capitalism

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Borzutzky, Daniel. Written After a Massacre in the Year 2018. Minneapolis: Coffee House Press, 2021. 

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Borzutzky, Daniel. Written After a Massacre in the Year 2018. Minneapolis: Coffee House Press, 2021. 

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Borzutzky, Daniel. Written After a Massacre in the Year 2018. Minneapolis: Coffee House Press, 2021. 

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Browne, Mahogany L. I Remember Death By Its Proximity to What I Love. Haymarket Books, 2021.

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Tejada, Roberto. Why the Assembly Disbanded. New York: Fordham University Press, 2022.

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Herrera, Juan Felipe. Akrilica. 1989. Edited and translated by Farid Matuk, Carmen Giménez, and Anthony Cody. Noemi Press, 2022.

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Cervantes, Lorna Dee. April on Olympia. East Rockaway, New York: Marsh Hawk Press, 2021.

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Dominguez, Angel. "Don't Tell My Mother if They Kill Me #2." Brooklyn Magazine, 4 April 2017. Web. Accessed 31 August 2023. 

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Maldonado, Sheila. "Fruit Survivor." Hostos Review/Revista Hostosiana, no. 18, 2022, p. 88.

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Briante, Susan. 13 Questions for the Next Economy: New and Selected Poems. Noemi Press, 2025.

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Briante, Susan. 13 Questions for the Next Economy: New and Selected Poems. Noemi Press, 2025.

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Uncollected.

Reading

In this performance, Allen Ginsberg reads from Howl (1956), Kaddish (1961), and Reality Sandwiches (1963). He also discusses his writing process and reads some unpublished excerpts.

Reading

Tongo Eisen-Martin reads new work commissioned as part of the Art for Justice series. Timoteio Padilla represents Sustainable Nations in an opening presentation.

Reading

Adam O. Davis reads from his first book, Index of Haunted Houses (2020), which inhabits the ghostly landscape of American capitalism. He closes with several poems from an unpublished manuscript. This reading was originally given with Manuel Paul López.

Reading

Susan Briante reads from 13 Questions for the Next Economy: New and Selected Works (2025). She primarily reads new poems from the collection that consider themes of anti-capitalism, revolution, and family. Collages included in the book are shown throughout. Briante opens with a poem by Farid Matuk, with whom this reading was originally given.

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