WEBVTT 00:00:00.000 --> 00:00:00.780 align:middle line:90% 00:00:00.780 --> 00:00:04.110 align:middle line:84% I live in Syracuse, New York now, 00:00:04.110 --> 00:00:07.390 align:middle line:84% and I will read a poem called "The Tourist from Syracuse," 00:00:07.390 --> 00:00:10.740 align:middle line:84% which I hasten to say isn't personal. 00:00:10.740 --> 00:00:13.520 align:middle line:90% 00:00:13.520 --> 00:00:16.020 align:middle line:84% I wrote it before I knew that I would be living in Syracuse, 00:00:16.020 --> 00:00:17.460 align:middle line:90% I would defend myself. 00:00:17.460 --> 00:00:20.670 align:middle line:84% It comes from-- it takes its starting point 00:00:20.670 --> 00:00:22.530 align:middle line:84% from a sentence in a murder mystery 00:00:22.530 --> 00:00:25.860 align:middle line:84% by John D. MacDonald called Murder for the Bride. 00:00:25.860 --> 00:00:29.490 align:middle line:84% The sentence goes like this, "One of those men, 00:00:29.490 --> 00:00:32.460 align:middle line:84% who can be a car salesman or a tourist 00:00:32.460 --> 00:00:36.330 align:middle line:84% from Syracuse or a hired assassin." 00:00:36.330 --> 00:00:43.650 align:middle line:84% And the person speaking the poem is that person, 00:00:43.650 --> 00:00:45.690 align:middle line:90% and not necessarily me. 00:00:45.690 --> 00:00:49.530 align:middle line:90% 00:00:49.530 --> 00:00:53.880 align:middle line:84% He says, you would not recognize me. 00:00:53.880 --> 00:01:00.330 align:middle line:84% Mine is the face which blooms in the dank mirrors of washrooms 00:01:00.330 --> 00:01:04.080 align:middle line:84% as you grope for the light switch. 00:01:04.080 --> 00:01:09.270 align:middle line:84% My eyes have the expression of the cold eyes of statues 00:01:09.270 --> 00:01:13.440 align:middle line:84% watching their pigeons return from the feed you 00:01:13.440 --> 00:01:15.300 align:middle line:90% have scattered. 00:01:15.300 --> 00:01:21.660 align:middle line:84% And I stand on my corner with the same marble patience. 00:01:21.660 --> 00:01:25.320 align:middle line:84% If I move at all, it is at the same pace 00:01:25.320 --> 00:01:28.320 align:middle line:84% precisely as the shade of the awning 00:01:28.320 --> 00:01:30.870 align:middle line:90% under which I stand waiting. 00:01:30.870 --> 00:01:36.930 align:middle line:84% And with whose blackness it seems I am already blended. 00:01:36.930 --> 00:01:41.850 align:middle line:84% I speak seldom and always in a murmur as quiet 00:01:41.850 --> 00:01:48.030 align:middle line:84% as that of crowds which surround the victims of accidents. 00:01:48.030 --> 00:01:51.360 align:middle line:90% Shall I confess who I am? 00:01:51.360 --> 00:01:55.440 align:middle line:90% My name is all names and none. 00:01:55.440 --> 00:02:00.600 align:middle line:84% I am the used car salesman, the tourist from Syracuse, 00:02:00.600 --> 00:02:03.990 align:middle line:90% the hired assassin waiting. 00:02:03.990 --> 00:02:09.150 align:middle line:84% I will stand here forever, like one who has missed his bus. 00:02:09.150 --> 00:02:14.160 align:middle line:84% Familiar, anonymous, on my usual corner, 00:02:14.160 --> 00:02:19.650 align:middle line:84% the corner at which you turn to approach that place where now 00:02:19.650 --> 00:02:22.700 align:middle line:90% you must not hope to arrive. 00:02:22.700 --> 00:02:24.092 align:middle line:90%