WEBVTT 00:00:00.000 --> 00:00:02.100 align:middle line:90% 00:00:02.100 --> 00:00:03.780 align:middle line:84% The next poem is called "The Aliens." 00:00:03.780 --> 00:00:09.690 align:middle line:84% And it's about the people who come to visit you late at night 00:00:09.690 --> 00:00:12.150 align:middle line:90% with troubles on their mind. 00:00:12.150 --> 00:00:15.030 align:middle line:84% And it has a epigraph from Rilke, 00:00:15.030 --> 00:00:18.210 align:middle line:84% which is almost as long as the poem actually. 00:00:18.210 --> 00:00:23.250 align:middle line:90% But Rilke always seems to come. 00:00:23.250 --> 00:00:26.080 align:middle line:84% When it comes to problems between people, 00:00:26.080 --> 00:00:29.610 align:middle line:84% he always seems to come right there and say what's necessary. 00:00:29.610 --> 00:00:34.560 align:middle line:84% And this comes from his fictional autobiography 00:00:34.560 --> 00:00:36.300 align:middle line:84% called The Notebooks of Malte Laurids 00:00:36.300 --> 00:00:40.135 align:middle line:90% Brigge, which is a lovely book. 00:00:40.135 --> 00:00:42.420 align:middle line:90% The poem is called "The Aliens". 00:00:42.420 --> 00:00:45.690 align:middle line:84% I could simply write the history of my neighbors. 00:00:45.690 --> 00:00:48.930 align:middle line:84% To be sure, it would really be the case history 00:00:48.930 --> 00:00:51.780 align:middle line:84% of the symptoms they caused in me. 00:00:51.780 --> 00:00:55.270 align:middle line:84% But this they have in common with all such creatures. 00:00:55.270 --> 00:00:57.900 align:middle line:84% They can only be inferred from the disturbances 00:00:57.900 --> 00:00:59.430 align:middle line:90% they create in certain tissues. 00:00:59.430 --> 00:01:02.970 align:middle line:90% 00:01:02.970 --> 00:01:04.910 align:middle line:90% These are real people. 00:01:04.910 --> 00:01:09.320 align:middle line:84% Shy as mice they tap and never go away. 00:01:09.320 --> 00:01:13.100 align:middle line:84% They enter our houses and private lives. 00:01:13.100 --> 00:01:18.200 align:middle line:84% Our heart should receive them, we tell ourselves like blood. 00:01:18.200 --> 00:01:22.220 align:middle line:84% They lunge at us, smiles like wrinkled fruit. 00:01:22.220 --> 00:01:26.900 align:middle line:84% Whole bodies quiver in terror of greetings. 00:01:26.900 --> 00:01:29.000 align:middle line:90% Their souls crawl out. 00:01:29.000 --> 00:01:32.810 align:middle line:84% One tells a story of wet tears in a paper bag 00:01:32.810 --> 00:01:35.360 align:middle line:90% who would cry all night. 00:01:35.360 --> 00:01:39.290 align:middle line:84% And one has a desire for motherhood, a dark pillow 00:01:39.290 --> 00:01:41.930 align:middle line:90% releasing its feathers. 00:01:41.930 --> 00:01:46.280 align:middle line:84% They dis-attach like embryos of how they could have lived 00:01:46.280 --> 00:01:49.160 align:middle line:90% had the world been right. 00:01:49.160 --> 00:01:52.070 align:middle line:90% Light rests on our shoulders. 00:01:52.070 --> 00:01:55.790 align:middle line:84% Often it seems we want to fall asleep. 00:01:55.790 --> 00:02:01.460 align:middle line:84% They are our bad dreams, the jinns of our crippled children. 00:02:01.460 --> 00:02:05.960 align:middle line:84% If we love them, we cry out with a real longing 00:02:05.960 --> 00:02:10.759 align:middle line:84% for these are the creatures our dying parents dreamed of. 00:02:10.759 --> 00:02:15.110 align:middle line:84% Wide eyed and naked, serious as opera, 00:02:15.110 --> 00:02:18.540 align:middle line:84% they beg for a small piece of our lives, 00:02:18.540 --> 00:02:20.950 align:middle line:90% what we might have been.