WEBVTT 00:00:00.000 --> 00:00:04.350 align:middle line:84% Whatever truth these two people embody-- 00:00:04.350 --> 00:00:06.330 align:middle line:84% and again, I stress that it is the truth 00:00:06.330 --> 00:00:10.900 align:middle line:84% that I most respect in any that I have found in human beings 00:00:10.900 --> 00:00:13.180 align:middle line:90% so far-- 00:00:13.180 --> 00:00:15.600 align:middle line:84% they also have something else, which I respect but cannot 00:00:15.600 --> 00:00:20.460 align:middle line:84% share, an unawareness of their importance. 00:00:20.460 --> 00:00:23.670 align:middle line:84% They're in some way symbolic beings. 00:00:23.670 --> 00:00:25.290 align:middle line:84% And part of their importance to me 00:00:25.290 --> 00:00:27.990 align:middle line:84% is that they don't quite know how important they 00:00:27.990 --> 00:00:30.060 align:middle line:84% are, what they stand for, what they're 00:00:30.060 --> 00:00:37.290 align:middle line:84% doing what they are custodians of nor it seems are they aware. 00:00:37.290 --> 00:00:39.540 align:middle line:84% But who are I or who was anyone to say 00:00:39.540 --> 00:00:43.890 align:middle line:84% are they aware of the actual facts of their ordeal, 00:00:43.890 --> 00:00:45.780 align:middle line:84% of the conditions in which one is 00:00:45.780 --> 00:00:48.210 align:middle line:90% expected to undergo one's life? 00:00:48.210 --> 00:00:51.120 align:middle line:90% 00:00:51.120 --> 00:00:56.160 align:middle line:84% And this to this extent I can share it like all of us 00:00:56.160 --> 00:01:00.900 align:middle line:84% must but mostly we are unaware of the stages of the ordeal-- 00:01:00.900 --> 00:01:03.030 align:middle line:84% we are born, we grow up, we mature, 00:01:03.030 --> 00:01:06.810 align:middle line:84% we love, we reproduce, we fight, we die, 00:01:06.810 --> 00:01:11.430 align:middle line:84% always dying is the end of the experiment. 00:01:11.430 --> 00:01:14.100 align:middle line:84% And we must put this knowledge away from us, 00:01:14.100 --> 00:01:18.240 align:middle line:84% postpone it if we are to live in a way which is not 00:01:18.240 --> 00:01:22.990 align:middle line:84% intolerable except for certain moments 00:01:22.990 --> 00:01:26.490 align:middle line:84% when the process in which we are involved presents itself to us 00:01:26.490 --> 00:01:31.950 align:middle line:84% directly exactly as what it is and we surprise ourselves 00:01:31.950 --> 00:01:33.840 align:middle line:90% as what we are. 00:01:33.840 --> 00:01:37.080 align:middle line:84% And this kind of sacramental moment 00:01:37.080 --> 00:01:41.340 align:middle line:84% has led me on many occasions to be more aware of what 00:01:41.340 --> 00:01:44.370 align:middle line:84% is going on and to, of course, write poems 00:01:44.370 --> 00:01:50.940 align:middle line:84% about reality as cost in these nodal points. 00:01:50.940 --> 00:01:56.760 align:middle line:84% And I'm going to read a few short poems of this kind. 00:01:56.760 --> 00:02:00.240 align:middle line:84% The first is called "Chrysalides." 00:02:00.240 --> 00:02:02.340 align:middle line:84% It concerns that curious moment-- it 00:02:02.340 --> 00:02:05.940 align:middle line:84% was my first, as I remember my first personal contact 00:02:05.940 --> 00:02:10.440 align:middle line:84% with the opponent, the process, the ordeal, whatever 00:02:10.440 --> 00:02:13.890 align:middle line:90% one wishes to call us. 00:02:13.890 --> 00:02:18.120 align:middle line:84% At a point after finishing high school 00:02:18.120 --> 00:02:20.550 align:middle line:84% or the equivalent of high school as it was in Ireland-- 00:02:20.550 --> 00:02:26.250 align:middle line:84% secondary-- one has finished basic education, 00:02:26.250 --> 00:02:29.520 align:middle line:84% one hasn't quite begun to live, one 00:02:29.520 --> 00:02:33.030 align:middle line:84% hasn't begun to earn one's keep, one is not quite grown up 00:02:33.030 --> 00:02:34.380 align:middle line:90% but is no longer a child. 00:02:34.380 --> 00:02:37.530 align:middle line:84% It is a curious intermediate pause 00:02:37.530 --> 00:02:45.460 align:middle line:84% in life characterized by a sort of lavishness hesitancy. 00:02:45.460 --> 00:02:49.090 align:middle line:84% And in the image of the title of the poem "Chrysalides" 00:02:49.090 --> 00:02:53.680 align:middle line:84% it is I see it as the final stage of the growth 00:02:53.680 --> 00:02:54.730 align:middle line:90% of the personality. 00:02:54.730 --> 00:02:57.550 align:middle line:84% We are in the chrysalis stage at this point 00:02:57.550 --> 00:03:02.230 align:middle line:84% just before the chrysalis breaks open to reveal the final state 00:03:02.230 --> 00:03:05.240 align:middle line:90% of the personality. 00:03:05.240 --> 00:03:09.110 align:middle line:84% "Our last free summer we mooned about at odd hours 00:03:09.110 --> 00:03:11.720 align:middle line:84% pedaling slowly through country towns, 00:03:11.720 --> 00:03:15.500 align:middle line:84% stopping to eat chocolate and fruit, tracing of the galleries 00:03:15.500 --> 00:03:17.570 align:middle line:90% on the map. 00:03:17.570 --> 00:03:20.000 align:middle line:84% At night we watched in the barn to the lurch 00:03:20.000 --> 00:03:23.480 align:middle line:84% of melodious music, the crunching boots of countrymen 00:03:23.480 --> 00:03:26.090 align:middle line:84% huge and weightless as their shadows 00:03:26.090 --> 00:03:30.350 align:middle line:84% twirling and leaping over the yellow concrete. 00:03:30.350 --> 00:03:34.880 align:middle line:84% Sleeping too little or too much we awoke at noon 00:03:34.880 --> 00:03:37.160 align:middle line:84% and were received with womanly mockery 00:03:37.160 --> 00:03:40.730 align:middle line:84% into the kitchen like calves poking our faces 00:03:40.730 --> 00:03:43.910 align:middle line:90% in with enormous hunger. 00:03:43.910 --> 00:03:46.430 align:middle line:84% Daily we strapped our saddle bags 00:03:46.430 --> 00:03:49.550 align:middle line:84% and went to experience a tolerance we shall never 00:03:49.550 --> 00:03:51.620 align:middle line:90% know again. 00:03:51.620 --> 00:03:54.110 align:middle line:84% Confusing for the last time for example, 00:03:54.110 --> 00:03:57.530 align:middle line:90% the lysate and the familiar. 00:03:57.530 --> 00:04:01.820 align:middle line:84% Our instinct blurred with change, a strange wakefulness 00:04:01.820 --> 00:04:05.000 align:middle line:84% sapped our energies and dulled our slow beating 00:04:05.000 --> 00:04:10.010 align:middle line:84% hearts to the extremes of feeling insensitive or light 00:04:10.010 --> 00:04:13.700 align:middle line:84% to the unique succession of our youthful midnight 00:04:13.700 --> 00:04:17.990 align:middle line:84% when by a window ablaze softly with the virgin moon, 00:04:17.990 --> 00:04:22.880 align:middle line:84% dry scones, and jugs of milk awaited us in the dark. 00:04:22.880 --> 00:04:27.080 align:middle line:84% Or to lasting horror, a wedding slight of ants spawning 00:04:27.080 --> 00:04:30.020 align:middle line:84% to its death, a mute perspiration 00:04:30.020 --> 00:04:35.140 align:middle line:84% glistening like drops of copper agonized in our path." 00:04:35.140 --> 00:04:36.000 align:middle line:90%