fantasy
Anzaldúa, Gloria. Borderlands/La Frontera: The New Mestiza. San Francisco: Spinsters/Aunt Lute Book Company, 1987.
D.M. Thomas reads from Two Voices (1968) and Logan Stone (1971). This reading was originally given alongside Peter Redgrove and includes two tracks of collaborative reading with Redgrove.
Peter Redgrove reads poems in a dramatic style on the subject of water, which, as he notes, "in Arizona you appreciate," and which is central to his work. He reads from The Nature of Cold Weather (1961), The Force (1966), and Dr Faust's Sea-Spiral Spirit (1972). This reading was originally given alongside D.M. Thomas and includes one track of collaborative reading with Thomas.
Steve Orlen reads largely uncollected early poems, some of which appeared in Poetry magazine or would later appear in his chapbooks Sleeping on Doors (1975) and Separate Creatures (1976).
Marguerite Young reads selections of her poetry and excerpts from her novel Miss MacIntosh, My Darling (1965), offering commentary on the process and context for each piece.
In this reading given with Joshua Marie Wilkinson, Kate Bernheimer reads two stories from her collection Horse, Flower, Bird (2010).
A celebration of the fairy tale, featuring readings from authors included in My Mother She Killed Me, My Father He Ate Me (2010), an anthology of new fairy tales edited by Kate Bernheimer.
Gloria E. Anzaldúa reads widely from her extensive body of work; this reading includes uncollected and unpublished poems.
Denise Chávez reads from her novel Loving Pedro Infante (2001). This reading was originally given with Loida Maritza Pérez.
Jenny Boully reads excerpts from of the mismatched teacups, of the single-serving spoon (2012) and not merely because of the unknown that was stalking toward them (2011), as well as new and uncollected work. This reading was given as part of the Hybrid Writing Series, co-sponsored by the UA Prose Series.
W. S. Di Piero reads poems from his fifth collection, The Restorers (1992), as well as poems that would later be published in Shadow Burning (1995). The poems are inspired by place—particularly California, Italy, and Philadelphia—and subjects as diverse as natural history, the lives of the saints, and the realm of Faerie.
In this performance for the Writers at Work Series, Patrick D. Hoctel reads from a story set in Miramar, Baja California, titled "Playing with Light."