:84%
some of the bruise blood
come out to show them.

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I had to like open
the bruise up and let

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some of the bruise blood
come out to show them.

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This is Daniel Hamm,
one of the Harlem Six

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after the police refused
him medical attention.

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come out to show them--
come out to show them--

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come out to show them--

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The sentence goes on
trial, gets a rehearing.

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The correct word, the
signifying "bruise,"

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comes out like "blues"
or portmanteau "bluce."

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Blues.

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Bruise.

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Bluce.

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Bruise.

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Blues.

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Opens a historical wound
to let the blues come out.

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We lack the language
to articulate,

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to let the blues
blood show them.

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Let it out.

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Fix it in our skulls,
ritualistically.

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You may fail to register the
counter-questioning of those

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you interrogate either
because you are too distanced,

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or because you are drowning
them in your own empathy.

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Daniel Hamm, age 19, is
one of the bystanders

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who tried to stop the cops
from beating those kids.

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Come on.

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Walk this passage through
to a new epistemology.

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The vernacular model is
what affect here yet,

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Like Rauschenberg, who left his
source material for collages

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identifiable.

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Reich keeps the timbre,
pitch, unaltered.

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[INAUDIBLE] offers a
recursive documentary.

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Are you walking with me?

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Are you sweating yet?

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Five of the Harlem Six
were later committed.

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[INAUDIBLE OVERLAPPING VOICES]

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We who live here, know this,
the productive repetition,

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decoded in the slowdown,
repeating riffs

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with nuanced voice.

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[DANIEL HAMM AUDIO DISTORTING]

00:06:07.280 --> 00:06:09.590 align:middle line:84%
--come out to show them,
come out to show them,

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come out to show them,
come out to show them,

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come out to show--

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I hope it doesn't keep raining.

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I want us to keep walking.

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Just walking around and
looking about in the rain.

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Don't lose your [INAUDIBLE].

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We just got started.

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[DANIEL HAMM AUDIO REPEATING AND
 DISTORTING]

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Let your whole body
become amplified.

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It's more like remembering the
sound than really hearing it.

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Voice cracking out of the
voice and walking [INAUDIBLE]

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first into the world,
making a turn [INAUDIBLE]..

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Notice turning into a kind of
flu and Two looping channels,

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slipping more and
more out of sync.

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The slip and catch
stresses me out.

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On my own I feel she'll
come up and hopefully she'll

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come home she'll come
home after the show

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To move ahead, there will have
to be some structural changes.

00:07:05.940 --> 00:07:09.540 align:middle line:84%
There will have to
be places to walk.

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Four decades later, this
ruin, a monument, a street.

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A prison cell keeps
replicating these walls,

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its doubly arrested mind.

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The street pours itself
into the apparent "if"

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Its monument can not
be solved or saved.

00:07:27.505 --> 00:07:35.240 align:middle line:84%
[DANIEL HAMM AUDIO REPEATING AND
 DISTORTING]

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Come out to the streets.

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Come out with your
hands in the air.

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Come out, cop.

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Walk slowly.

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Show them your
hands, mother fucker.

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Show them you won't take it.

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Here the force of existence
splinters from the streets

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and then right back out
through the police megaphone.

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Left channel, right channel.

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Walking one foot in the
future, one and the past.

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Left, right.

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Your body caught in a middle.

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Life in the wrong
place, wrong time.

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caught in the
running man theory.

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You see a Black man running,
you've got yourself a sentence.

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[DANIEL HAMM AUDIO REPEATING AND
 DISTORTING]

00:08:25.620 --> 00:08:28.800 align:middle line:90%
We were walking into a trap.

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Whoever hears this is guilty.

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Enter a lived-in feeling.

00:08:34.900 --> 00:08:39.940 align:middle line:84%
You're walking into the
sound of your own voice.

00:08:39.940 --> 00:08:40.779 align:middle line:90%
Why are you talking?

00:08:40.779 --> 00:08:46.440 align:middle line:84%
[DANIEL HAMM AUDIO REPEATING AND
 DISTORTING]

00:08:46.440 --> 00:08:49.982 align:middle line:84%
Resound and return
that subject object.

00:08:49.982 --> 00:08:53.540 align:middle line:90%
The reverb is killing me.

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I don't want to
go on, but now we

00:08:55.730 --> 00:08:57.478 align:middle line:90%
are really getting somewhere.

00:08:57.478 --> 00:09:00.900 align:middle line:84%
Maybe you can take a
break here, try to stop,

00:09:00.900 --> 00:09:04.710 align:middle line:84%
but the voice keeps
shattering perspective.

00:09:04.710 --> 00:09:07.878 align:middle line:90%
Where in the room do I stand it?

00:09:07.878 --> 00:09:14.460 align:middle line:84%
I can no longer hear one
voice, one time, one place.

00:09:14.460 --> 00:09:17.070 align:middle line:90%
This is a repeating story.

00:09:17.070 --> 00:09:20.940 align:middle line:84%
This is one voice and a riot
shape shifting, just walking

00:09:20.940 --> 00:09:23.610 align:middle line:84%
around and looking
about in the rain.

00:09:23.610 --> 00:09:26.605 align:middle line:90%
[INAUDIBLE] here for God's sake.

00:09:26.605 --> 00:09:28.780 align:middle line:84%
Move with the
sound of the rhythm

00:09:28.780 --> 00:09:32.380 align:middle line:84%
becoming expressive
into a body dissolved,

00:09:32.380 --> 00:09:36.220 align:middle line:84%
decomposing,
projecting, extracting.

00:09:36.220 --> 00:09:41.530 align:middle line:84%
Resembance is not the only way
to load words into the mind.

00:09:41.530 --> 00:09:45.894 align:middle line:84%
[DANIEL HAMM AUDIO REPEATING AND
 DISTORTING]

00:09:45.894 --> 00:09:50.040 align:middle line:84%
It is difficult not
to disappear here.

00:09:50.040 --> 00:09:54.000 align:middle line:84%
You get carried away into
the following refrain,

00:09:54.000 --> 00:09:58.470 align:middle line:84%
shift with the phrase relations,
hold out your arms now

00:09:58.470 --> 00:10:02.250 align:middle line:84%
to walk its waves,
appearance, disappearance,

00:10:02.250 --> 00:10:05.160 align:middle line:90%
taking over our body.

00:10:05.160 --> 00:10:09.530 align:middle line:84%
Vibrations slip in to channels
two and four and eight

00:10:09.530 --> 00:10:15.520 align:middle line:84%
until the words are resurfaced
synasthetic, slippery.

00:10:15.520 --> 00:10:20.560 align:middle line:84%
All the flavors are filterings
all the hazards are on.

00:10:20.560 --> 00:10:24.915 align:middle line:84%
Street exhaust chokes
us with regret.

00:10:24.915 --> 00:10:25.920 align:middle line:90%
I'm not here.

00:10:25.920 --> 00:10:26.420 align:middle line:90%
Moving.

00:10:26.420 --> 00:10:28.700 align:middle line:84%
[DANIEL HAMM AUDIO REPEATING AND
 DISTORTING]

00:10:28.700 --> 00:10:32.040 align:middle line:90%
Let the sounds move through you.

00:10:32.040 --> 00:10:40.340 align:middle line:84%
What I hear you saying is
here is a [INAUDIBLE] Walking

00:10:40.340 --> 00:10:45.410 align:middle line:84%
is a machine that
links hearing and time.

00:10:45.410 --> 00:10:47.370 align:middle line:84%
For a long time it was
thought that language

00:10:47.370 --> 00:10:49.910 align:middle line:84%
had mastery over
time, that it acted

00:10:49.910 --> 00:10:52.100 align:middle line:84%
both as the future
bond of promise,

00:10:52.100 --> 00:10:53.810 align:middle line:90%
and memory and narrative.

00:10:53.810 --> 00:10:56.540 align:middle line:84%
It was thought to be
prophecy and history.

00:10:56.540 --> 00:10:59.210 align:middle line:84%
Also it was [? sovereign, ?]
but its essence

00:10:59.210 --> 00:11:02.700 align:middle line:84%
took the form of words or in a
breath that made them vibrate.

00:11:02.700 --> 00:11:05.490 align:middle line:90%


00:11:05.490 --> 00:11:08.970 align:middle line:84%
The fact is only a formless
rumbling, a streaming.

00:11:08.970 --> 00:11:12.660 align:middle line:84%
Its power lies in
disintegration.

00:11:12.660 --> 00:11:18.610 align:middle line:84%
That is why it is one
with the erosion of time,

00:11:18.610 --> 00:11:22.870 align:middle line:84%
to be doing time,
to be out of sync.

00:11:22.870 --> 00:11:30.130 align:middle line:84%
to the end time or out, dividing
like cells to intensify being,

00:11:30.130 --> 00:11:33.250 align:middle line:84%
to forming to
generate [INAUDIBLE]

00:11:33.250 --> 00:11:39.070 align:middle line:84%
pulse, a phantasmagoric
this is crisis time.

00:11:39.070 --> 00:11:42.960 align:middle line:84%
The sound of time working
locked into the subjectivity

00:11:42.960 --> 00:11:48.840 align:middle line:84%
of unlocking details unavailable
via hearing in real time.

00:11:48.840 --> 00:11:52.533 align:middle line:84%
Rhythm and tempo
patterns immerse you.

00:11:52.533 --> 00:11:58.588 align:middle line:84%
reveal words [INAUDIBLE]
sublime power of [INAUDIBLE]..

00:11:58.588 --> 00:12:09.020 align:middle line:90%


00:12:09.020 --> 00:12:13.360 align:middle line:84%
The words have been erased,
effectively metabolized.

00:12:13.360 --> 00:12:13.860 align:middle line:90%
Hold on.

00:12:13.860 --> 00:12:15.160 align:middle line:90%
We're rushing ahead.

00:12:15.160 --> 00:12:17.950 align:middle line:90%
Catch your breath.

00:12:17.950 --> 00:12:20.140 align:middle line:84%
As listeners, we
are bound to visit

00:12:20.140 --> 00:12:23.730 align:middle line:90%
each potential explanation.

00:12:23.730 --> 00:12:27.820 align:middle line:84%
To your right do you hear that
another masculine effacement,

00:12:27.820 --> 00:12:32.630 align:middle line:84%
yet another violent, pulverizing
of context and content.

00:12:32.630 --> 00:12:35.960 align:middle line:84%
All the words have
been censored.

00:12:35.960 --> 00:12:38.200 align:middle line:84%
Have we walked into
times real function?

00:12:38.200 --> 00:12:41.550 align:middle line:90%
To erase the known?

00:12:41.550 --> 00:12:45.480 align:middle line:84%
Reich liquefies language,
but in doing so,

00:12:45.480 --> 00:12:48.930 align:middle line:84%
he lets us listen through
the ears of the police state.

00:12:48.930 --> 00:12:52.380 align:middle line:90%
He warns us that danger

00:12:52.380 --> 00:12:54.280 align:middle line:90%
Far from the [INAUDIBLE].

00:12:54.280 --> 00:12:57.550 align:middle line:90%


00:12:57.550 --> 00:12:59.040 align:middle line:90%
Turn to your left.

00:12:59.040 --> 00:13:01.050 align:middle line:90%
Language can distance us.

00:13:01.050 --> 00:13:04.310 align:middle line:84%
just about anything can
be ignored, misheard,

00:13:04.310 --> 00:13:06.100 align:middle line:90%
misunderstood.

00:13:06.100 --> 00:13:10.133 align:middle line:84%
By stripping speech and its
native tendency to misrepresent

00:13:10.133 --> 00:13:11.300 align:middle line:90%
threat and [INAUDIBLE] deny.

00:13:11.300 --> 00:13:14.310 align:middle line:90%
[INAUDIBLE] denies.

00:13:14.310 --> 00:13:18.100 align:middle line:84%
Everything you refuse to
acknowledge now that you know.

00:13:18.100 --> 00:13:26.490 align:middle line:84%
[DANIEL HAMM AUDIO REPEATING AND
 DISTORTING]

00:13:26.490 --> 00:13:29.270 align:middle line:84%
Hamm's voice [INAUDIBLE]
the [INAUDIBLE]

00:13:29.270 --> 00:13:32.923 align:middle line:84%
just using machine,
time machine,

00:13:32.923 --> 00:13:38.440 align:middle line:84%
walking machine meant to break
him, meant to recondition us,

00:13:38.440 --> 00:13:40.810 align:middle line:84%
to rehabilitate a
social life, meant

00:13:40.810 --> 00:13:43.180 align:middle line:84%
to meddle our
outrage in refusing

00:13:43.180 --> 00:13:46.636 align:middle line:90%
to be reduced to outrage.

00:13:46.636 --> 00:13:49.588 align:middle line:84%
A refrain opens up to
let out multitudes,

00:13:49.588 --> 00:13:52.048 align:middle line:90%
to let them pour out.

00:13:52.048 --> 00:13:53.032 align:middle line:90%
Let it pour out.

00:13:53.032 --> 00:13:57.952 align:middle line:90%
This language is indigestible.

00:13:57.952 --> 00:14:01.180 align:middle line:90%
Its rhythm innoculates.

00:14:01.180 --> 00:14:02.996 align:middle line:90%
Retune our ears.

00:14:02.996 --> 00:14:05.326 align:middle line:90%
Peripheral hearing dilates.

00:14:05.326 --> 00:14:09.772 align:middle line:84%
right in your left ear, right on
to what refuses to be left out.

00:14:09.772 --> 00:14:16.480 align:middle line:84%
[DANIEL HAMM AUDIO REPEATING AND
 DISTORTING]

00:14:16.480 --> 00:14:20.270 align:middle line:90%
Have your ears adjusted yet?

00:14:20.270 --> 00:14:24.080 align:middle line:84%
The only future here is to hear
such a specialized knowledge

00:14:24.080 --> 00:14:24.720 align:middle line:90%
resonate.

00:14:24.720 --> 00:14:30.050 align:middle line:84%
[DANIEL HAMM AUDIO REPEATING AND
 DISTORTING]

00:14:30.050 --> 00:14:32.820 align:middle line:84%
Whenever the world is
accurately represented,

00:14:32.820 --> 00:14:37.010 align:middle line:84%
a voice and it's subjectivity
are made redundant.

00:14:37.010 --> 00:14:40.720 align:middle line:84%
Words are scraped off the
voice, but the voice cannot be

00:14:40.720 --> 00:14:43.032 align:middle line:84%
separated from the
rest of the body.

00:14:43.032 --> 00:14:46.800 align:middle line:84%
The otherworldly sound
of [? body ?] talk.

00:14:46.800 --> 00:14:49.158 align:middle line:84%
Where we were once
walking through language,

00:14:49.158 --> 00:14:54.647 align:middle line:84%
we are now walking through
total articulation.

00:14:54.647 --> 00:14:59.387 align:middle line:84%
If I ever [INAUDIBLE] impression
that we are alone in the dark,

00:14:59.387 --> 00:15:05.126 align:middle line:84%
it is because this chorus
does not seek [? covenants. ?]

00:15:05.126 --> 00:15:08.100 align:middle line:84%
You begin to imagine
you are several.

00:15:08.100 --> 00:15:11.530 align:middle line:90%
You must continue as such.

00:15:11.530 --> 00:15:16.250 align:middle line:84%
Turn here, where voice swerves
into electric [INAUDIBLE]

00:15:16.250 --> 00:15:20.620 align:middle line:84%
transforming into turbulence,
knowing what not to know.

00:15:20.620 --> 00:15:23.290 align:middle line:90%


00:15:23.290 --> 00:15:25.072 align:middle line:90%
Stay with us.

00:15:25.072 --> 00:15:29.311 align:middle line:84%
If you want to know all
the dialects, just ask.

00:15:29.311 --> 00:15:33.041 align:middle line:84%
Move on into perpetual
consequences.

00:15:33.041 --> 00:15:35.987 align:middle line:90%
We are going all the way down.

00:15:35.987 --> 00:15:46.298 align:middle line:90%


00:15:46.298 --> 00:15:47.800 align:middle line:90%
I love these sounds.

00:15:47.800 --> 00:15:49.120 align:middle line:90%
[INAUDIBLE]

00:15:49.120 --> 00:15:50.680 align:middle line:84%
It's like suddenly
realized you're

00:15:50.680 --> 00:15:53.620 align:middle line:84%
on the same street
as a hooded man.

00:15:53.620 --> 00:15:55.780 align:middle line:84%
The guard told me I was
crazy walking in the dark

00:15:55.780 --> 00:15:57.740 align:middle line:90%
alone like this.

00:15:57.740 --> 00:15:59.740 align:middle line:84%
But seeing him is more
frightening than whatever

00:15:59.740 --> 00:16:04.020 align:middle line:84%
fantasy he imagined for me,
just walking around moving about

00:16:04.020 --> 00:16:05.361 align:middle line:90%
in the rain.

00:16:05.361 --> 00:16:08.660 align:middle line:90%


00:16:08.660 --> 00:16:11.770 align:middle line:84%
You are reminded
of another time.

00:16:11.770 --> 00:16:17.020 align:middle line:84%
To see or not see a Black man
walking in your neighborhood.

00:16:17.020 --> 00:16:18.346 align:middle line:90%
You remember this, don't you?

00:16:18.346 --> 00:16:23.310 align:middle line:90%


00:16:23.310 --> 00:16:27.550 align:middle line:84%
We've had some break
ins in the neighborhood,

00:16:27.550 --> 00:16:29.425 align:middle line:84%
and there's this
real suspicious guy.

00:16:29.425 --> 00:16:33.830 align:middle line:90%


00:16:33.830 --> 00:16:36.290 align:middle line:84%
This guy looks like
he's up to no good

00:16:36.290 --> 00:16:40.250 align:middle line:90%
or on drugs or something.

00:16:40.250 --> 00:16:43.205 align:middle line:84%
It's raining and he's just
walking around looking about.

00:16:43.205 --> 00:16:46.540 align:middle line:90%


00:16:46.540 --> 00:16:52.960 align:middle line:84%
He looks Black
wearing a dark hoodie.

00:16:52.960 --> 00:16:55.800 align:middle line:90%
And is it a male or a female?

00:16:55.800 --> 00:16:56.950 align:middle line:90%
It sounds like a male.

00:16:56.950 --> 00:16:58.690 align:middle line:90%
And you don't know why?

00:16:58.690 --> 00:17:00.690 align:middle line:84%
I don't know why I think
they were [INAUDIBLE],,

00:17:00.690 --> 00:17:03.610 align:middle line:90%
but I don't know.

00:17:03.610 --> 00:17:05.510 align:middle line:90%
[INAUDIBLE] happened.

00:17:05.510 --> 00:17:09.105 align:middle line:84%
Is heard person I
can't [INAUDIBLE]..

00:17:09.105 --> 00:17:09.980 align:middle line:90%
I want to go outside.

00:17:09.980 --> 00:17:10.930 align:middle line:90%
I want to know what's going on.

00:17:10.930 --> 00:17:11.408 align:middle line:90%
[INAUDIBLE]

00:17:11.408 --> 00:17:12.033 align:middle line:90%
[MUSIC PLAYING]

00:17:12.033 --> 00:17:26.319 align:middle line:84%
[INAUDIBLE] You
just heard gunshots?

00:17:26.319 --> 00:17:27.500 align:middle line:90%
Yes.

00:17:27.500 --> 00:17:28.720 align:middle line:90%
How many?

00:17:28.720 --> 00:17:29.220 align:middle line:90%
Just one.

00:17:29.220 --> 00:17:33.300 align:middle line:90%
[FOOTSTEPS]

00:17:33.300 --> 00:17:36.150 align:middle line:84%
What does it mean to
walk in this world?

00:17:36.150 --> 00:17:39.690 align:middle line:84%
Here we are on the other
side, but this is not

00:17:39.690 --> 00:17:41.475 align:middle line:90%
a bridge I've chosen to walk.

00:17:41.475 --> 00:17:45.380 align:middle line:90%


00:17:45.380 --> 00:17:47.450 align:middle line:90%
You can open your eyes now.

00:17:47.450 --> 00:17:49.300 align:middle line:90%
[APPLAUSE]

00:17:49.300 --> 00:18:00.000 align:middle line:90%