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Steve Orlen reads from Permission to Speak (1978).

In Alan Dugan's last performance at the Poetry Center, he reads widely from work published during the 26 years between 1963 and 1989. He reads poems about art and artists, Greek and Roman antiquity, contemporary life in Provincetown, World War II, work, and cats.

In response to questions from attendees, John Ashbery discusses cinema, wide-ranging responses to his two earliest books (Some Trees, 1956, and The Tennis Court Oath, 1962), and his appreciation for the poetry of Walt Whitman. He also considers movements in American poetry including modernism, postmodernism, L=A=N=G=U=A=G=E poetry, and new formalism.

In this reading, originally given with Joni Wallace, Mary Jo Bang reads poems that would go on to be collected in The Last Two Seconds (2015) as well as a segment from her translation of "Canto III" of Dante's Inferno (2012).

Reed Whittemore reads poems that would later appear in his collection Poems: New and Selected (1967), as well as one unpublished poem.

Patricia Hampl reads poetry and prose from Woman Before an Aquarium (1978), Resort and Other Poems (1983), and A Romantic Education (1981); she also reads a short story from the anthology The North Country Reader: Classic Stories from Minnesota Writers (1979).

Maggie Nelson reads excerpts from Bluets (2009) and The Art of Cruelty (2011), as well as new work. This reading was given as part of the Hybrid Writing Series, co-sponsored by the UA Prose Series.

Frederic Tuten reads a short story, "The Ship at Anchor" (2005).

Aurelie Sheehan reads from Jewelry Box: A Collection of Histories (2013). This reading was originally given with Farid Matuk.

Terry Tempest Williams reads excerpts from a manuscript later published as Leap: A Traveler in the Garden of Delights (2000).

Steve Orlen reads from his collections Permission to Speak (1978) and A Place at the Table (1982), as well as from newer material.

Richard Jackson reads long poems from his collection Worlds Apart (1987) and others that would be collected in Alive All Day (1992). He begins with a poem by Thomas Hardy, "I Looked Up from My Writing."

Richard Siken reads poems from his collection War of the Foxes (2015). This reading was orginally given with Annie Guthrie. 

Khadijah Queen reads from her collections Conduit (2008), Black Peculiar (2011), and Fearful Beloved (2015); she also shares drawings, photos, and video and sound clips. This reading was given as part of the Spectacular Poetics series. 

Claudia Rankine reads from and discusses Citizen (2014). This reading incorporates artwork included in Citizen as well as other visual materials, including additional works by artists featured in Citizen and the video essay "Situation 8" by Claudia Rankine and John Lucas. 

At the 2017 Thinking Its Presence Conference, several members of the Thinking Its Presence Board—Vidhu Aggarwal, Ching-In Chen, Lisa Jarrett, and Lehua Taitano—read from or discuss their creative work. Board member Farid Matuk reads work from a selection of Tucson-based writers: Samuel Ace, Susan Briante, Wendy Burk, Hannah Ensor, Teré Fowler-Chapman, Sarah Gonzales, Logan Phillips, Aisha Sabatini Sloan, Brandon Shimoda, TC Tolbert, Joshua Marie Wilkinson, and Ofelia Zepeda. 

Natalie Shapero reads poems from Hard Child (2017) along with other uncollected poems.

T Clutch Fleischmann reads new work as well as excerpts from their book Time Is the Thing a Body Moves Through (2019). This reading was originally given with Andrea Lawlor as part of the UA Prose Series.