WEBVTT 00:00:00.000 --> 00:00:02.663 align:middle line:90% 00:00:02.663 --> 00:00:03.330 align:middle line:90% Thank you, Lois. 00:00:03.330 --> 00:00:08.980 align:middle line:90% 00:00:08.980 --> 00:00:13.540 align:middle line:84% Yesterday I went to a poetry class 00:00:13.540 --> 00:00:18.010 align:middle line:84% here on the campus and somebody was talking 00:00:18.010 --> 00:00:21.820 align:middle line:84% about my first book, and asked me if I still 00:00:21.820 --> 00:00:24.940 align:middle line:90% liked it of course, I love it. 00:00:24.940 --> 00:00:27.970 align:middle line:90% 00:00:27.970 --> 00:00:31.990 align:middle line:84% Actually I had occasion not long ago to read from it, 00:00:31.990 --> 00:00:35.530 align:middle line:84% and I was astounded at how shitty it was. 00:00:35.530 --> 00:00:38.830 align:middle line:90% 00:00:38.830 --> 00:00:40.570 align:middle line:90% And enormously embarassed-- 00:00:40.570 --> 00:00:43.070 align:middle line:90% [LAUGHTER] 00:00:43.070 --> 00:00:45.958 align:middle line:84% I was reading in front of my students and I was here 00:00:45.958 --> 00:00:47.500 align:middle line:84% I was reading a book that I'd written 00:00:47.500 --> 00:00:50.020 align:middle line:84% when I was 10 years younger than they were, and they were 00:00:50.020 --> 00:00:55.540 align:middle line:84% sitting before me-- and I was in-- and I was sweating 00:00:55.540 --> 00:00:57.490 align:middle line:90% and it was awful. 00:00:57.490 --> 00:01:04.750 align:middle line:84% And so Steve Orlen the other day asked me 00:01:04.750 --> 00:01:06.620 align:middle line:84% if there was anything in the book I liked? 00:01:06.620 --> 00:01:10.250 align:middle line:84% And there are a couple of poems that I like a great deal, 00:01:10.250 --> 00:01:12.010 align:middle line:84% and I thought I'd read at least one 00:01:12.010 --> 00:01:14.260 align:middle line:84% of them, which is the one he referred 00:01:14.260 --> 00:01:17.080 align:middle line:84% to-- he asked me if I still like this poem and it said I did. 00:01:17.080 --> 00:01:21.140 align:middle line:90% 00:01:21.140 --> 00:01:26.850 align:middle line:84% I hadn't written many love poems, 00:01:26.850 --> 00:01:35.360 align:middle line:84% I guess I'm just not much of a lover and I mean, 00:01:35.360 --> 00:01:36.908 align:middle line:90% I could find out-- 00:01:36.908 --> 00:01:41.120 align:middle line:90% [LAUGHTER] 00:01:41.120 --> 00:01:43.310 align:middle line:90% but I've never really asked. 00:01:43.310 --> 00:01:44.870 align:middle line:84% There's a great gag in old Mailer, 00:01:44.870 --> 00:01:48.530 align:middle line:84% in Mailer's novels the men always turn to the woman 00:01:48.530 --> 00:01:49.520 align:middle line:90% and say, how was it? 00:01:49.520 --> 00:01:52.547 align:middle line:90% [LAUGHTER] 00:01:52.547 --> 00:01:54.380 align:middle line:84% And that's really what the novels are about, 00:01:54.380 --> 00:01:56.300 align:middle line:90% the women are asking how it was. 00:01:56.300 --> 00:02:01.520 align:middle line:84% The men are asking and the women are like unbelievable, 00:02:01.520 --> 00:02:04.190 align:middle line:90% but I've never asked. 00:02:04.190 --> 00:02:06.830 align:middle line:84% I sheltered myself from a lot of truths. 00:02:06.830 --> 00:02:09.620 align:middle line:90% [LAUGHTER] 00:02:09.620 --> 00:02:11.870 align:middle line:84% And so I've written-- but let me read this love poems, 00:02:11.870 --> 00:02:14.870 align:middle line:84% very serious poems to my wife, which makes it 00:02:14.870 --> 00:02:16.350 align:middle line:90% one of the most unusual love 00:02:16.350 --> 00:02:16.940 align:middle line:90% poems-- 00:02:16.940 --> 00:02:21.260 align:middle line:90% [LAUGHTER] 00:02:21.260 --> 00:02:30.240 align:middle line:84% In the Western world really called "For Fran." 00:02:30.240 --> 00:02:34.860 align:middle line:84% She packs the flower beds with leaves, rags, 00:02:34.860 --> 00:02:40.860 align:middle line:84% dampened papers, ties with twine the lemon tree. 00:02:40.860 --> 00:02:46.490 align:middle line:84% But winter carves its features on the uprooted stem. 00:02:46.490 --> 00:02:49.880 align:middle line:90% I see the true vein in her neck 00:02:49.880 --> 00:02:54.890 align:middle line:84% and where the smaller ones have broken bluing the skin 00:02:54.890 --> 00:02:57.590 align:middle line:84% And where the dark cold lines of weariness 00:02:57.590 --> 00:03:00.875 align:middle line:84% have eaten out through the winding of the bone. 00:03:00.875 --> 00:03:03.790 align:middle line:90% 00:03:03.790 --> 00:03:08.050 align:middle line:84% On the hard ground where Adam strayed, 00:03:08.050 --> 00:03:12.130 align:middle line:84% where nothing but his wants remain, 00:03:12.130 --> 00:03:16.630 align:middle line:90% what do we do to those we need? 00:03:16.630 --> 00:03:20.770 align:middle line:84% To those whose need of us endures even the knowledge 00:03:20.770 --> 00:03:23.950 align:middle line:90% of what we are. 00:03:23.950 --> 00:03:28.450 align:middle line:84% I turned to her whose future bears the promise 00:03:28.450 --> 00:03:31.480 align:middle line:90% of the appalling air. 00:03:31.480 --> 00:03:37.060 align:middle line:84% My living wife, Frances Levine, mother 00:03:37.060 --> 00:03:42.910 align:middle line:90% of Theodore, John, and Mark. 00:03:42.910 --> 00:03:47.680 align:middle line:84% Out of whatever we have been we will make something 00:03:47.680 --> 00:03:49.500 align:middle line:90% for the dark. 00:03:49.500 --> 00:03:50.000 align:middle line:90%