WEBVTT 00:00:00.000 --> 00:00:02.430 align:middle line:90% 00:00:02.430 --> 00:00:05.170 align:middle line:84% So new book is, I think the new book is about. 00:00:05.170 --> 00:00:08.189 align:middle line:84% Well, that book is about noise and how noise struggles 00:00:08.189 --> 00:00:10.382 align:middle line:84% to become language and literature and myth 00:00:10.382 --> 00:00:11.340 align:middle line:90% or something like that. 00:00:11.340 --> 00:00:14.670 align:middle line:84% This new thing is about literacy and types of literacy 00:00:14.670 --> 00:00:16.890 align:middle line:90% and how we value literacy. 00:00:16.890 --> 00:00:21.330 align:middle line:84% And how we think of skin even as a form 00:00:21.330 --> 00:00:23.220 align:middle line:90% of hierarchy and literacy. 00:00:23.220 --> 00:00:25.020 align:middle line:84% And the book is called Skin, Inc. 00:00:25.020 --> 00:00:27.450 align:middle line:84% So I'm going to go through it and talk about it. 00:00:27.450 --> 00:00:29.340 align:middle line:84% And it's also me traveling through 00:00:29.340 --> 00:00:31.110 align:middle line:84% the American and African-American 00:00:31.110 --> 00:00:32.100 align:middle line:90% literary tradition. 00:00:32.100 --> 00:00:34.530 align:middle line:84% So listening to the arguments and styles. 00:00:34.530 --> 00:00:37.620 align:middle line:84% And so dramatic content that I hear 00:00:37.620 --> 00:00:40.365 align:middle line:84% and sort of adding what my grandmother called my own three 00:00:40.365 --> 00:00:43.290 align:middle line:90% cents. 00:00:43.290 --> 00:00:48.450 align:middle line:84% This first thing is called, and they're meant to be percussive. 00:00:48.450 --> 00:00:51.782 align:middle line:90% "My Meter is Percussive." 00:00:51.782 --> 00:00:53.990 align:middle line:84% I'm trying to start fights with a lot of dead people. 00:00:53.990 --> 00:00:56.020 align:middle line:90% [LAUGHTER] 00:00:56.020 --> 00:00:57.820 align:middle line:90% "My meter is percussive. 00:00:57.820 --> 00:01:03.970 align:middle line:84% So throughout this worry, I am rolling my eyes. 00:01:03.970 --> 00:01:08.200 align:middle line:84% I am sucker punching I. The I that 00:01:08.200 --> 00:01:13.720 align:middle line:84% informs these lines It's like only I know I know how. 00:01:13.720 --> 00:01:17.560 align:middle line:84% I am breathing, repairing, breathing. 00:01:17.560 --> 00:01:24.040 align:middle line:84% Half interested in progress and half interested in progression. 00:01:24.040 --> 00:01:25.990 align:middle line:90% Never finished. 00:01:25.990 --> 00:01:31.240 align:middle line:84% I am not a unit of geography or race. 00:01:31.240 --> 00:01:38.170 align:middle line:84% My vocal skin fragments but not like A secretary to eloquence. 00:01:38.170 --> 00:01:43.090 align:middle line:84% If negritude, it fits better than any metaphor 00:01:43.090 --> 00:01:49.750 align:middle line:84% for river, weary mask, or light-skinned religion. 00:01:49.750 --> 00:01:54.040 align:middle line:90% I no longer write white writing. 00:01:54.040 --> 00:01:59.890 align:middle line:84% Yet white writing won't stop writing me. 00:01:59.890 --> 00:02:02.770 align:middle line:84% In life they clutched their purses 00:02:02.770 --> 00:02:08.139 align:middle line:84% because they want you to think you've stolen something. 00:02:08.139 --> 00:02:11.860 align:middle line:84% In art, they clutch their purses because they 00:02:11.860 --> 00:02:14.700 align:middle line:84% know you know they've stolen something. 00:02:14.700 --> 00:02:16.240 align:middle line:90% [LAUGHING] 00:02:16.240 --> 00:02:18.700 align:middle line:90% Most times, yo. 00:02:18.700 --> 00:02:24.400 align:middle line:84% The flow of my own Blackness freedoms to defend me. 00:02:24.400 --> 00:02:30.450 align:middle line:84% This lyric body a prosody sentenced." 00:02:30.450 --> 00:02:32.022 align:middle line:90%