Reading

Lucille Clifton reads poems on many subjects, including family and illness, as well as a series of Rastafarian-inspired poems about the life of the Biblical figure Mary. In addition to poems, Clifton reads excerpts from Generations: A Memoir and her children's book Sonora Beautiful.

Reading

Mark Doty reads poems from his third book, My Alexandria (1993), together with poems that would be published two years later in Atlantis (1995). Reflections on the act of description recur throughout the poems, which inhabit Provincetown, Boston, and New York City. Doty also reads one poem set in Tucson from his second book, Bethlehem in Broad Daylight (1991).

Reading

Kathleen Fraser reads from her collections What I Want (1974) and New Shoes (1978). She also reads an unpublished poem she wrote while staying in the Poet's Cottage.

Reading

Jane Miller reads from her collection Midnights (2008).

Reading

Marilyn Hacker reads from Squares and Courtyards (2000), Taking Notice (1980), and Going Back to the River (1990). She also reads two poems that would later be published in Desesperanto (2003). This reading was originally given with Aleida Rodríguez.

Reading

Patricia Hampl reads an excerpt from her memoir The Florist's Daughter (2007).

Reading

Dexter L. Booth reads poems from Scratching the Ghost (2013) along with new and uncollected work. This reading was originally given with Samuel Ace and Polly Rosenwaike.

Reading

Timothy Liu reads new poems that would go on to be published in Don't Go Back to Sleep (2014), as well as poems from Polytheogamy (2009) and Bending the Mind Around the Dream's Blown Fuse (2009).

Reading

Jenny Boully reads excerpts from of the mismatched teacups, of the single-serving spoon (2012) and not merely because of the unknown that was stalking toward them (2011), as well as new and uncollected work. This reading was given as part of the Hybrid Writing Series, co-sponsored by the UA Prose Series.

Reading

Jack Gilbert reads primarily from The Great Fires: Poems 1982-1992 (1995) and Refusing Heaven (2005).

Reading

Linda Gregg reads primarily from Too Bright to See (1981).

Reading

Aisha Sabatini Sloan reads an early version of "Ocean Park No. 6," titled after a painting by Richard Diebenkorn. "Ocean Park No. 6" would go on to be published in the essay collection Dreaming of Ramadi in Detroit.

Reading

Myra Sklarew opens with a reading of poems by Richard Shelton, Tadeusz Rózewicz, and Takis Sinopoulos, continuing with poems from her collections The Science of Goodbyes (1982), Travels of the Itinerant Freda Aharon (1985), and Lithuania: New & Selected Poems (1995).

Reading

Barbara Anderson reads from her second collection of poems, Junk City (1987), as well as poems that would go on to appear in 1-800-911 (1997).

Reading

Nancy Mairs reads poetry and nonfiction from her first three books, In All the Rooms of the Yellow House (1984), Plaintext (1986), and Remembering the Bone House (1989).

Reading

Pulitzer Prize-winning poet and novelist Maxine Kumin reads from her then-recent collection Nurture (1989), together with poems written throughout her career, as well as two poems that would go on to be collected in her next book, Looking for Luck (1992). Many of the poems consider connections between animals and humans. Kumin also reads a series of three elegies to her longtime friend Anne Sexton.

Reading

Steve Orlen reads from his collections Permission to Speak (1978) and A Place at the Table (1982), as well as from newer material.

Reading

Essayist and poet Erik Reece reads poems from A Short History of the Present (2009) and essays from An American Gospel: On Family, History, and the Kingdom of God (2009) as well as Utopia Drive: A Road Trip Through America's Most Radical Idea (2016).

Reading

Khadijah Queen reads from her collections Conduit (2008), Black Peculiar (2011), and Fearful Beloved (2015); she also shares drawings, photos, and video and sound clips. This reading was given as part of the Spectacular Poetics series. 

Reading

Brian Teare reads new and uncollected work and discusses ecopoetics, ecofeminism, and climate change. This reading was given as part of the Climate Change & Poetry Series.

Reading

Alec Finlay reads selections from two long poems: Global Oracle: a Work of Prophetic Science (2014) and The Road North: a journey through Scotland guided by Bashō's oku-no-hosomichi (2014).

Reading

sam sax reads new and uncollected poems, as well as work from his poetry collections madness (2017) and bury it (2018). This reading was originally given alongside Erika L. Sánchez as part of the Morgan Lucas Schuldt Memorial Reading Series.

Poetry Center

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