water
Dominguez, Angel. Black Lavender Milk. Oakland: Timeless, Infinite Light, 2015, p. 9.
Zepeda, Ofelia. Where Clouds Are Formed. Tucson: University of Arizona Press, 2008.
Simon J. Ortiz reads from the manuscripts of Going for the Rain (1976) and A Good Journey (1977). Many of the poems, as read here, contain more words and phrases in the Acoma language than the published versions.
In this reading with Galway Kinnell, Coleman Barks performs poems from New Words and The Juice. The poems that begin this readings are likely from an unpublished manuscript titled To No End.
Peter Redgrove reads poems in a dramatic style on the subject of water, which, as he notes, "in Arizona you appreciate," and which is central to his work. He reads from The Nature of Cold Weather (1961), The Force (1966), and Dr Faust's Sea-Spiral Spirit (1972). This reading was originally given alongside D.M. Thomas and includes one track of collaborative reading with Thomas.
This reading was given six years before the publication of Jaguar of Sweet Laughter and thirteen years before the publication of I Praise My Destroyer. It also took place during the same year the poet received the Peter I. B. Lavan Award.
Bill Roecker reads poems appearing in Willamette (1970), You Know Me (1972), and Closer to the Country (1976).
In a performance for the first annual Tucson Festival of Books, Sherwin Bitsui reads from Shapeshift and the manuscript of Flood Song. This reading was originally given alongside a performance by Juan Felipe Herrera.
Rebecca Seiferle reads a long sequence, "On the Island of Bones," from her poetry collection Wild Tongue (2007). This reading for the 2009 Tucson Festival of Books was originally given alongside Demetria Martínez.
Sherwin Bitsui reads from his work in English and Navajo as part of a multilingual poetry reading also featuring Alberto Rios (reading in English and Spanish) and Ofelia Zepeda (reading in English and O'odham). The reading includes selections from Water, an artist book created by Karla Elling to commemorate the Poetry Center's 50th anniversary. "Water" features a chainlink of poetry composed and translated by Bitsui, Rios, Zepeda, and Zapotec poet Natalia Toledo.
Ofelia Zepeda reads from her work in English and O'odham as part of a multilingual poetry reading also featuring Alberto Rios (reading in English and Spanish) and Sherwin Bitsui (reading in English and Navajo). The reading includes selections from Water, an artist book created by Karla Elling to commemorate the Poetry Center's 50th anniversary. "Water" features a chainlink of poetry composed and translated by Bitsui, Rios, Zepeda, and Zapotec poet Natalia Toledo.
Alberto Ríos reads from his work in English and Spanish as part of a multilingual poetry reading also featuring Ofelia Zepeda (reading in English and O'odham) and Sherwin Bitsui (reading in English and Navajo). The reading includes selections from Water, an artist book created by Karla Elling to commemorate the Poetry Center's 50th anniversary. Water features a chainlink of poetry composed and translated by Bitsui, Ríos, Zepeda, and Zapotec poet Natalia Toledo.
Charles Alexander reads widely from his work as part of the Tucson Lit Press Fest event. He closes with a selection from the ongoing collection Pushing Water, published in 2011 by Cuneiform Press.
Laura Tohe reads from Tséyi': Deep in the Rock; Reflections on Canyon de Chelly (2005), which pairs Tohe's texts with images by photographer Stephen E. Strom. Following Tohe's reading, Strom discusses the images contained in the book.
Katherine Larson reads pieces from Radial Symmetry (2011) as well as "Of the Unsolved Problem of the Origin of the Angiosperms," a new poem.
Jimmy Santiago Baca reads poems and prose from his body of work, including A Glass of Water (2009), A Place to Stand (2002), Healing Earthquakes (2001), Martín & Meditations on the South Valley (1987), and C-Train (Dream Boy's Story) and Thirteen Mexicans: Poems (2002).
Leslie Marmon Silko reads Sacred Water (1993), a book-length lyric essay. This reading was originally given with Joy Harjo.
Gretel Ehrlich reads from and discusses the process of collaboration on Arctic Heart (1992), a series of poems composed for a ballet. She also reads excerpts from "The Fasting Heart," an essay on destruction and abundance in the natural world, collected in Islands, The Universe, Home (1991).
Ofelia Zepeda reads from Ocean Power (1995) and Where Clouds Are Formed (2008); she also reads several new poems. Some poems are performed in Tohono O'odham and English.
Lynn Luria-Sukenick reads two works of fiction ("The Man With The Blues Guitar" and "Still Life With Bath"), along with a short performance piece called "Bomb." "Bomb" is a collaboration with poet and musician Rob Brezsny, whose part is performed here by Jonathan Penner.
Paul Zimmer reads poems inspired by his troubled youth during the Eisenhower years, as well as several persona poems.
Miguel M. Méndez reads from poems translated by Pulitzer Prize–nominated poet and translator Valerie Martínez during the time when Martínez was an MFA student at the University of Arizona. Méndez reads the poems in Spanish, then Martínez reads her English translations. Poems include "Moon," "Legend of the Breeze," "Saguaros," and "Workshop of Images."
Joy Harjo reads from Conflict Resolution for Holy Beings (2015) and How We Became Human: New and Selected Poems (2002). She also plays flute and soprano saxophone. This reading was given as part of the Climate Change & Poetry Series.
Brian Teare reads new and uncollected work and discusses ecopoetics, ecofeminism, and climate change. This reading was given as part of the Climate Change & Poetry Series.
Ofelia Zepeda welcomes the audience to the 2017 Thinking Its Presence conference. She reads poems from Ocean Power (1995) and Where Clouds Are Formed (2008), along with several more recent poems.
Rubén Martínez discusses being at an impasse in writing, what he describes as surgimiento in Spanish, or emergence. His talk touches on his personal experience and writing, as well as work by other writers and artists.
Carolyn Forché reads excerpts from her memoir What You Have Heard Is True (2019) and poems from her collection In the Lateness of the World (2020).