WEBVTT 00:00:00.000 --> 00:00:01.380 align:middle line:90% 00:00:01.380 --> 00:00:06.960 align:middle line:84% Before the reading begins, CK Williams, the poet, 00:00:06.960 --> 00:00:11.790 align:middle line:84% will read on campus on February 2. 00:00:11.790 --> 00:00:14.980 align:middle line:84% Please watch for particulars about the auditorium, 00:00:14.980 --> 00:00:15.480 align:middle line:90% et cetera. 00:00:15.480 --> 00:00:16.710 align:middle line:90% That hasn't been decided yet. 00:00:16.710 --> 00:00:20.610 align:middle line:90% CK Williams on February the 2nd. 00:00:20.610 --> 00:00:23.460 align:middle line:84% The next two poets to come under the auspices of the Ruth 00:00:23.460 --> 00:00:28.560 align:middle line:84% Stephan Poetry Center would be May Swenson, on Tuesday 00:00:28.560 --> 00:00:30.060 align:middle line:90% February 10. 00:00:30.060 --> 00:00:36.480 align:middle line:84% She will read in the Liberal Arts Auditorium at 8:30. 00:00:36.480 --> 00:00:41.250 align:middle line:84% And on February 18, Robert Macy will 00:00:41.250 --> 00:00:44.430 align:middle line:84% read in this auditorium, the Modern Languages. 00:00:44.430 --> 00:00:50.390 align:middle line:90% 00:00:50.390 --> 00:00:53.570 align:middle line:84% We are learning to live in a new language. 00:00:53.570 --> 00:00:57.920 align:middle line:90% There is no word for return. 00:00:57.920 --> 00:01:01.490 align:middle line:84% Richard Shelton, however, has come back. 00:01:01.490 --> 00:01:04.519 align:middle line:84% It is with the greatest respect and the greatest 00:01:04.519 --> 00:01:07.610 align:middle line:84% personal pleasure that I tonight introduce to you a man who 00:01:07.610 --> 00:01:09.830 align:middle line:90% needs no introduction from me. 00:01:09.830 --> 00:01:11.600 align:middle line:90% [LAUGHTER] 00:01:11.600 --> 00:01:14.570 align:middle line:84% Many of you, like me, have followed the career 00:01:14.570 --> 00:01:16.670 align:middle line:84% of this man, who is smoothly taking 00:01:16.670 --> 00:01:21.380 align:middle line:84% his place beside the other great poets of this country. 00:01:21.380 --> 00:01:23.060 align:middle line:84% Mr. Shelton's poems have appeared 00:01:23.060 --> 00:01:28.010 align:middle line:84% in virtually every periodical of note, including Kayak, 00:01:28.010 --> 00:01:32.840 align:middle line:84% The Chicago Tribune Magazine, and the New Yorker magazine, 00:01:32.840 --> 00:01:36.140 align:middle line:84% to which he is a regular contributor. 00:01:36.140 --> 00:01:39.260 align:middle line:84% His first collection, Journal of Return, 00:01:39.260 --> 00:01:43.310 align:middle line:84% appeared last fall under the Kayak Press imprint. 00:01:43.310 --> 00:01:46.010 align:middle line:84% A second collection, The Tattooed Desert, 00:01:46.010 --> 00:01:49.790 align:middle line:84% is anticipated for publication late this year. 00:01:49.790 --> 00:01:54.050 align:middle line:84% Both reflect the apparently inexhaustible originality 00:01:54.050 --> 00:01:56.480 align:middle line:90% of Dick Shelton's eyesight. 00:01:56.480 --> 00:01:59.480 align:middle line:84% Ladies and gentlemen, Mr. Richard Shelton. 00:01:59.480 --> 00:02:02.830 align:middle line:90% [APPLAUSE] 00:02:02.830 --> 00:02:10.000 align:middle line:90%