WEBVTT 00:00:00.000 --> 00:00:04.080 align:middle line:90% 00:00:04.080 --> 00:00:07.800 align:middle line:84% I don't feel heir to any particular poetry reading 00:00:07.800 --> 00:00:09.240 align:middle line:90% tradition. 00:00:09.240 --> 00:00:10.680 align:middle line:90% I think it's all up for grabs. 00:00:10.680 --> 00:00:13.800 align:middle line:84% Anybody can do anything they want. 00:00:13.800 --> 00:00:16.710 align:middle line:84% Start off with a cold weather poem since you all 00:00:16.710 --> 00:00:18.225 align:middle line:90% braved the evening to come out. 00:00:18.225 --> 00:00:26.970 align:middle line:90% 00:00:26.970 --> 00:00:29.760 align:middle line:84% I thought what I'd do tonight is instead of explaining 00:00:29.760 --> 00:00:34.050 align:middle line:84% the poems, which is becoming typical, 00:00:34.050 --> 00:00:35.467 align:middle line:90% I'm going to explain the titles. 00:00:35.467 --> 00:00:37.050 align:middle line:84% And the reason I'm going to do that is 00:00:37.050 --> 00:00:39.570 align:middle line:84% because I don't give much thought at all to the titles 00:00:39.570 --> 00:00:40.210 align:middle line:90% to my poems. 00:00:40.210 --> 00:00:42.600 align:middle line:84% They sort of happen somewhere in the course of the poem. 00:00:42.600 --> 00:00:43.890 align:middle line:90% And not that I pick a line. 00:00:43.890 --> 00:00:45.660 align:middle line:84% I just sort of start referring to it 00:00:45.660 --> 00:00:48.697 align:middle line:84% as the poem about Mayakovsky or the Mayakovsky poem. 00:00:48.697 --> 00:00:50.280 align:middle line:84% And that's the one I want to start off 00:00:50.280 --> 00:00:52.350 align:middle line:84% with a little poem called "Mayakovsky". 00:00:52.350 --> 00:00:54.940 align:middle line:90% 00:00:54.940 --> 00:00:58.060 align:middle line:84% "Across the tundra, heartbeats leave imprints. 00:00:58.060 --> 00:01:01.270 align:middle line:84% A drum and dying calls for another revolution 00:01:01.270 --> 00:01:02.560 align:middle line:90% to be reborn. 00:01:02.560 --> 00:01:05.860 align:middle line:84% Nothing stir but bones of words, ignored, 00:01:05.860 --> 00:01:08.240 align:middle line:84% I had been anxious for the marketplace. 00:01:08.240 --> 00:01:10.990 align:middle line:84% And now, in the clamor of verbose crowds, 00:01:10.990 --> 00:01:14.290 align:middle line:84% have come to love a married woman, my anarchy. 00:01:14.290 --> 00:01:17.680 align:middle line:84% Comrade, our twin lands talk of suicide. 00:01:17.680 --> 00:01:20.140 align:middle line:84% But I haven't the swagger to get up and die. 00:01:20.140 --> 00:01:22.780 align:middle line:90% 00:01:22.780 --> 00:01:27.610 align:middle line:84% Now, "Mayakovsky"-- right, he was the Russian poet. 00:01:27.610 --> 00:01:29.620 align:middle line:84% And I don't know how this poem came to me, 00:01:29.620 --> 00:01:32.290 align:middle line:84% but it came to me somehow in relation-- 00:01:32.290 --> 00:01:35.290 align:middle line:90% did I kill it? 00:01:35.290 --> 00:01:35.890 align:middle line:90% There it goes. 00:01:35.890 --> 00:01:40.820 align:middle line:90% 00:01:40.820 --> 00:01:43.360 align:middle line:90% The use of Mayakovsky's life-- 00:01:43.360 --> 00:01:47.710 align:middle line:84% what happened to him was he fell in love with a married woman 00:01:47.710 --> 00:01:50.660 align:middle line:90% and wound up committing suicide. 00:01:50.660 --> 00:01:53.560 align:middle line:84% But he was the poet of the revolution. 00:01:53.560 --> 00:01:56.650 align:middle line:84% And what I really want to get into in this poem 00:01:56.650 --> 00:01:59.320 align:middle line:84% is the idea that we live a private life, 00:01:59.320 --> 00:02:00.580 align:middle line:90% and we leave a public life. 00:02:00.580 --> 00:02:02.830 align:middle line:84% And there's sort of a responsibility of a poet 00:02:02.830 --> 00:02:06.220 align:middle line:84% to handle, in some way, the public, 00:02:06.220 --> 00:02:08.050 align:middle line:90% the political situations. 00:02:08.050 --> 00:02:11.170 align:middle line:84% But it doesn't necessarily mean that the revolution 00:02:11.170 --> 00:02:12.100 align:middle line:90% has to be violent. 00:02:12.100 --> 00:02:14.255 align:middle line:84% That's what I was, in a way, saying in my poem. 00:02:14.255 --> 00:02:15.880 align:middle line:84% And yet, at the same time, I was saying 00:02:15.880 --> 00:02:18.190 align:middle line:84% that this whole business about being ignored, 00:02:18.190 --> 00:02:21.310 align:middle line:84% anxious for the marketplace, is that after a long period 00:02:21.310 --> 00:02:25.450 align:middle line:84% of writing or retreating, you do have a great need 00:02:25.450 --> 00:02:28.810 align:middle line:84% to go out and do something, to read your poems or-- 00:02:28.810 --> 00:02:31.030 align:middle line:84% this is one of the reasons why I'm into this program 00:02:31.030 --> 00:02:32.008 align:middle line:90% right now-- 00:02:32.008 --> 00:02:33.550 align:middle line:84% the traveling to all the high schools 00:02:33.550 --> 00:02:35.440 align:middle line:84% and seeing all the Indian students. 00:02:35.440 --> 00:02:37.690 align:middle line:84% And we've seen Mexican-American students and just 00:02:37.690 --> 00:02:40.020 align:middle line:90% regular high school students.