horses
Limón, Ada. Bright Dead Things. Minneapolis: Milkweed Editions, 2015.
Limón, Ada. The Carrying. Minneapolis: Milkweed Editions, 2018.
Kumin, Maxine. "You Are In Bear Country." The Long Approach. New York: Penguin, 1986.
"In the Park." Nurture. New York: Penguin, 1989.
"Encounter in August." Nurture. New York: Penguin, 1989.
"Morning Swim." The Privilege. New York: Harper & Row, 1965.
"The Hermit Wakes to Bird Sounds." Up Country: Poems of New England, New and Selected. New York: Harper & Row, 1972.
"Amanda Dreams She has Died and Gone to the Elysian Fields." House, Bridge, Fountain, Gate. New York: Viking, 1975.
"Excrement Poem." The Retrieval System. New York: Viking, 1978.
"Heaven as Anus." House, Bridge, Fountain, Gate. New York: Viking, 1975.
"The Jesus Infection." House, Bridge, Fountain, Gate. New York: Viking, 1975.
"Splitting Wood at Six Above." The Retrieval System. New York: Viking, 1978.
"On Being Asked to Write a Poem in Memory of Anne Sexton." Nurture. New York: Penguin, 1989.
"The Green Well." Looking for Luck. New York: Norton, 1992.
"Birthday Poem." The Retrieval System. New York: Viking, 1978.
"Sunbathing on a Rooftop in Berkeley." The Retrieval System. New York: Viking, 1978.
"We Stood There Singing." Nurture. New York: Penguin, 1989.
"The Man of Many L's." Our Ground Time Here Will Be Brief: New and Selected Poems. New York: Penguin, 1982.
"Appetite." The Long Approach. New York: Penguin, 1986.
"My Elusive Guest." The Long Approach. New York: Penguin, 1986.
"Custodian." Nurture. New York: Penguin, 1989.
"Catchment." Nurture. New York: Penguin, 1989.
"Sleeping with Animals." Nurture. New York: Penguin, 1989.
"Nurture." Nurture. New York: Penguin, 1989.
"Looking for Luck in Bangkok." Looking for Luck. New York: Norton, 1992.
Barrington, Judith. "Countries." History and Geography. Portland, Oregon: The Eighth Mountain Press, 1989. Differs slightly from published version.
"Instructions to the Reader of Poetry." Uncollected.
"Horses and the Human Soul." Horses and the Human Soul. Ashland, Oregon: Story Line Press, 2004. Differs from published version.
"Photograph, Scotland, Circa 1950." Horses and the Human Soul. Ashland, Oregon: Story Line Press, 2004.
"Four Reasons for Destroying a Spider's Web." Horses and the Human Soul. Ashland, Oregon: Story Line Press, 2004.
"Word Bank." Uncollected.
"The Dyke with No Name Thinks about Landscape." Horses and the Human Soul. Ashland, Oregon: Story Line Press, 2004. Differs from published version.
"Layers of Sound." Uncollected.
"History and Geography." History and Geography. Portland, Oregon: The Eighth Mountain Press, 1989.
"Mother and Daughter at the Y." History and Geography. Portland, Oregon: The Eighth Mountain Press, 1989.
"For a Friend whose Lover has Left." History and Geography. Portland, Oregon: The Eighth Mountain Press, 1989. Differs slightly from published version.
"Why Young Girls Like to Ride Bareback." Horses and the Human Soul. Ashland, Oregon: Story Line Press, 2004. Differs slightly from published version.
"Listen." History and Geography. Portland, Oregon: The Eighth Mountain Press, 1989.
Morgan, Saretta. Alt-Nature. Minneapolis: Coffee House Press, 2024.
In this reading, Silko engages in "what I really love to do"--storytelling in the Laguna tradition. Most of the stories and poems told here would be collected in the 1981 volume Storyteller.
This reading takes place the year that James Wright's collection Two Citizens (1973) was published, and Wright reads extensively from that volume. Wright ends his reading with a poem that would be published in The Hudson Review that fall, but would otherwise remain uncollected.
Joy Harjo reads poems appearing in She Had Some Horses (1983) and In Mad Love and War (1990).
Simon J. Ortiz reads from the manuscripts of Going for the Rain (1976) and A Good Journey (1977). Many of the poems, as read here, contain more words and phrases in the Acoma language than the published versions.
William Pitt Root reads from his first collection, The Storm and Other Poems (1969), and from the soon-to-be published Striking the Dark Air for Music (1973). Between selections from these two books, he reads lighter, more humorous poems that would remain uncollected or be published much later.
W.S. Merwin reads from his most recent collections of poetry: The Lice (1967), The Carrier of Ladders (1970), and Writings to an Unfinished Accompaniment (1973). He also reads then-new work that would be collected in The Compass Flower (1977). Merwin opens the reading with prose from The Miner's Pale Children (1970) and also reads three prose pieces that would appear in Houses and Travellers (1977). Used with permission of the Wylie Agency LLC.
Ross Talarico reads from Snowfires (1972), Trying to Leave (1977), and Simple Truths (1975). This reading was originally given with Marvin Bell.
Laura Tohe reads from Tséyi': Deep in the Rock; Reflections on Canyon de Chelly (2005), which pairs Tohe's texts with images by photographer Stephen E. Strom. Following Tohe's reading, Strom discusses the images contained in the book.
In this reading, originally given with Beth Alvarado, Aurelie Sheehan shares excerpts from the novel History Lessons for Girls (2006), as well as a work in progress called One Hundred Histories.
Jane Hirshfield reads poems from Of Gravity & Angels (1988), The October Palace (1994), and The Lives of the Heart (1997).
Rodney Jones reads from Apocalyptic Narrative and Other Poems (1993), Things That Happen Once (1996), and Elegy for the Southern Drawl (1999).
Matthea Harvey reads primarily from Sad Little Breathing Machine (2004). This reading was originally given with Olena Kalytiak Davis and James Thomas Stevens for the Next Word in Poetry Series.
Pulitzer Prize-winning poet and novelist Maxine Kumin reads from her then-recent collection Nurture (1989), together with poems written throughout her career, as well as two poems that would go on to be collected in her next book, Looking for Luck (1992). Many of the poems consider connections between animals and humans. Kumin also reads a series of three elegies to her longtime friend Anne Sexton.
Luci Tapahonso reads from poems published throughout her career, many of them fueled by personal anecdotes.
Luci Tapahonso reads from her collections Seasonal Woman (1982) and A Breeze Swept Through (1987), beginning with a piece that combines spoken poetry with song.
Judith Barrington reads from History and Geography (1989) along with poems that would go on to be collected in Horses and the Human Soul (2004) and several that remain uncollected. The poems she selects for this reading center on place, landscape, memory, and Lesbian identity; horses recur throughout.
Reginald Dwayne Betts reads from his poetry collection Bastards of the Reagan Era (2015), along with one uncollected poem.
Ada Limón reads poems from Bright Dead Things (2015) and The Carrying (2018).
Ada Limón reads from her poetry manuscript What Is Caged Is Also Kept From Us, commissioned by the Poetry Center as part of the Art for Justice series. Lola Rainey gives an opening presentation focused on pretrial detention.