WEBVTT 00:00:00.000 --> 00:00:01.260 align:middle line:90% 00:00:01.260 --> 00:00:03.480 align:middle line:84% This is entitled "Baraka Inscape," 00:00:03.480 --> 00:00:10.290 align:middle line:84% and it is based around a phrase of the great poet Amiri Baraka. 00:00:10.290 --> 00:00:12.090 align:middle line:84% And in part, this-- a lot of this work 00:00:12.090 --> 00:00:14.820 align:middle line:84% came out of my interest in assemblage art, 00:00:14.820 --> 00:00:17.130 align:middle line:84% and the title Why the Assembly Disbanded comes 00:00:17.130 --> 00:00:20.190 align:middle line:84% from an essay I wrote for the excellent exhibition that 00:00:20.190 --> 00:00:24.360 align:middle line:84% was curated by Kellie Jones called, "Now Dig This! 00:00:24.360 --> 00:00:27.180 align:middle line:84% Black Art Los Angeles, 1962-1980." 00:00:27.180 --> 00:00:29.250 align:middle line:84% And so some of the work here is based 00:00:29.250 --> 00:00:31.020 align:middle line:84% on an assemblage technique as well. 00:00:31.020 --> 00:00:34.100 align:middle line:90% 00:00:34.100 --> 00:00:35.105 align:middle line:90% "Baraka Inscape." 00:00:35.105 --> 00:00:38.870 align:middle line:90% 00:00:38.870 --> 00:00:43.290 align:middle line:84% "Not so from my republic nothing left of rule. 00:00:43.290 --> 00:00:46.680 align:middle line:84% Nothing left of rule over the salvaged self by way of weapon 00:00:46.680 --> 00:00:48.330 align:middle line:90% to sing in sovereign song. 00:00:48.330 --> 00:00:52.410 align:middle line:84% No more composed in courage than most. 00:00:52.410 --> 00:00:54.690 align:middle line:84% No more than most, myself save nothing 00:00:54.690 --> 00:00:58.890 align:middle line:84% as benefiting the field with as many futile stockpiles 00:00:58.890 --> 00:01:02.490 align:middle line:84% of opinion so moved to moving with derision 00:01:02.490 --> 00:01:06.840 align:middle line:84% or memory's abortive little heap after what I did to injury. 00:01:06.840 --> 00:01:09.930 align:middle line:84% Rooms still cold with a stroke of it. 00:01:09.930 --> 00:01:12.510 align:middle line:84% Still wreckage, a resource like flesh 00:01:12.510 --> 00:01:16.830 align:middle line:84% imputing fingers or lips I made stiller, unavailing even 00:01:16.830 --> 00:01:19.560 align:middle line:84% to eager asymmetries of white where 00:01:19.560 --> 00:01:22.860 align:middle line:84% I am when I refute in the little kill zone altered 00:01:22.860 --> 00:01:24.660 align:middle line:90% of melodic lines. 00:01:24.660 --> 00:01:28.380 align:middle line:84% White in August heap's disintegrated glass, 00:01:28.380 --> 00:01:32.070 align:middle line:84% volcanic at the skeleton edge of that pernicious 00:01:32.070 --> 00:01:33.450 align:middle line:90% unfiltered little self. 00:01:33.450 --> 00:01:38.490 align:middle line:84% Emphatic for Baraka's Dusk, for Duncan's Throat, 00:01:38.490 --> 00:01:41.160 align:middle line:84% for an advent in mind for the kinfolk, 00:01:41.160 --> 00:01:44.100 align:middle line:84% meant by all in the derogatory mob 00:01:44.100 --> 00:01:47.070 align:middle line:84% in landlocked Earth in antipodes. 00:01:47.070 --> 00:01:49.590 align:middle line:84% In eyes-wide noncombatant number. 00:01:49.590 --> 00:01:51.660 align:middle line:90% In clay and kiln. 00:01:51.660 --> 00:01:54.300 align:middle line:90% In day and bone. 00:01:54.300 --> 00:01:59.010 align:middle line:84% In name an eruption of a counter form in the closed field 00:01:59.010 --> 00:02:01.760 align:middle line:90% of white definition." 00:02:01.760 --> 00:02:04.000 align:middle line:90%