humorous

Track

Hall, Donald. "Breasts." The Town of Hill. Boston: David R. Godine, 1975.

Track
Johnson, Denis. The Veil. New York: Alfred A Knopf, 1987.
Track

Momaday, N. Scott. "The Minor Writer." Unpublished.

"On Chastity." In the Presence of the Sun: Stories and Poems, 1961-1991. New York: St. Martin's Press, 1992.

"The Death of a Ceramicist." Again the Far Morning: New and Selected Poems. Albuquerque: University of New Mexico Press, 2011. 

Track

Silently Loud. Minneapolis: Unrestricted Editions, 2023.

Track

Chin, Marilyn. Sage. New York: W.W. Norton, 2023. 

Reading

Bill Knott reads widely from his work. This reading includes poems from Becos (1983), Outremer (1989), and Poems 1963-1988 (1989), as well as work collected later. 

Reading

C. K. Williams reads poetry primarily from I Am the Bitter Name (1972). He also reads several ribald pieces (that remain uncollected), showcasing his humor and imagination.

Reading

James Tate returns to read for the Poetry Center for the first time since 1968, performing poems from several books.

Reading

Sherman Alexie reads widely from his work and engages the audience with stories characterized by his signature humor.

Reading

Shannon Cain reads a story from her collection The Necessity of Certain Behaviors (2011) as part of the University of Arizona Prose Series. This reading was originally given with Lydia Millet.

Reading

Lydia Millet reads from her novel Magnificence (2012) as part of the University of Arizona Prose Series. This reading was originally given with Shannon Cain.

Reading

Poetry Center Summer Resident Polly Rosenwaike reads an excerpt from the short story Grow Your Eyelashes. This reading was originally given with Samuel Ace and Dexter L. Booth.

Reading

Monica Youn reads poems from Ignatz (2010).

Reading

Matthea Harvey reads primarily from Sad Little Breathing Machine (2004). This reading was originally given with Olena Kalytiak Davis and James Thomas Stevens for the Next Word in Poetry Series.

Reading

Monique Wittig and Sande Zeig read for the Writers At Work Series. Wittig and Zeig team to play the parts of Don Quixote and Sancho Panza in a play written by Wittig and translated by Zeig, Le Voyage sans fin (The Constant Journey, 1985), based on Miguel de Cervantes's classic novel. Before performing the play, Wittig gives a brief talk explaining the role of transposition and gender roles in her adaption of Cervantes's work.

Reading

Sandra Cisneros reads uncollected poems at the Phoenix Art Museum. This reading was originally given with Rita Dove and Joy Harjo in partnership with ArchiTEXTS: A Conversation Across Languages with Natalie Diaz.

Reading

Charles Yu reads "Origin Story," a draft of a chapter from his novel Interior Chinatown (2020). This reading was originally given with Kristen Radtke.

Reading

Tommy Pico reads from his book-length poems Junk (2018), published the year of this reading, and Feed (2019), published the year after this reading. He also reads one poem from Morgan Parker's There Are More Beautiful Things Than Beyoncé (2017). This reading was originally given with Morgan Parker as part of the Morgan Lucas Schuldt Memorial Reading Series.

Reading

Morgan Parker reads from her third poetry collection, Magical Negro (2019), which would be published the year after this reading. She also reads an excerpt from Tommy Pico's Nature Poem (2017). This reading was originally given with Tommy Pico as part of the Morgan Lucas Schuldt Memorial Reading Series. 

Reading

Venita Blackburn reads from Black Jesus and Other Superheroes (2017) as well as one story, "Fam," that would later appear in her collection How to Wrestle a Girl (2021).

Reading

Carl Phillips reads poems from Wild Is the Wind (2018) along with other poems that would later appear in the chapbook Star Map with Action Figures (2019) and the collection Pale Colors in a Tall Field (2020). 

Reading

Nicole Walker reads from her essay collection Sustainability: A Love Story (2018).

Reading

Marilyn Chin reads from her sixth collection, Sage (2023), sharing poems that employ humor, puns, rhyme, allusions to Chinese and English literature, and a wide array of traditional and modified verse forms. Chin opens the reading by performing from memory two poems from A Portrait of the Self as Nation: New and Selected Poems (2018).

Poetry Center

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