WEBVTT 00:00:00.000 --> 00:00:06.210 align:middle line:90% Another horse poem, "The Gift." 00:00:06.210 --> 00:00:09.540 align:middle line:84% "When I offer the pear, and he takes it 00:00:09.540 --> 00:00:13.560 align:middle line:84% with first, whiskered lips, and then teeth, 00:00:13.560 --> 00:00:18.600 align:middle line:84% and soon it is no longer fruit but goes into betweeness 00:00:18.600 --> 00:00:21.780 align:middle line:84% and vanishment, turning to pastern, 00:00:21.780 --> 00:00:24.780 align:middle line:84% and tail, and good wall of the hoof, 00:00:24.780 --> 00:00:29.550 align:middle line:84% and small tithing of gold for the pasture, or fire roads. 00:00:29.550 --> 00:00:34.720 align:middle line:84% For always where there is offering, there is return. 00:00:34.720 --> 00:00:37.570 align:middle line:84% When this happens, and he is careful, 00:00:37.570 --> 00:00:42.970 align:middle line:84% even in greed, even in the indignity of his foolish-- 00:00:42.970 --> 00:00:47.950 align:middle line:84% no, it must be named true, his entirely goofy 00:00:47.950 --> 00:00:53.140 align:middle line:84% adoration and long tongued worship of pears. 00:00:53.140 --> 00:00:56.890 align:middle line:84% When he knows what is pear, what is hand, when 00:00:56.890 --> 00:01:01.600 align:middle line:84% he looks in my face as he chews, and the crush slobbers out, 00:01:01.600 --> 00:01:06.070 align:middle line:84% and foams bright as spent happiness onto my foot, 00:01:06.070 --> 00:01:10.450 align:middle line:84% onto my sleeve, as I bend then to lift him a wedge 00:01:10.450 --> 00:01:12.460 align:middle line:90% he has dropped. 00:01:12.460 --> 00:01:15.790 align:middle line:84% When the heron holds steady in contemplation, 00:01:15.790 --> 00:01:20.050 align:middle line:84% not a few feet away, its eyes once again closed 00:01:20.050 --> 00:01:23.770 align:middle line:84% like two stones that have rested an hour in the sun, 00:01:23.770 --> 00:01:27.400 align:middle line:84% and gone back into leaning, and dimness, 00:01:27.400 --> 00:01:31.030 align:middle line:84% a little heat kept in them still. 00:01:31.030 --> 00:01:36.040 align:middle line:84% When the late cars sweep by without pause, without seeing, 00:01:36.040 --> 00:01:39.250 align:middle line:84% yet store in the blue shadowed beakers, 00:01:39.250 --> 00:01:46.030 align:middle line:84% their own mild exchanges of hidden unworkable sweetness. 00:01:46.030 --> 00:01:49.540 align:middle line:84% Then the world is that actress from a Sanskrit 00:01:49.540 --> 00:01:55.090 align:middle line:84% poem, whose greatness was showing two feelings at once. 00:01:55.090 --> 00:01:57.550 align:middle line:90% The mercies are boundless. 00:01:57.550 --> 00:02:00.600 align:middle line:90% Every country is death's." 00:02:00.600 --> 00:02:01.470 align:middle line:90%