WEBVTT 00:00:00.000 --> 00:00:00.457 align:middle line:90% 00:00:00.457 --> 00:00:02.415 align:middle line:84% I know you're as thirsty as I am and I'm sorry. 00:00:02.415 --> 00:00:05.030 align:middle line:90% 00:00:05.030 --> 00:00:07.370 align:middle line:90% It's a dry spell. 00:00:07.370 --> 00:00:09.710 align:middle line:84% I'm going to read three journey poems. 00:00:09.710 --> 00:00:13.240 align:middle line:90% 00:00:13.240 --> 00:00:15.880 align:middle line:84% Because of the nature of my method, 00:00:15.880 --> 00:00:18.310 align:middle line:84% I have absolutely no choice over my subject matter. 00:00:18.310 --> 00:00:20.440 align:middle line:84% I simply have to take what comes and go with it. 00:00:20.440 --> 00:00:24.250 align:middle line:84% I try to tap my subconscious or some nearby realms, 00:00:24.250 --> 00:00:27.040 align:middle line:84% and whatever comes up, I work with. 00:00:27.040 --> 00:00:30.280 align:middle line:84% So, very often, what comes up is a journey poem. 00:00:30.280 --> 00:00:31.870 align:middle line:90% I don't know why exactly. 00:00:31.870 --> 00:00:34.570 align:middle line:90% I suppose that it's universal. 00:00:34.570 --> 00:00:36.460 align:middle line:84% I suppose that man has always had 00:00:36.460 --> 00:00:38.260 align:middle line:84% the feeling if he could go somewhere else, 00:00:38.260 --> 00:00:39.950 align:middle line:90% he could be someone else. 00:00:39.950 --> 00:00:42.130 align:middle line:90% And this is something we want. 00:00:42.130 --> 00:00:44.470 align:middle line:84% I suppose it's the reason for much 00:00:44.470 --> 00:00:49.150 align:middle line:84% of the romance behind space travel and that sort of thing. 00:00:49.150 --> 00:00:53.053 align:middle line:84% Very often, my work is cast in the form of journey poem. 00:00:53.053 --> 00:00:54.970 align:middle line:84% We no longer believe in the fountain of youth, 00:00:54.970 --> 00:00:57.220 align:middle line:84% but I think we still look for it sometimes. 00:00:57.220 --> 00:00:59.230 align:middle line:90% I think it would be far away. 00:00:59.230 --> 00:01:03.292 align:middle line:84% The first of these poems is for my son, Brad. 00:01:03.292 --> 00:01:04.959 align:middle line:84% It has absolutely nothing to do with him 00:01:04.959 --> 00:01:07.990 align:middle line:84% it's just that he prefers it to all my poetry, 00:01:07.990 --> 00:01:12.010 align:middle line:90% and I always dedicate it to him. 00:01:12.010 --> 00:01:17.120 align:middle line:84% I think the setting is roughly an area in Kentucky, 00:01:17.120 --> 00:01:21.748 align:middle line:84% where the Ohio River meets the Mississippi River, 00:01:21.748 --> 00:01:23.290 align:middle line:84% if you know that area around Paducah. 00:01:23.290 --> 00:01:24.910 align:middle line:90% It's kind of swampy place. 00:01:24.910 --> 00:01:27.400 align:middle line:84% And I spent a summer there once and I think 00:01:27.400 --> 00:01:29.320 align:middle line:90% that's kind of in this poem. 00:01:29.320 --> 00:01:33.220 align:middle line:84% This poem always seems to me to be terribly wet. 00:01:33.220 --> 00:01:36.130 align:middle line:90% It's called "The Crossing. 00:01:36.130 --> 00:01:38.950 align:middle line:90% For Brad." 00:01:38.950 --> 00:01:41.380 align:middle line:90% "The journey is always return. 00:01:41.380 --> 00:01:44.770 align:middle line:84% What I cannot leave behind, I take with me. 00:01:44.770 --> 00:01:48.940 align:middle line:84% My hands, like dry vines torn from a wall. 00:01:48.940 --> 00:01:53.170 align:middle line:84% The memory of strangers, the smell of wet sidewalks, 00:01:53.170 --> 00:01:56.530 align:middle line:90% worn into the soles of my shoes. 00:01:56.530 --> 00:01:59.650 align:middle line:84% Just after dawn, the river exposes its wound, 00:01:59.650 --> 00:02:04.420 align:middle line:84% and I cross a bridge in love with its own reflection. 00:02:04.420 --> 00:02:08.320 align:middle line:84% A few lights are still on in houses downriver. 00:02:08.320 --> 00:02:12.670 align:middle line:84% A rowboat half sunk in the mud is calling for help. 00:02:12.670 --> 00:02:15.520 align:middle line:84% Even from this distance, I can tell 00:02:15.520 --> 00:02:19.120 align:middle line:90% the trees are crippled with age. 00:02:19.120 --> 00:02:21.580 align:middle line:84% I am full of other places and tired, 00:02:21.580 --> 00:02:24.370 align:middle line:84% like birds who return in the spring. 00:02:24.370 --> 00:02:27.070 align:middle line:84% I stumble through jonquils the color 00:02:27.070 --> 00:02:32.260 align:middle line:84% of flesh, past holy places where lovers and children have 00:02:32.260 --> 00:02:34.210 align:middle line:90% made nests in the matted grass. 00:02:34.210 --> 00:02:37.180 align:middle line:90% 00:02:37.180 --> 00:02:38.830 align:middle line:84% There are flying flags in the city 00:02:38.830 --> 00:02:41.440 align:middle line:90% of flags, so many at half mast. 00:02:41.440 --> 00:02:43.660 align:middle line:90% So many in my honor. 00:02:43.660 --> 00:02:46.920 align:middle line:90% They keep up appearances. 00:02:46.920 --> 00:02:50.190 align:middle line:84% I enter the city through a gate as old as smoke 00:02:50.190 --> 00:02:53.970 align:middle line:84% and have returned to my own people. 00:02:53.970 --> 00:02:57.000 align:middle line:84% Those beside whom this river passes always, 00:02:57.000 --> 00:03:00.450 align:middle line:84% will they forgive me the distance? 00:03:00.450 --> 00:03:05.910 align:middle line:84% Those without eyes who count days by fingering notches on 00:03:05.910 --> 00:03:07.380 align:middle line:90% sticks. 00:03:07.380 --> 00:03:11.820 align:middle line:84% Those who grow thin in silence, who do not permit their clothes 00:03:11.820 --> 00:03:13.590 align:middle line:90% to touch their bodies. 00:03:13.590 --> 00:03:17.010 align:middle line:84% Who have only their names to guide them. 00:03:17.010 --> 00:03:19.050 align:middle line:90% I walk among them. 00:03:19.050 --> 00:03:25.050 align:middle line:84% They bow two by two with their arms around one another. 00:03:25.050 --> 00:03:29.130 align:middle line:90% The signs say, keep moving. 00:03:29.130 --> 00:03:34.080 align:middle line:84% The flowers are stone faces covered with moss. 00:03:34.080 --> 00:03:39.020 align:middle line:84% I had no idea the dead lived so well." 00:03:39.020 --> 00:03:44.000 align:middle line:90%